AaronCapenBanner Herbert L. Strock once again directs a horror thriller for AIP, but this time with a twist: This story is about AIS studio make-up artist Pete Dumond(inspired by real-life Universal make-up artist Jack Pierce?) who turns homicidal after new owners fire him, intending to phase out horror pictures altogether! Enraged, he uses a combination of hypnosis and his own chemical compound to transform actors Gary Conway(Teenage Frankenstein) and Gary Clarke(Teenage Werewolf, in place of Michael Landon)into real monsters, who kill all those who would put Pete out of work. Local police are of course baffled. Despite a clever premise, this is otherwise uninspired, being just another standard revenge picture, leading to a silly and abrupt finale. Still, it is amusing to think of the unfinished "Teenage Werewolf Vs. Teenage Frankenstein" picture being made in the film!

vtcavuoto If you enjoyed "I was a Teenage Werewolf","Blood of Dracula" and "I was a Teenage Frankenstein", you will enjoy this. It mixes the two genres that helped American International Studios become successful: teenage exploitation and horror films. A make-up artist is told his services will no longer be needed after new studio bosses arrive. Seeking revenge, he mixes an unknown substance into his make-up. After applying the formula and foam, hair,etc. onto the teenage actors' faces, he bids them to kill those who had fired him. The acting is decent, the music is a blend of old and reused scores("I was a Teenage Frankenstein" for one)and there is enough action to keep things moving along. Gary Conway reprises his Frankenstein role and there are supporting roles from B movie vets Morris Ankrum and Thomas B. Henry. Overall,a film that has some good elements and is enjoyable Drive-In fare from the 1950s.

Brandt Sponseller How to Make a Monster is an American International Pictures film about and set on the lot of American International Pictures. The premise is that the studio has been sold, and the new owners are going to make some major changes, including canning in-house employee Pete Dumond (Robert H. Harris), a noted master of horror make-up. It then becomes a relatively simple revenge flick, with a nice, slightly sci-fi twist in the method of revenge.The idea behind this film is very clever. It also provided an effective means of saving money on the production, since not many sets had to be built or dressed, and even when that was necessary, AIP was able to use materials on hand from other films, such as the gallery of masks, in a way that makes this a self-referential treat for horror fans. The idea is good enough that especially in our modern era of film industry cannibalization, it's surprising that it hasn't been used far more often.Aside from the admirable tightness of the script and the evergreen attraction of revenge films, How to Make a Monster works as well as it does because of the performances. Harris is a fairly subtle psycho, and extremely effective as an anti-hero. Especially in contemporary times, his situation--getting laid off after a company takeover--will find him many sympathizers, but it's also that he plays the role with such a mellow, likable, grandfatherly charm, and a self-righteousness rooted in his expertise and pride in a job well done. As others have noted, there are subtexts in the film of (homo)sexual predation, which give an added air of creepiness to Harris. His unwitting targets on that end, Tony Mantell (Gary Conway) and Larry Drake (Gary Clarke), are played with an appropriate wide-eyed and willing innocence.If there's a flaw in How to Make a Monster it's that nothing about it--except maybe the very final scene--is particularly atmospheric or suspenseful, but oddly, it really doesn't matter, because it's a good story told well enough that it keeps you engaged for its length. I still haven't quite figured out why a few American International Pictures, including this one, I Was a Teenage Frankenstein (1957) and War of the Colossal Beast (1958), have the final scenes in color (I know it was a gimmick, but I don't really get the attraction of it as a gimmick), but it doesn't disrupt the flow of the film and it's nice seeing the gallery of masks in color.

Chris Gaskin How To Make a Monster is the third of the movies from American International to feature teenage monsters and follows I Was a Teenage Frankenstein and I Was a Teenage Werewolf.A movie maker, Pete Dumond is fired when new people take over the studio where he works, American International. Instead of horror pictures, the new owners specialise in musicals and comedies. Pete gets revenge on the new owners by murdering them using his movie monsters, the werewolf, Frankenstein monster and also himself dressing up as a caveman. Victims include a security guard. He then takes his assistant and the two boys he uses for the monsters back to his place and after killing his assistant, he accidentally sets fire to his home but the boys manage to escape the inferno just as coppers arrive.We get to see heads from various other monsters from AIP movies in Pete's home, including the carrot monster from It Conquered the World.The cast includes Robert H Harris, Paul Brinegar, Gary Clarke, Gary Conway (Land of the Giants) reprising his monster role from I Was A Teenage Frankenstein and sci-fi regulars Morris Ankrum (Invaders From Mars, Earth vs the Flying Saucers) and Robert Shayne (The Giant Claw, Teenage Caveman).This movie is a must for all 50's sci-fi/horror buffs. Great fun.Rating: 3 stars out of 5.