Hollywood or Bust

1956 "A COAST TO COAST FUN TOOT!"
6.4| 1h35m| NR| en| More Info
Released: 06 December 1956 Released
Producted By: Paramount
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

The last movie with Jerry Lewis and Dean Martin together, is a satire of the life in Hollywood. Steve Wiley is a deceiver who cheats Malcolm Smith when he wins a car, claiming that he won it too. Trying to steal the car, Steve tells Malcolm that he lives in Hollywood, next to Anita Ekberg's. When Malcom hears that, they both set out for Hollywood and the adventure begins...

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JKlein9823 I caught this on YouTube soon after the great Jerry Lewis passed away. I always love to read the "backstories" about films, so I read about it in Wikipedia and IMDb before I watched it. This was the comedy team's final film, and the two barely spoke to each other off camera during the shoot. You can't tell that from the finished film, because the chemistry between the two is there. Because the version I saw on YouTube turned off the audio whenever there was a song (for music copyright reasons), I can't comment on the music, but I am sure that it was good. Enjoyable, frothy comedy.
Irishchatter I honestly had the best times watching these pair together in all of their films I have seen. They were so incredibly brilliant by all the antics, performances and singing I have experienced in watching them by being such the best men in the whole of the show business industry. I am glad to have known that they teamed up before Martin decided to go with the Rat Pack (who I absolutely adore as well) after splitting up with Lewis. They are both legends, they were incredible!Anyways back to the movie, it was funny to have seen a Great Dane to journey with the two men and Lewis calling him a silly name - Mr. Bascomb. I wonder why he came up with that name for the poor dog xD I liked how Lewis had a personality of a fan boy, you normally don't see lads playing as fan boys in movie but I swear, he hit the nail there with his acting skills! I can feel by the look on their eyes that the duo knows that this is their last movie and they are gonna make it worth the effort to make this a memory of their lifetime. It breaks your heart that they split but they were brilliant so definitely I will make this a memory in 2016 that I have discovered these Lads in the 50's. 💟💟💟
Spikeopath Malcolm Smith loves the movies and especially Anita Ekberg. Getting one of his lucky feelings, Malcolm buys a ream of raffle tickets to win a car. Sure enough he wins, but so does gigolo gambler Steve Wiley, who, not unsurprisingly has won by less than honourable means. Refusing to give out two cars, the promotion merely tells the men that they will have to share the car. Much to Steve's annoyance as he has debts to pay. So deviously he agrees to drive with Malcolm to Hollywood, planning to ditch him at the first chance he gets. Only he hadn't figured on Mr. Bascom, Malcolm's Great Dane who's along for the ride, and an encounter with the pretty Terry Roberts. Yep, it's safe to say this is not going to be an ordinary road trip.With their relationship deeply fractured at this time (this was their last film together), it's something of a surprise to find that Hollywood Or Bust is one of the finest films that Dean Martin (Steve) and Jerry Lewis (Malcolm) made. Everything that made the duo so massively popular is in here, even into the bargain daring to cast a satirical slant to the whiles and trials of Hollywood itself. A lot of the credit has to go to director Frank Tashlin. Tashlin, who was also at the helm for arguably the boys career high point Artists & Models, keeps the whole thing zippy, steering the duo in a direction to which they simply could not fail.Sure enough the humour is almost juvenile at times, and yes Dean of course croons and tries to bed the girl (a spiky Pat Crowley as Terry), but it's got such a sense of joy to it, the kind of joy that much like Artists & Models, can really lift the blues. Stand out songs from the Sammy Fain and Paul Francis Webster score are "A Day in the Country" and "It Looks Like Love", whilst it will be tough not to giggle at some of the antics of Mr. Bascom and the irrepressible Lewis, particularly with one particular movie parody. Anita Ekberg comes and joins in the fun later in the piece, just in time for the riotous carnage that you know is around the corner.If the sight of a Great Dane driving a car is not funny to you? Well chances are you should avoid this film completely. But that would be a shame for it's a delightful film, brisk and cheeky, it's most definitely one that's in desperate need of reappraisal from the grumpy brigade because it's a real blues lifter. 8/10
Brevity Oh, poor little film, only three user comments! I'll scribble something for self-amusement, so, uh... You might as well skip this.The film is indeed highly enjoyable.Some of the bits are stupid, borderline-infantile in fact, but that matters not.The movie buff element could've been emphasized more.I need to see more Tashlin. Nice cartooniness again, though the look of "Artists and Models" is even sweller. In fact, it's better overall.The songs, in something of a surprise, are great!The dialogue sparkles at times, which I appreciate much.What, that's it?