kkuffuor It's always an amazing and thrilling experience to come across art that hits you with its' depth.I tried to watch the film when I was tired and looking to have something on as I slept, and something wouldn't allow me to. I'm glad I waited until I was awake and alert the next day to see this.I've always believed that great work can't easily fit into a genre, and this is one of them.I highly recommend for those that don't seek explosions and loud noises as entertainment, but something that captures the attention.The story is crazy. So much is being said that it's almost overwhelming.Well done.

Rectangular_businessman I always liked the work of the animator Bill Plympton. His shorts (And his movies as well) are not only funny and imaginative (In a very twisted way) but also beautiful to look at: In all his works, Plympton manages to turn the most ordinary things from life into something unpredictable and fascinating, and "Idiots and Angels" isn't the exception.While the premise of this film (A selfish and abusive man who grows a pair of wings that forces him to be nice against his will) seems like some sort of moral fable, it is actually much more than that: As always Bill Plympton avoid any kind of clichés or forced messages, instead of that, he exploits all the strangeness that the plot could have. And that's why the film works so well: It's bizarre, twisted and filled with lots of dark comedy…But it is also immensely enjoyable, being able to exploit all the craziness and impossible situations that only could be done in the animated medium.Even when "Idiots and Angels" isn't my favorite film from Bill Plympton, it is still a pretty good film, with great animation and music, interesting characters and many impressive scenes. I highly recommend it, especially to those viewers who like strange and surreal films.9/10

Murder Slim Bill Plympton is a workhorse. Most of his animations are produced virtually alone... hunched over his drawing board for years at a time. And yet he loves doing it... and that enthusiasm comes across in his work. There's a lot of life to his best animations, which retain the scratchy lines of the coloured pencils he uses to fill them in. Plympton started as a caricaturist and the characters he draws have that exaggerated quality to them. He's also endearingly filthy. There's some very funny cartoons on 'Bill's Dirty Shorts'... one of which is a date told from the inside of a woman's mouth. And, no, it's not a sausage that she's eating at the end of the animation.Plympton's last movie 'Hair High' was very disappointing. It had occasional elements of his sleazy sense of humour (including a chicken with a rampant erection), but focused more on a 50s' love story. Another problem was that the animation was much more cell based. The scratchy pencil lines were largely gone, replaced by flatter paints. This is the problem with so many animations. For all of people's gushing over Pixar's stuff they have - amongst a bunch of problems - very little artistry to the animation. There's something dead about CGI animation. Going back to Tex Avery and Chuck Jones, to Will Eisner and comic books, so much of the power of cartoons is the way they exaggerate reality. The distorted faces, the "pops" as characters contort to get the emotion across. It's not that far removed from expressionist art. The image portrays the emotion of the character and the animator. Plympton's pencil style gives his animation a grubby and lively feel, a full representation of what he's into.Thankfully 'Idiots and Angels' returns to the pencil drawn style, and with it comes a lot of energy. There's also moments of his trademark sleaze... from the initial joke about the lead guy having (what we think is) a hard-on. The same guy also has sexual fantasies over the cleaner at his local bar, wrapping his body around her and licking as he goes.But 'Idiots and Angels' is much more of - well - an art movie. 'I Married A Strange Person' is pure filth... and hilarious for it. But 'Idiots and Angels' is a full-blown story. A guy - previously an evil gun-runner and hit-man - grows wings. He tries to tie them down, but they always break free. He tries to saw them off, but they grow back. And as they grow, they start controlling him. Knocking his hand away as he reaches for a tit. Getting him to return money from a robbery. Forcing him to rescue people. Eventually, they help him fall in love with the cleaner. And through all that, there's just enough sleaze and violence to ensure the sappy side of the movie doesn't become cloying.'Idiots and Angels' creeps up on you. I was pretty convinced in the first 20 minutes that it wasn't going to be good. It's initially slow, and there are very few gags to ease the pacing. But, as with all of Plympton's "real" work, the beauty of the pictures draws you along and - in this case - results in a fascinating story. No character in the movie talks (aside from the odd incoherent grumble) and 'Idiots and Angels' plays like a clever, silent movie. There's some lovely transitions from image to image using animation. The water from a shower morphs into a running tap then milk pouring... all to quickly get across the idea of the morning routine. There is music - including a couple of great old tracks from Tom Waits - and it all gives the movie a dreamlike feel. And that feel makes complete sense with the way the story progresses.I did prefer 'I Married A Strange Person' because it's immense fun. But, if you're in the right contemplative mood, 'Idiots and Angels' has a hell of a lot going for it. And, of course, it's just nice to see a little art return to animation.

another_heavenly_world If you're new to Plympton world you may be not at home with the language, but I'm sure you'll fall into it throughout the first 20 minutes or so. The fact is I left the cinema with a lot of words in my mind only to learn soon after that the movie is in fact wordless. It didn't feel like that at all. The images are so expressive that the story is perfectly conveyed by their sharp meaning... Illusory as ever Plympton delves ever more deeper and clearer through the imaginary of the human psyche. This is humanity in a nutshell if you will. Plympton takes its pulse on the world along with some great music that further compliments the drawings' edge... Plympton has matured to become a refined groundbreaking animator that will mark cinematic animation for years to come.