BlackJack_B George Kaczender's In Praise of Older Women, from Stephen Vizinczey's novel of the same name, is an extremely controversial film. The Canadian version of the MPAA objected to the nudity and explicit simulated sex in the film and would not release it unless Kaczender removed 2 minutes of footage. Kaczender was willing to remove 10 seconds of footage. Eventually, a compromise was reached and 30 seconds were edited out of the film. IPOW was released in 1978 and won 4 "Genie" Awards.Regardless, IPOW is nothing more than a classier version of the type of film The Asylum would produce in 2014. Tom Berenger, in his second notable film appearance, plays Andras Vayda, a young man who wants to be a professor and is looking for love. Thing is, he doesn't want to get frisky with women his own age. He seems more interested in seducing women who are 15 years his senior or older. Throughout the movie, he has affairs with a number of older women throughout a 12 year period played by the likes of Karen Black, Marilyn Lightstone, Susan Strasburg, Alexandra Stewart and Helen Shaver (who was actually 2 years younger than Berenger was) while an older voice representing him narrates at times.Despite being nothing more than soft core pornography, there are some good scenes. Alberta Watson, another one of his conquests, plays a cabaret singer dressed in a French outfit who sings a seductive song that piques his interest. Shaver, who won a "Genie" for her character of Ann MacDonald, offers some light comic relief and Black is as solid as ever as Maya, the gateway to Andras' love of cougars. Berenger shows promise as an actor early on but despite his top billing, cedes to the established actresses. The movie also uses the 1956 Hungarian Revolution as a backdrop and then later his time as a professor in Montreal.While not a great piece of cinema, it is a good film among 1970's erotica and it's elevated by the big names in the cast, present and future. Certainly worth a look for curiosity sake.

SnoopyStyle Andras Varda (Tom Berenger) is orphaned in WWII Hungary, where he becomes a kid hustler for the American GIs. As he grows up, he is disillusioned with the fickle girls of his own age. He gets involved with older Maya (Karen Black) who teaches him the ways of love. Then he has a string of lovers taking him to the Velvet Revolution and beyond.For a movie that purports to advocate something profound, this seems to be a very superficial film. There is no depth to Tom Berenger's acting. I think he's not the best actor for the role. He looks like a jock trying to get laid. I think a geekier actor could bring more intelligence to the character. It would bring life to the interior monologue. And the pacing is terribly slow. Tom Berenger has the energy of a blank sheet of paper. I think he has the ability to project anger or power but he isn't allowed to in this movie. It's not his type of movie. It's not horrible but it is boring. It's probably more notable for some soft core pretensions.

gridoon Like someone else on this page has already said, this movie should not be approached as a serious period piece, but as a soft-core porn flick. The vapid characters have been stripped of all human dimensions except their sex drive. You kind of wonder when exactly Tom Berenger's character found the time to become a philosophy professor, since we almost always see him in a horizontal position, if you know what I mean. But nobody can deny that the film does have some genuinely erotic moments (Susan Strasberg steals the show in that department, as the always "hungry for more" Bobbie). (**)

Jan Hrubin "In Praise of Older Women" is relatively true to the excellent psychological/philosophical novel it is based on. However, the problem is that all its intellectual elements (such as its theories about the reasoning behind promiscuity) are removed in the adaptation. The result is a soft porn movie which is unintentionally hilarious due to awkwardness and bad acting. Andras, the skirt-chasing protagonist, is presented as a dip who throws a temper tantrum when one of his lovers leaves him and delivers lines like "Give us the grand tour, pops." or "This exquisite antique ashtray could be yours if you promise to become my lover." as awkwardly as if he actually knew how lame he sounded (which Tom Berenger, who played him, probably did). A bad acting award should also go to the girl who played Andras´s first teenage girlfriend. She delivers her lines as if the characters she talked to were puppies or newborn babies but then, as my friend pointed out, she actually does act like a stupid flirty girl in her early teens who does not know what she wants in a boyfriend. The actresses who play Andras´s more adult girlfriends admittedly do a better job but still, they mostly play along with the soft porn cliche of upper class semi-intellectuals who treat sex as if it was art collecting or jogging. What do they see in a dork like Andras at their age anyway ? Also, what´s the deal with some of the Hungarian characters having Hungarian accents and the other Magyars having AMERICAN accents ? Nevertheless, I must reemphasize that this movie is fun. It made me laugh more than most typical "comedies" and some of the dramatic scenes, such as the one where Andras must flee Hungary , actually do work dramatically. The sex scenes, while pretty mild by today´s standards, look relatively realistic. The insights into Hungarian culture are interesting too. Nevertheless, trash is trash and I love it !