MartinHafer "Johnny Doesn't Live Here Any More" is a bad film...so bad that I really had to struggle to keep watching it. I noticed that most of the reviews were reasonably good with scores mostly in the 4-6 out of 10 range...but I truly hated the movie and would never watch it again even if I was paid to do so!The film is a VERY quirky comedy and this soon becomes obvious when a gremlin (a very popular character created during WWII) appears periodically throughout the film. This mischievous jerk (voiced by Mel Blanc...would would explain why it sounds just like Bugs Bunny) decides to mess with Kathie (Simone Simon). It arranges it so she moves into an apartment that some jerk used before her--and he apparently gave out copies of his keys to EVERYONE...neighbors, guys, women and strangers. This causes problems for Kathie...though if she'd just replaced the lock all this would have become moot.The film's problem is the writing. Most of it is simply not funny and too often the film creates quirky situations and characters instead of just making them interesting of truly creative. The gremlin gag wears VERY thin very quickly....but so do most of the funny plot twists. It's a shame, as some odd but interesting character actors appeared in this one and I wanted to enjoy it. Imagine...Rondo Hatton and Froggy from the "Our Gang" shorts in the same movie!This film is simply a chore to watch and became tiresome...very quickly.

preppy-3 Kathie (Simone Simon) is looking for a place to live during WWII and there's a severe housing shortage. By luck she's able to rent the apartment of Johnny (William Terry) when he goes off to the service. Unfortunately he forgot to mention that he passed his key out to many other people who drop in with "hilarity" resulting.Silly wartime comedy. The basic plot is OK but the script is pretty bad. None of the jokes are even remotely funny and the gremlin that keeps popping up (don't ask) is extremely annoying. It all leads to a truly stupid ending which makes little sense. It seems as if the writers just gave up and threw something together. Still I watched the whole thing and was mildly (VERY mildly) amused. The acting was good which helped a lot and James Ellison (as Mike) has a really good time with his role. Also a very young and then unknown Robert Mitchum has a small role. So if you have absolutely nothing else to do you might find it amusing. I give it a 4 and that's mostly for the acting.

bkoganbing Johnny Doesn't Live Here Anymore is the repeated line that poor Simone Simon says because every time she turns around somebody else is using her apartment and lets themselves in with a key. The previous tenant William Terry was very generous with keys.This film is a rather dated comedy because the housing shortage in the Washington, DC area during World War II was a temporary social phenomenon that few today might get. A more successful and long lasting film on this topic was The More The Merrier from a year earlier. But that one boasted major stars like Joel McCrea and Jean Arthur and an Academy Award winning Charles Coburn.Like Jean Arthur in that film, Simone Simon is a girl from Quebec to explain her French accent who's come to work in one of the wartime agencies that sprung up overnight in the DC area. Why she didn't work in Canada is anybody's guess, but her original intention was to stay with her friend Dorothy Granger. But between the promise of a room and Simon's arrival Granger gets married to Grady Sutton. Personally I'd rather stay with Simon than Sutton, but that's the situation.At this point the plot takes a lot out of Noel Coward's Designing Women which itself was pretty daring back in the day. In fact if this film was not a Monogram Picture I doubt it would have slipped by the censors. This film which was definitely not Code approved material would never have been made by one of the major studios.She gets an apartment from William Terry who was leaving to join the Marines because of the impression she makes on Terry. But after that it's James Ellison and Chick Chandler and even the twin kids next door who have bathroom privileges. Simon ends up working by day and running her own hospitality suite for the Armed Services.Robert Mitchum has a small supporting role as a Navy CPO who also gets a key expecting a little privacy for he and the wife. And two people who are really funny in this whole affair are Chester Clute and Minna Gombell. Minna is the best one in the film in fact she might have been who inspired Audra Lindley and Chester may well have inspired Norman Fell in playing the Ropers in Three's Company.It all ends in a lovely fight that ends up before Judge Alan Dinehart who has to sort all the cast out in his courtroom. In fact Dinehart figures prominently in the very surprise ending the film has.Because it came from Monogram Johnny Doesn't Live Any More got no attention from the censors and possibly the critics of the time. But it's a real comedy gem which is sparked by the ingenuous character that Simone Simon plays. Try to catch this one.

moonspinner55 Fairly sharp script by Philip Yordan and John Kafka, from Alice Reeve's magazine story, about a working gal in Washington, DC who, because of the housing shortage created by returning WWII soldiers, accepts an apartment from a Marine on deployment. Unfortunately, he has also given copies of the key to all his buddies on shore leave, though our attractive heroine--Simone Simon, who keeps singing "Frère Jacques" to tell us she's a Frenchie--doesn't seem to mind the unwarranted drop-ins. For some odd reason, a comical Beelzebub (with what sounds like the uncredited voice of Mel Blanc) is injected into this merry mix-up of the sexes, as well as bratty twin boys who keep barging in unannounced to use Simon's bathroom! It all begins well enough before losing steam in the second-half, turning into a screwball romp with pie-in-the-face humor and the type of wrap-up in Night Court which seldom works. Noteworthy for an early appearance by Robert Mitchum (who has a funny bit flipping Simon onto a bed), but the laughs are spread pretty thin. *1/2 from ****