The Karate Killers

1967 "A new U.N.C.L.E. thriller !"
The Karate Killers
5.3| 1h30m| NR| en| More Info
Released: 07 April 1967 Released
Producted By: Arena Films
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

International spies Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) travel around the globe in an effort to track down a secret formula that was divided into four parts and left by a dying scientist with his four of five daughters, all of whom live in different countries. His widow, Amanda, is murdered at the beginning by the counter-spies of the organization THRUSH. Evil THRUSH agent Randolph also wants the formula, and is aided by his karate-chopping henchmen.

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StuOz The men from UNCLE are at it again.I am okay with the spy genre but I don't actually call myself a fan of spy movies/TV shows. I am indeed a fan of 1960s adventure shows (Batman, Voyage to the Bottom of the Sea, QM's The Invaders, etc) and this is why I am drawn to the UNCLE movies. I also like Robert Vaughn as Solo.The film is a very busy affair. The Karate Killers requires repeat viewings before it grows on you. I hated it the first couple of times I saw it but it grew on me the third time. I would not call it the best of the eight UNCLE movies but it is not he worst (the worst is One Of Our Spies Is Missing).He gets no credit, but 1966 Batman composer - Nelson Riddle - did some of the music in this film.
gridoon2018 Larger in scale and more ambitious in scope than the previous "Man From U.N.C.L.E" theatrical features, "The Karate Killers" is a colorful production, with a great cast (though many of the guest stars have little more than cameos), and packed with action that is constant, varied, and, in some cases (like the opening sequence or the one with the skis), can almost equal the James Bond films of the era. However, the globe-trotting, though ambitious, is not very convincing - least of all in the Japanese section. And the film contains a few too many scenes of women getting slapped for my taste; these do not sit too well with the general tone of the picture, and threaten to spoil the mood. **1/2 out of 4.
jc-osms The third "The Man From U.N.C.L.E." spliced for cinema double feature I've watched in a couple of weeks and perhaps fatigue is setting in. It's just not the same as when I was a boy of 7 or 8 in the 60's avidly gawping at our old black and white TV getting my weekly fix of spy-fun and action.Notable for being one of the few from the as I call them composites not to include the word "spy", there was as much good as bad about this feature. Amazing to see Joan Crawford in a cameo role and her commendable acceptance of the in-joke when told by her soon to be murderous husband to "not be so melodramatic". The pretty thin narrative then as ever takes the U.N.C.l.E. agents world wide (that is, studio sets of world-wide locations, including London, The Swiss Alps, Tokyo and eventually the Arctic Circle) where we get about 20 minutes of action, confusion, romance and drollery but to be sure the law of diminishing returns applies with dividends until we get the usual against the clock climax not about the world coming to an end but about a water-into-gold process, not quite the same really.There are other celeb turns in the cast behind The Grand Dame Joan, the best of them, a perky Terry Thomas, for once not playing the cad and ending up enviously with the curvaceous later to be Mrs Charles Bronson, Jill Ireland, a camp Telly Savalas as an Italian count and that's Kim Darby (once Anne Frank in George Steven's 1950's epic) as the fresh but hardly cute accoutrement to the boys in their travels.The direction is very patchy. Herbert Lom's T.H.R.U.S.H. boss only lacks pantomime music with his every so unexpected they're expected entrance, there are some terrible process shots of Robert Vaughn on a motor bike and worse yet a motorbike versus car chase. The gormless band which you couldn't say "belts" out "Come On Down To My Boat" in the London sequence didn't float mine either.And yet there was one snow-skiing confrontation which seemed to prefigure a superior revision in "On Her Majesty's Secret Service" (the pupil teaching the master?) and I kind of liked a fade up shot from David McCallum's "Rubber Soul"-type hair as he comes around from unconsciousness yet one more time.But I'm reaching here. The 8 year old over 40 years ago would have lapped up this escapist fare without quibbles but a movie feature it isn't. I'll watch any other "U.N.C.L.E." films which come on, mainly for my nostalgia and the coolness of the two leads Vaughn and McCallum, but by this stage, the unwelcome influence of campness (derived no doubt from the contemporary success of the likes of the original "Batman" TV series) was making inroads and no amount of modernity or celebrity cameos could bring it back.
nickandrew This rarely seen TV movie is only shown on Turner Classic Movies when Joan Crawford is the star of the month, but she has a brief, but excellent appearance early on and then is murdered by "The Karate Killers." The plot revolves around the Men from U.N.C.L.E. on a continental adventure tracking down five daughters of a deceased scientist, who had a secret formula that turns seawater into gold, but they have to fight off bad guy Randolph and his "Karate Killers" who are after it. I guess you have to be from the generation of TV viewers who are familiar with the show The Man from U.N.C.L.E. to really appreciate it, since it is action-packed, but at times corny and far-fetched.