Lisbela and the Prisoner

2003
Lisbela and the Prisoner
7.6| 1h46m| en| More Info
Released: 22 August 2003 Released
Producted By: Estúdios Mega
Country: Brazil
Budget: 0
Revenue: 0
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Synopsis

Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers, such as the woman who gets transformed into a gorilla. He gets involved with Linaura, a sexy and beautiful woman who happens to be the wife of the most frightening hitman of the place. The hitman finds out his wife's affair and goes after Leléu, who has to leave in a hurry. In another town, he meets and falls instantly in love with Lisbela, who is engaged to Douglas, a hillbilly who tries hard to pass for a cosmopolitan Rio de Janeiro dweller.

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Reviews

Claudio Carvalho In the country of Northeast of Brazil, Leléu (Selton Mello) is a nomad rascal, traveling through different small towns, cheating people and having one night stand with the local women. While escaping from Inaura (Virgínia Cabendish), who has felt in love with him after a brief affair, and her cuckold husband, the hit man Frederico Evandro (Marcos Nanini), who wants to kill him, Leléu arrives in a small town. There, he meets Lisbela (Débora Falabella), the daughter of Tenente Guedes (André Mattos) and a romantic film lover, who is engaged of Douglas (Bruno Garcia) and is going to get married with him, and, like in a movie with happy end, they fall in love for each other."Lisbela e o Prisioneiro" is a delightful romantic comedy, supported by funny characters, situations, expressions and sayings very typical in the country of Brazil. I am not sure whether foreigners would appreciate or understand the richness of our national culture in this movie, but the story certainly reaches persons of different social classes in my country. The cast and direction are excellent and the music score is outstanding, highlight the song "Você não me Ensinou a te Esquecer" ("You Have not Taught me How to Forget You"), of Caetano Veloso. My vote is seven.Title (Brazil): "Lisbela e o Prisioneiro" ("Lisbela and the Prisoner")
Fafa Says Leléu Antônio da Anunciação (Selton Mello) is a con man who travels through small Brazilian towns, scamming the people and sleeping with the townswomen.When he makes the mistake of sleeping with the wife of a hit man's and is caught, Leléu barely gets away with his life. Quickly, he moves on to another town, Vitória de Santo Antão, where he meets and falls in love, for the first time, with Lisbela (Débora Falabella). The daughter of the Police Chief, Lisbela is a sweet girl who enjoys watching movies and usually relates life to the world of films. Leléu has many problems to juggle: The hit-man, Frederic Evandro (Marco Nanini), also known as the Candlelighter, is hot on his trail to kill him; Frederic's wife, Inaura (Virginia Cavendish), claims to be in love with him and has followed him; and Lisbela is engaged to be married to someone else.Some scenes are a little too much, too over the top, but overall Lisbela e o Prisioneiro (Lisbela and the Prisoner) is enjoyable.
dbracher Once again Guel Arraes and Jorge Furtado did it !Lisbela e o Prisioneiro tells a story in the fifties of a young girl that loves american movies and a trevelling popular artist. Lisbela dreams with hollywood love stories and her story goes like this. Lisbela shows to the audience all movies clichés, but it doesn't mind, the audience loves clichés.Smart dialogues, fast editing (more than 2200 cuts) and superb acting makes this film a real enjoyment for everyone.Highly recommended
saymonnascimento Lisbela e o Prisioneiro is a good comedy, it will certainly make you have a very good time when you see it. However, this movie is downsized by two factors: it looks like a made-for-TV feature and Débora Falabella, who plays Lisbela, is not convincing, even with the awful accent she tries to speak. The rest of the cast is excellent, a very good team of actors with an outstanding comedic timing. The screenplay (from a play by Osman Lins) has astonishing metalinguistic ideas and inserts several little black-and-white movies inside the movie, as the soundtrack is very vibrating. Quite good. 7/10