Incident at Raven's Gate

1989 "stranger...deadly companion"
Incident at Raven's Gate
5.4| 1h34m| en| More Info
Released: 29 April 1989 Released
Producted By: Australian Film Commission
Country: Australia
Budget: 0
Revenue: 0
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Synopsis

Ex-con Eddie Cleary gets a job working on his older brother's isolated farm. It's not long before bizarre things start happening--dead birds falling out of the sky, family pets attacking their owners, strange apparitions beginning to appear, and people who had been "normal" suddenly going insane.

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Reviews

Rainey Dawn This is really good film... I have to say that I *think* 10 Cloverfield Lane's writers might have gotten a couple of ideas/inspiration for their film from this gem: the mysterious happenings, people going crazy, the alien ship encounter in the ending. Raven's Gate is good if you like alien encounter films mixed with mystery-thriller - and a splash of horror! The actors in this one really surprised me, they are good - so did the story surprise me. I was expecting a cheaper made, so-so to terrible film but I got a darn good movie instead! This movie is so odd that it might not thrill a lot of sci-fi fans, but it's so odd that I really enjoyed it. I wouldn't mind owning a copy of this one... I liked it that much!! 9/10
lost-in-limbo Eddie Cleary an ex-con has just been released from prison and ends up working for his older brother on a farm in the outback. However some weird occurrences involving flashing lights, electrical cuts and evaporating water begins to put a strain on Eddie with his brother and wife.I can say it was unconventional, but I'm at a lost to what director Rolf de Heer (the man behind the 1993 cult 'Bad Boy Bubby') was trying to imply with this visually ambitious, but messily plotted head-trip. It's frustrating, because there was potential within its considerably off-kilter framework, but in the end the mysterious air that was established fades and the drama infectiously takes hold. The story throws around a lot of weird things (strange lights, possessions, power shorts), but nothing is truly expanded on that we're wondering if it's all hallucinations, supernatural or otherworldly interference. In the end it's kind of hinted, but not entirely fulfilling with the outcome making the eventual build-up feel pointless. There's even a sub-plot involving an opera loving police officer that goes onto to be redundant to the bigger picture and ends rather kooky. The material is uneven and a little heavy handed with the narrative moving back and forth from present time to the past (going back 5 days to eventually finish on the present day at hand). It looks like it tries for a psychological front and it doesn't always work, but it's intentions stay enthralling (with a glimpse into an unstable mind that's on the verge of insanity in an isolated backdrop, which can mess with your mind) and there's an amusing range of characters and scenarios.Atmosphere and imagery is impressive, and the boundless Australian outback landscape demonstrates a mystifyingly haunting and hypnotic strangle hold. Richard Michalak's free-flowing camera-work is filled with provocative angles and adds to the unusually trippy nature. So does Roman Kronen & Graham Tardif's spectrally bellowing music score. The performances fair-up well enough. Steven Vidler as Eddie is ably solid. Celine Griffin, Ritchie Singer, Vince Gil, Max Cullen, Terry Camilleri and Saturday Rosenberg were tailored to their parts.Chaotically drawn up, but remains interesting and well-made.
charliecbc I'm not sure what to make of this film, or who to recommend it to. All I can say is I liked it, it was amazingly well made, and it definitely held my interest throughout the duration of its run time.Visually, film has amazing composition. The cinematography and directing is striking. The audio is quite striking as well, like during the dog attack the sound of digiridoos (spelling?) blends with the dog's growling. The film reminded me there are still many things in nature we do not completely understand yet. Some things seem to defy scientific explanation. Having just finished viewing this film for the first time, I could probably write a dozen pages about this film and how I interpret it. Someone else could do the same and our ideas might be quite different. For one, this film is about is how every once in a while, whether you live in the city or the country, sometimes everybody's biggest problems can come to the surface all at once. In this film, the s--- hits the fan for several different people in the same place, but in different ways. There are no flat, one-dimensional characters here.I don't want to muddle peoples' impressions of this film with comparisons to other movies. There is definitely some "X-Files" type stuff going on, and parts of it reminded me of Close Encounters of the Third Kind. But in general this film is quite unique, and is virtually unknown in the United States. There is no DVD available in NTSC Region 1, and the copy I watched was a dusty old VHS tape issued by HBO, I recently found it in the Sci-Fi section of the old, cluttered video store I work at. The cover looked interesting. Usually when I find a film made in certain foreign countries, I assume a lot of people there must have liked it if it a US distributor picked it up. Of course that is not always true, and thousands of great foreign films never get released here, while plenty of crap finds its way here thanks to the money hungry corporations monopolizing the distribution networks. But I've always had good luck with films from Australia, such as Chopper, Razorback, and The Last Wave. I really hope this film gets a DVD release over here. I would love to view it with better picture quality. I am also curious to know if this film was big hit in Australia
dispet an early film from rolf de heer (bad boy bubby, the tracker), it is also one of the most impressive pieces of visual art to be created in australia, and far superior to the majority of horror coming from the rest of the world. a tale of the human condition in the lonely mental wastelands of the australian outback, de heer succeeds in making us feel the insanity and discordance which lurks beneath the surface of country australian life for anybody who can no longer keep themselves sane through nature, sports or trips to the pub. far superior to picnic at hanging rock, this is a film that will truly creep you out and leave you thinking about what lurks outside. america has its backwoods, and australia has its outback.