How to Murder Your Wife

1965 "Bring The Little Woman...Maybe She'll Die Laughing!"
How to Murder Your Wife
6.5| 1h58m| NR| en| More Info
Released: 26 January 1965 Released
Producted By: United Artists
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Stanley Ford leads an idyllic bachelor life. He is a nationally syndicated cartoonist whose Bash Brannigan series provides him with a luxury townhouse and a full-time valet, Charles. When he wakes up the morning after the night before - he had attended a friend's stag party - he finds that he is married to the very beautiful woman who popped out of the cake - and who doesn't speak a word of English. Despite his initial protestations, he comes to like married life and even changes his cartoon character from a super spy to a somewhat harried husband.

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davidjanuzbrown How To Murder Your Wife ( HTMYW) is not a movie to be taken seriously. It is a spoof of spy movies and sex comedies. . I can imagine there would be a lot of women who would not care for this movie ( and a lot of guys who do ( myself included)). It's about a cartoonist named Stanley Ford (Jack Lemmon) who gets drunk and marries the girl who comes out of the cake ( the luscious Virna Lisi). Here is the thing: Lisi ( who as an Italian speaks no English) actually takes good care of Stanley ( if the writers wanted to be nasty, they could have made her a shrew ( like his lawyer's wife played by Claire Trevor)). Spoilers ahead: What it is about is killing his wife in a comic strip so the character can go back to being a spy. For that reason Stanley gets indicted for killing his wife ( she actually ran away because she ( like everyone else) thinks he will kill her). He admits to killing her, but gets acquitted ( to send a message to the jurors wives). What is important is Stanley really loves his wife which he admitted to his nasty woman hating butler ( Terry-Thomas) who along with Lisi ( for different reasons of course) steals the movie. Lisi's character who is called "Mrs. Ford ( you never learn her first name), eventually wins the battle of the sexes because even Terry-Thomas says "If he ( Stanley) can stand her, so can I." He then meets her mom and falls for her. What is important is almost any guy would love to be with Virna Lisa ( think Marilyn Monroe meets Sophia Loren), but she is actually decent ( she will not sleep with him at the end without the ring on her finger ( which he has)), and actually makes his life better ( even though she gets him kicked out of his men's only club by showing up there), and has him gain weight. What you see throughout the movie is a lot of unhappy men who picked the wrong woman ( since all are successful ( except the jurors), it makes you think they married not out of love but for social status) so they are miserable ( that is why they join clubs to get away from them). Stanley ends up with an entirely different kind of woman and learns to love her because of who she is. Besides if the choice is getting drunk with the guys or spending the night with Virna Lisi, the choice is very easy. 10/10 stars.
secondtake How to Murder Your Wife (1965)Jack Lemmon is sharp and almost single handedly keeps this deliberate farce from falling completely apart. It's a slick production, very well filmed, but it's also mindlessly sexist from our point of view, and downright stupid at times, too, for other reasons.That's why a lot of people like it. This is really the flip side to the 1960s, pre-Woodstock. As a kind of set-up for this you might watch the truly amazing 1960 Jack Lemmon movie, "The Apartment," which has different stylistic intentions but has an odd overlap in plot. In both movies Lemmon plays a bachelor in corporate America when a woman unexpectedly enters his life, and his living space. But how different could two movies be in how this is handled? The earlier one, a masterpiece by Billy Wilder, is about both the shenanigans of the white collar set, and the boorish sexism they drag with them and about an alternative, in Lemmon's character, finding genuine human affection and standing up for what he feels. In this later movie Lemmon's character is just as silly as his peers, and the scenes are variations of girl watching and comic sexing up of this man's manly world.Granted, this is a comedy, and a clever one. The odd hook is our hero is a popular comic strip artist, and when he gets an idea he enacts it in detail with his butler taking pictures of the scenes. That way he gets fresh ideas on how to illustrate the crazy events, but of course he also has to pretend to do some crazy stuff in public. It's pretty hilarious on that level, and when the problem of the woman enters the equation, he tries to turn it into material for his comics. That works for awhile.The actors around Lemmon are not all convincing, though his butler is rather wonderfully affected. The women, not surprisingly, are all pretty shallow and decorative, the main one being a true Italian import, the actress Virna Lisi, who thankfully did mostly Italian movies before drifting into television. She is meant to be a Marilyn Monroe look-alike and does pretty well at it, but you do wonder what we need a Marilyn Monroe look-alike for three years after her death.Anyway, this kind of movie is an acquired taste, and I'm drifting more and more away from this style, having seen a dozen or so in the last few months. Luckily the Netflix version is nice and sharp and is full widescreen. I just can't do as another reviewer wrote, "I laugh I lust," and so I'm maybe unqualified to enjoy this movie, whatever its comedic charms.
Steven Ramirez 'How to Murder Your Wife' is an absolute gem from the early 1960s. It's also a time capsule since most people today cannot relate to the mores of that time. The premise of this story is that women are beautiful and conniving while men are "feeble-minded idiots." Consequently women can only be happy in marriage while men can only be happy being single.To me, this was a perfect vehicle for Jack Lemmon who in the character of Stanley Ford is surprisingly physical. Also it's a great companion to 'Lover Come Back,' 'A Guide for the Married Man' and the darker 'The Apartment'—also starring Jack Lemmon.I highly recommend this movie. After almost half a century it still holds up.
winstonfg OK, maybe not; but on the surface the messages of both are surprisingly similar: The 'other side' are demons and it's OK to kill 'em.Unlike 'Thelma' though, this movie is played entirely for laughs … and in my view succeeds very well. All the leads (Terry-Thomas in particular) are great, and Virna Lisi is spot on – as well as being absolutely stunning. I also agree with everyone else about Neal Hefti's score: it sounds remarkably like the theme to the Odd Couple, and you'll find yourself humming it days later.Yes, the women are cardboard cut-outs and the courtroom scene is over the top (I think they could have played it almost the same and simply acquitted him of having the *idea* of killing his wife), but this was a generation before T&L, and society was very different then.Funny thing is, they could never make a movie like this now; but they certainly could (and probably will) remake 'Thelma'.