mlleemily Imagine a 90s sex murder thriller with Matt Dillon if Matt Dillon never got near the thing and the manic-pixie-nightmare leading lady was treated with a psychological insight and a twisted sympathy that creeps into you and stays to unsettle you for a week. It's hilarious, and shocking. It's set in sharehouses you're sure you've been to a party at, that life drawing class you took in 2015, and features that play your housemate's girlfriend was in that you couldn't escape, and then never wanted to end. The settings are idiosyncratic, familiar, yet you have not seen anything this original in a long time.

dalealford-07399 I loved it . Quirky , original , well written and acted and shot as Indie flicks are in a style that doesn't pretend to be anything else . Loved the vividness and lighting in the pier scene, perfect direction and time of day . Congratulations to all . Look forward to the next one , 2 years is too long

stephfrobose I had no idea what to expect, but was completely engaged with Innuendo - The Bad Twin from start to finish! Amazing acting, particularly from the leads Saara Lamberg & Brendan Bacon. A thought-provoking and suspenseful story, with a wicked sense of humour shining through. Amazing work, so impressed.

dusan-dobrilovic This is my first review of a film, so bear with me. I had the pleasure of viewing an Australian production by Finnish-Australian producer/director/screenwriter/actress Saara Lamberg. Lamberg's feature debut is a Scandi-style art-house thriller that is rarely, if ever made in Australia. This was an ambitious project made in Finland and Australia on a tight budget; I have been told. It follows the story of twins Tulli and Suvi (both played by Lamberg herself) raised in a religious and oppressive Finnish family. Tulli was the more neglected and abused of the two, while Suvi was the parent's "Angel", as Tulli would refer to her sister. Most of the story takes place on Tulli's trip in Australia, interwoven with flashbacks of the twin's childhood in Finland. Tulli is hell-bent on wreaking havoc on anyone who comes in contact with her, especially the people she befriends. She explains to us her motivations for all her atrocities by the end of the film, but I will not reveal those, as it will spoil it for the viewer. The film provides us with numerous memorable scenes, a lot of them shocking and some unexpectedly humorous. The latter are interspersed randomly but perfectly throughout this gloomy film. The ambiguous ending leaves the audience pondering; what happened? I would recommend this film to anyone who is interested in art-house cinema. It is not a popcorn movie but a thought-provoking film beautifully written, directed, produced and most importantly starring the extraordinarily talented and hardworking Saara Lamberg.Dusan Dobrilovic