Cynthia Boucher What I really enjoyed about Ari's film, is the humanism in the face of war. We think of war as very dark and scary. And it is. Yet, there is more to life and more to humans than the focus of war itself. And there is always more than one side of 'the truth'.In "Last Letters from Monte Rosa", we see the internal conflicts, as well as the external and how human beings relate and interact with one another, in a forced situation. We are shown that we can't escape ourselves. The heart will still have a place even in a time of war. And how different people can form unique bonds of understanding with one another and face their own individual challenges under difficult circumstances.I really think that showing the heart of what it means to be human is Ari's strength. I hope Ari continues to make films showing the just how 'human' our lives are.

kinopravda68 "Last Letters from Stalingrad", the 1950 compilation of the supposedly authentic war letters of Nazi soldiers caught in the bloodiest WW2 battle, has become the primary source of inspiration for the unprecedented war epic portraying the last days of WWII fighting in Italy - "The Fallen" and its second part "The Last Letters of Monte Rosa". Authenticity, viewed here as a meticulous, accurate re-enactment of the historical details - battleground weapons from period rifles to tanks and planes, soldiers' uniforms, etc - is more than sufficient condition for the compassionate and intimate presentation of the war daily routine with its sudden changes and upheavals, its cruelties and its rites. In this shoe-string budget production the up-and-coming filmmaker Ari Taub brings fear, absurdity and humor (all related to everyday realities of war) - into their proper balance. In "Letters" the enemy (the Allies) is not personified, and our attention is focused instead on the uneasy relations between the German infantry and the Italian troops mercilessly raided by the partisans. Hollywood storytelling conventions are inevitable for such a traditional narrative, shot at the same time with - but started even before - the late-nineties wave of WWII epic blockbusters like "Thin Red Line", "Saving Private Ryan" or "Ivo Jima". At the same time a certain theatricality of the everyday, certain comical twists of even the most sad episodes, a true indie spirit of his "Letters" has radically distinguish the film from the glitz and glamour of the "dream factory". Almost as ambiguous as "Last Letters from Stalingrad", Taub's retro-version also does its best to show a "human document which bares the soul of the man at his worst hour". Moreover, due to its unique balance between the tragic and the comical it provides a true Aristotelean, cathartic release of the emotions, especially in the final scene of German martyrdom and their last photograph for the American magazine (hence for posterity). After all, Ari might be short for Aristotle.

gwienbarg This was a highly entertaining, informative and enjoyable movie. I loved the fact that it was written in Italian and German and particularly that the viewpoint was in the same languages. What a wonderful story, never told, about the Italian regular Army's relationship with the German occupation, pitted against a resistance which would ultimately succeed by default. It was wonderfully told story shot, edited and directed the grand style befitting such a tale. I couldn't believe the wonderful casting and how it appeared as if they were from the era they were depicting. Because of the nativity of the men there seemed actually to be the inscrutability of reality and honesty in their portrayals, almost as if they were channeling the horror the people who had experienced WWII on own turfs. George Wienbarg

ayeshadamo I was so glad that I got the chance to see this wonderful film last night. Taub handles very delicate subject matter with grace and care. The acting is marvelous, and the editing of the story is tight and streamlined while still maintaining a naturalness of actual life memories as though they were being remembered to us in the suspended time of reminiscence. Like life, we get to experience both the comedy and tragedy of it all. And there is also humour here that is not dark humour at all - which it easily could be, exclusively, given the subject matter. The honesty in the writing of these characters and the intimacy of how these performances have been delivered and captured for us touches an essence deep within our sense of humanity as viewers. I hope that this important film can gain a very wide audience indeed - it is worthy! Bravo!