bob the moo While on his first holiday for about 25 years, tough Detective Ironside is shot and left for dead at a remote farmhouse. He survives but is disabled – never able to walk again. The city is shocked and the news media enjoy the opportunity to show how the hardnosed man has been softened. However Bob Ironside is determined not to be trapped in his chair and volunteers to work within the police department, taking his own case on as his very first. With the help of Mark Sanger, Ironside is mobile and out to show the criminal element of San Francisco that not being able to walk has had no impact on his tough approach to life.On the basis that this pilot spawned a television show that still is famous decades later, I decided to give this film a try (despite not really remembering the TV show itself). What I found was a fairly standard television cop show from the period, complete with tough detective who tells it like it is and wants justice done. None of this surprised me and although the film does have an investigation to follow, the majority of the film is just about showing us this tough character, his methods and the little cracks in his character that will be explored over many series to come (in theory). This in itself wasn't enough for me because I wasn't watching the start of a series, I was watching a film that had to stand on its own. The investigation itself involves picking through old enemies of Ironside while building this very basic character – a character clearly designed to appeal to those who did not appreciate the relaxed morals and apologistic nature of sixties youth. Suffice to say I didn't think it worked as a detective mystery and generally it wasn't delivered that well – not helped by the TV direction and the bewildering use of large numbers of fast edits in scenes that just didn't need it.The cast are pretty standard. To me Burr is only Perry Mason simply because it was his Mason films that I grew up with. As Ironside he is a simple tough character who is as much a caricature as a person – the only thing it did do was make me wonder how Ironside would view Burr's personal life! The support cast are just filler with nobody really doing anything of note. Mitchell works reasonably alongside Burr but his character isn't convincing; meanwhile the only other person that stuck in my mind was someone listed in the final credits called "Eddie Firestone" who played a character called "Wheels" – not that funny but it amused me enough to remember at least.Overall a fairly standard television cop show that has much about it that has dated. The plot is average at best and didn't really engage me while the main character was a simply thing that seemed designed to appeal to the "stay at home and watch telly" demographic that didn't approve of the relaxed morals of the sixties. Worth a look if you liked the TV series I suppose but probably not good enough for the casual viewer to bother with.

Paul James Champion (mrslimm) Excruciating pilot episode that, somehow, spawned a successful internationally syndicated television show.Raymond Burr is cheerless. The plotting is baffling. The writing is astonishingly bad. The acting is mundane.Watching this makes you want to be shot, instead of Ironside.

rollo_tomaso Given that this movie takes place in Mid-60's San Francisco, even though I had remembered loving it many years ago, i thought it would probably seem dated now. Instead, it seems more relevant than ever. The characterizations of ever major and minor character are outstanding. Raymond Burr is masterful as Chief Robert T. Ironside. But even characters who have four lines have dimension, are well-acted, and memorable. This is as good a mystery as has ever been made for TV. If you get to see it, you are in for a real treat.

aromatic-2 Normally, I dismiss TV pilots as movies, but this is one notable exception; this is a great TV-movie that happened to lead to a TV Show. Raymond Burr is electrifying as he injects the character with many very real dimensions. The writing is taut and true. The Quincy Jones score is magnificent, and the movie is an extremely reflective time capsule of San Francisco in 1967 -- a most remarkable place.