Kaalakaandi

2018 "Every Action Has a Reaction."
Kaalakaandi
6.2| 1h52m| en| More Info
Released: 12 January 2018 Released
Producted By: Cinestaan Film Company
Country: India
Budget: 0
Revenue: 0
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Synopsis

Unfolding through a course of a night in Mumbai, Kaalakaandi showcases three parallel tracks — a man who discovers he has terminal illness decides to let go of his principles and live a little; a woman involved in a hit-and-run seeks redemption and two goons must decide if they can trust each other.

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Reviews

khooni_billa A movie so bad that you will question yourself before watching next saif's movie. reviewing it cos of all the fake reviews that has been posted on it. Not a single moment of anticipation, even the role of deepak dobriyal and vijay raj has been ruined by the awful storyline that was neither engaging nor funny. It was like the director had an imagination of what drugs felt like when he was in 6th grade. spare yourself an hour of forwarding this crap
SagarMehta87 Indian cinema is rapt with sentimental, over-the-top and routinely cheesy films that revolve around family or romance or both and barely explores new areas. Other than the occasional horror flick from Vikram Bhatt or something out of the Kashyapscape, there's never any respite from from the drudgery of dance numbers and emo-esque melodies. A film like Kalakandi therefore has the responsibility not only to be different but to be extremely entertaining to stay relevant.That's not a good predicament to be in, though it does succeed in being a black comedy as it claims to be. The first half has genuine laughs. Where it falters as a movie is where it gives in to the lore of backstories and motives. It isn't enough that Saif has a life-ending disease (the news of which triggers the film's "trip"), but also a failed marriage and a son he doesn't get to meet. That story arc finds only 2 mentions and adds no layers to the character.What does work really well are the acid trip visuals. Although slightly incorrect in how they're shown and possibly a bit exaggerated, they do give a kind of preview of what a real trip might be like and also add to the laughs sprinkled throughout the film.Another thing the film achieves, with surprising success for Bollywood, is its treatment of a transgender character. Without being overtly sexual or derogatory, it still goes through the cliches and curiosities around them. That's mature film-making.There's 2 other story tropes, with two young couples at a night out and two thugs planning a way to loot their boss. It's a pleasure to see Shenaz Treasurywala (Ishq Vishk, remember?) and Pappi Bhaiya (Deepak Dobriyal), who holds his own in every frame with Vijay Raaz.The star power is surely with Saif but he never steals the spotlight. It's the perfect kind of film for Saif because he has certain limitations when he's the leading man. Without him though, this would feel like an indie film about getting high and money or something. Him being there helps the film and even the scenes where he isn't there, simply because you want to go back to find out what's up with him.The film doesn't try to tie together the three plots, except a chance meeting of 10-15 seconds. Better editing would help. The one thing I despised was the last scene when Pappi gets hit by a bullet Saif shoots towards the sky. I was reminded of the movie Welcome. That felt obvious for the film and yet very forced.I'd say watch it for the first half, and let the second half go by without complaining.
Madjack always Watch it for sure. See it without expectation. Its a lightweight cool movie. Dont look for too complicated a plot. You have time, go for it. Its a midweek kind of movie..dont save it for a weekend :)
vikasy-81085 Akshat Verma who wrote the Delhi Belly has now directed Kaalakaandi which in my opinion is one of the fresh and highly entertaining film you would get from Bollywood. While the industry has been quite busy in giving us some stupid love stories for years, Kaalakaandi is a breath of fresh air whose plot unfolds in the Quentin Tarantino's Pulp Fiction type where three different stories start and then intersect each other later in the film. Saif is in his best form here and gives one of his crazy and best performance till date. This is a film which Bollywood rarely makes and that is why I would recommend watching this one in the theatres. Please support this film and don't torrent it.