jon-510 This film ultimately fails, and its really a shame. About halfway through the scriptwriters appear to just walk off and leave and the rest of the film falls flat on its face.As a movie in its own right, Klepto is a disaster, however as a directorial debut (is it??) it is actually not bad - some of the use of music and the editing reminded me of the film Primer.If the plot and script clumsinesses could have been resolved, this would be a film I could recommend to others. As it was (I bought it cheap), I kept the blank translucent box spare but threw the cover insert and the disc in the rubbish bin.To the actors, director and writer(?) - please don't give up, you failed this time but you showed enormous potential.

Claudio Carvalho In Los Angeles, Emily Brown (Meredith Bishop) is a kleptomaniac and addicted in pills that misses her father and is having therapy sessions trying to resolve her compulsion. She has a record in the police for shoplifting, and her mother Teresa (Leigh Taylor-Young) is a compulsive shopper. The security guard Nick (Jsu Garcia) of the Bernstein's department store sees Emily through a camera and becomes fascinated for her. When Nick gets in trouble dealing ecstasy, he presses Emily to help him in a robber of Bernstein."Klepto" is a low budget movie, with an attractive story and good performances. Emily Brown is a shoplifter but the viewer feels sympathy for her nice character. Even the small time crook Nick is a sympathetic character. The conclusion is not romantic but fits perfectly to the story. In the end, "Klepto" is a good entertainment. My vote is six.Title (Brazil): "Clepto"

animation-3 I was pleased to find this gem of a film and appreciated its subtle, quirky and "watch"able (no pun intended) take on OCD and how the choices we make affect our lives.It reminded me of Hal Hartley's films- most notably "Trust" - tho these characters, at least Emily, are not quite so dysfunctional and there seemed to be a slightly more positive vibe (or rather less bleak outlook) to this film than Hartley's. Or maybe they seem similar cuz of the synth music ;) which was perhaps my only major criticism of this film which had good acting, camera-work and editing. Being an indie film shouldn't preclude you from having cohesive musical themes for characters or situations across the movie tho. Some of the music felt out of place. But that's my own personal pet peeve.Overall the movie certainly struck a chord for me at the parallels between Emily and Nick and their kinds of stealing and internal drives. And despite wanting a romantic ending for them - the way things turned out *felt right* as their motivations and ultimately their integrity were wholly incompatible and Nick deserved his fate. The parallels of Nick being a criminal like her father left had me wondering about the real truth about her father's life and her happy memories of him as it was obvious the OCD came from her mother's side.There were a few loose ends to this script as the Austin reviewer said but they weren't enough to sway me away from liking it. I also liked Michael Nouri's small role as the amusing & warm psychiatrist- a nice casting touch.I say watch out for Thomas Trail he's up for a promising career! I will certainly look out for more of his films.

rolinmoe The premise of the film is a good one...girl gets her jollies from stealing stuff, and she ends up in a bit of trouble when a security officer notices her. Unfortunately, the film drops the girl's journey at this point and focuses on a myriad of issues that it will drop later, leaving you asking "Why?" at the climax rather than caring about what is happening. The film looks pretty good on-screen...I wish they had used some of their time in writing a decent script, and not just in the editing bay. Little of the dialouge is believable, and instances that bring people together are better written in soap operas than they were here. The film invests in characters it throws to the wolves later, making you wonder why you even watched the life of this person. Silly tricks start subplots, and dialouge rather than action end them. The big moment in the film is something you figure out as soon as the crisis is introduced.I saw the trailer after I saw this film, and it reinforced my thought that the idea behind the film is intriguing. The log line on this film is a good one...but the film itself doesn't stick with it. If you're going to make a film about a girl who is addicted to stealing, make it about that girl. Don't use the middle of the film to take me five other places and then later come back to this girl and expect me to care. And if you're going to write a film with a female protagonist, give us a character that is written as a person and not as a guy's idea of what a girl is/should be.