Michael_Elliott I, Madman (1989)** (out of 4) Virginia (Jenny Wright) is a bookworm who works in an antique bookstore. She reads a bizarre story from a not so famous author and after that she tries tracking down his rarer second book. The book ends up at her doorstep and after reading it she believes someone from the book is trying to kill her.I, MADMAD has some really, really interesting ideas but sadly the execution isn't all that great and we're left with your typical 80's slasher. As the film got started I became rather nervous because there's really nothing less scary than dream sequences. What could be worse is that this film shows us our lead character re-enacting what she is reading and this adds up to even less scary scenes. These scenes are just her imagination so you know there's not a real threat going on.As the film moves along it doesn't get much better because the interesting aspect pretty much gets put to the side and instead we're treated to a bland slasher. The main killer isn't all that interesting and the kill scenes are all rather lame and not very creative. I'm not sure if the budget didn't allow for better effects or if the MPAA cut into the film but either way they don't work.The one saving grace is Wright who is quite charming and fun in her role. She's certainly the best thing in the picture but it's too bad she didn't have more to work with.

jonathanmckenna This innovative low-budget effort is about an avid reader of horror novels. Whenever she reads from the pages of a horror book entitled "I, Madman" she wanders off into a dreamland and witnesses lurid murders being committed by a grotesque figure in a black robe and scarf. Only then she discovers that the murders are occurring in real life exactly as it occurs from the novel.Ultimately I found this film quite enjoyable, and only has a few minor flaws and the acting is above average from everyone involved. The most intense and quite chilling scene in the entire movie is the woman being drugged and scalped in a semi-conscious state. That was quite brutal to watch I admit and a well illustrated death. Most of the "shock" scenes and red herrings are predictable however (esp. the killer's appearance in the elevator). The gore factor is adroitly used and convincing, the removed lips and nose effects on the killer and victims are shockingly effective and the suspense never lets up after it's initial tedious 30 minutes. Jenny Wright is well used in this horror outing and is way above the caliber than the depressing "Near Dark" ever thought of being, in my opinion. Mind you, after reading the rave reviews from other fellow IMDb viewers, I don't find this one the "cream of the crop" of B-Horror films, it has the same standard elements of B-Horror films such as graphic gore, OK Acting, and contrived (although still fun) occurrences throughout the movie. By no means am I trashing the movie, I really enjoyed it much and the suspense held my interest throughout the film. What ruined this one from being a superior B-Horror classic was Tibor Takács's poor choosing of using his idiotic monster from "The Gate" which is not the least bit frightening as the scalpel killer was. I also wished that Wright was the heroine of the story who saves the day instead of that silly looking creature. A bad ending to an otherwise creative and intriguing horror story. "I, Madman" didn't knock me out of my socks, but it is still a gem for the horror genre fans to check out and have fun with.

Vibiana In the early 1980s, a young actress made her first appearances in television and films with an unforgettably quirky presence -- vulnerable and seductive all at once. Her delicate features -- unusual green eyes and aching-to-be-kissed lips -- combined with her petite and shapely figure to make a true elfin beauty.Unfortunately, Jenny Wright never had much of a chance; she was sidelined into 'tramp' roles from the word go. Her small-screen debut on the critically acclaimed sitcom, "Love, Sidney," was as a teenage runaway/prostitute. Her film debut in "Pink Floyd: The Wall" cast her as a groupie. For the remainder of 1982, the bad girl image more or less stuck: she gave Robin Williams' Garp his first sexual experience as flighty Cushie in "The World According to Garp" and she played the flirty younger sister of Tommy Lee Jones' girlfriend in the made-for-TV film "The Executioner's Song."In 1984, Jenny Wright was cast as Eileen in "The Wild Life," a semisequel to the popular "Fast Times at Ridgemont High." She was her charming self, in a role that didn't have much to offer, but gave some bright spots to an otherwise forgettable film. The two films she made next, 1985's "St. Elmo's Fire" and 1986's "Out of Bounds," cast her with members of the Brat Pack. Although she was never an official Brat Packer, she was on its fringes.In 1987, Jenny was offered her first star turn in Kathryn Bigelow's "Near Dark." Released at the same time as the mainstream-smash "Lost Boys," it finished decidedly second at the box office -- a shame, since Jenny's performance as vampire ingenue Mae was nothing short of brilliant. This film also marked Jenny's decided career directional change away from mainstream film and into indies."I, Madman" was made in 1989, and watching it is a treat. Jenny is perfect in her dual role as real-time victim Virginia and fifties-era victim Anna Templer. Pursued relentlessly by an apparition seemingly leaping from the pages of a pulp novel, Virginia desperately tries to get someone to believe her story and help her. There were some confusing plot points in this film, but Jenny's performance more than compensated for them.Unfortunately, "I, Madman" marked the last time Jenny had a major role in a film, and in the early 1990s she reprised her early-career persona of the tramp in films like "Queens Logic," "Young Guns II" (as a memorable madam), and 1992's "The Lawnmower Man" (as Marnie Burke, a widow on the prowl). Making only one more film appearance in 1998, she has virtually disappeared. Attempts to locate her to appear with her colleagues in a documentary about "Near Dark" were unsuccessful. Ironic that this talented actress, so good in two films with sinister plots ("Near Dark" and "I, Madman") should be the subject of a mystery herself.

Paul Andrews I, Madman starts in a hotel during the 50's. A guest named Dr. Kessler (special make-up effects man Randall William Cook) leaves the building as the front desk clerk (Raf Nazario as Rafael Nazario) receives a phone call from the room next to Dr. Kessler's complaining about animal noises, the manager (Bob Frank) goes to investigate & is attacked by a monstrous half man, half jackal creature which Dr. Kessler had created. Virginia Clayton (Jenny Wright) stops reading her horror novel entitled 'Much of Madness, More of Sin' by Malcolm Brand at this point. Virginia works in a used bookstore & enjoys reading, recently she has discovered Much of Madness, More of Sin & has been engrossed. The next day at work Virginia tries to find the other novel by the same author called 'I, Madman'. Virginia has no luck but when she returns home she finds a copy waiting for her outside her apartment door, she starts to read as the book once again features Dr. Kessler who is madly in love with an actress named Anna Templar (Jenny Wright again) who doesn't return the sentiment saying that he is ugly. As an offering to Anna, Dr. Kessler slices off his facial features with a scalpel & starts to collect various bits 'n' pieces from unwilling donors that he grafts on his own face. Of course this is all fiction & the book goes on to describe him brutally murdering a woman & scalping her. The next day Virginia sees a report in a local newspaper which tells of the murder of an actress & one of Virginia's friends named Colette Berkowitz (Michelle Jordan), after this event & a face to face meeting with Kessler before he kills & slices the ears off a pianist (Bruce Wagner) who lives near her, Virginia is convinced that the character of Dr. Kessler is responsible & comes to life when she reads I, Madman. Virginia's boyfriend Detecitve Richard Channing (Clayton Rohner) is on the case but has a hard time believing Virginia's story about character's from a horror novel coming to life & committing murder's, as the murder's of people connected with Virginia continue in the same vein as I, Madman she realises that the novel ends with Anna, whom she think's she is in reality, having her heart cut out by the deranged Kessler...Directed by Tibor Takacs I was pleasantly surprised by just how good I, Madman was, I'd never previously heard of it but I think I've uncovered a bit of a hidden gem. The script by David Chaskin has a lot more depth than you might expect & offers a little more originality than most. At heart I, Madman is a slasher but it tries to do something different with the premise & tries to stay away from the clichés which was both refreshing & something I wasn't expecting. It does a nice job of blurring the lines between the fantasy world of the novels & the reality in which Virginia lives. How a character from a novel can suddenly become real isn't explained that well but the story felt solid still & it didn't really matter to me that much as I, Madman just seemed work. The killer's motives are actually quite good & have at least some thought put into them, his connection with Virginia & why he focuses his attentions on her is also believable & not just coincidental like her being in the wrong place at the wrong time, there's a method to all the madness in I, Madman. It takes a while to get going but I never found it boring or felt my interest was waining, the characters are pretty strong & enough happens to satisfy & entertain. There isn't much blood or gore but what's here is effective & quite brutal looking as Kessler runs around killing people with his straight razor, there's a scalping, someone has his ears sliced off, someone's lips are cut off too & a gruesome scene where Dr. Kessler reveals his face early on minus his nose, ears & lips. There is a monster in I, Madman as well brought to life with stop-motion animation which looks impressive considering the budget, I believe the people involved in making I, Madman had enthusiasm & cared about the finished product which goes a long way. Technically the film is very good & well made, director Takacs manages to create some really good sequences especially the ominous moodily lit & shot murder set-pieces which are more effective than they have any right to be. The acting is very strong throughout which also helps give I, Madman a certain credibility that other cheap horror/slashers simply don't have. Overall I didn't think I would but I actually rather liked I, Madman, don't like that title though. A bit of a sleeper & I highly recommend I, Madman to horror fans, as for everyone else I still think it's a worthwhile film & definitely worth watching.