Emil Bakkum This film really moves me, because it addresses themes that pervaded my youth. Dustin Hoffman had already impressed me in this sensual film The Graduate (with sound track by the talented Simon and Garfunkel). Mia Farrow did the same thing in the illustrious TV series Peyton Place. Perhaps the relation of John and Mary is less sensual, but it is certainly equally daring. The attraction between them is almost tangible. Their relationship is a continuous oscillation between detachment and passion. There is a fine line between cuddling and holding someone down so they can not get away. Both of them are willing to explore the limits, and to risk losing the other. Just imagine, she does not want to kiss on her first date. He asks: "How about on your last date?" Often (but not always!) they have conflicting perceptions, and both have hidden frustrations in the closet. She has been on so many blind dates, that she should get a free dog. Although they are common people, they are extremely self-confident. Moreover, the film avoids a cheap straining after effect, and the narrative seems credible. This makes their thoughts and behavior truly fascinating, at least for me. They even create some suspense and fun. He tells her that he has bought two tickets for the theater - she has two room mates (just kidding). Still, the film has some complexities, for the plot presents controversial morals, even nowadays. It evokes the illusion, that instant sex builds relations. On the other hand, John and Mary are in danger of exploiting each other. For instance, they exchange names only after 24 hours (this is not a joke!). Depending on your own views, this could make the film challenging or perhaps sleazy. It creates ambiguous feelings, which certainly makes you ponder. I must definitely watch this film again.

MarieGabrielle and one night stands in NYC. Not the most original, or flattering, either. Which is perhaps where the film and theme deserves credit.Farrow is understated, Dustin Hoffmman his usual self (think Kramer vs Kramer) However for the subject matter, the film does succeed on several levels.Farrow remembers her pointless affair with a politician (Michael Tolan) who often played these roles. Hoffman was in a previous relationship with Sunny Griffin (a has-been model) who takes him for granted.Overalll a time piece which shows some shallowness, awkwardness, and the hopes of those, still attempting relationships. The human factor is what redeems the story. 8/10.

Xanadu-2 It had everything going for it, the hottest young stars of the late sixties, Dustin Hoffman and Mia Farrow, fresh from the successes of the Graduate and Rosemary's Baby. The director had just made the huge hit Bullit and the hopes were very high, the two stars were on the cover of Time magazine!It was set in swinging New York, nice photography, cool apartments and clothes, it had to be a hit, right?What went wrong?????? The script, I suppose. They hadn't considered that it had to say something. Instead we are treated to lots of meaningful looks from the leads. Though, they are good looking....Is it a comedy? Hard to tell, funny it wasn't. In fact it's dullsville! Quite embarrassing at times. It seems under-rehearsed, as if the actors had only read the script once. Mia Farrow is too mannered doing her little-old-lady-in-a-girls-body routine. Surprisingly Dustin doesn't overact.This film disappeared from sight. Ms. Farrow hardly mentions it in her biography. Does anyone remember it?

henriks-2 I don't agree with Leonard Maltin's review about the slow pace of the movie. This is deliberate, and a sign of the times and the characters' situation. For those of you who are interested in Marantz trivia, in this movie, John (Dustin Hoffman) has an exclusive vintage Marantz HiFi setup. In view at times will be the Marantz 19 receiver and also the very unusual Marantz tangential record player... Unfortunately, the movie is not yet available on video!?