Madonna of the Seven Moons

1946 "This gorgeous creature was really TWO women...fiery temptress...respected wife"
Madonna of the Seven Moons
6.2| 1h50m| NR| en| More Info
Released: 28 January 1946 Released
Producted By: Gainsborough Pictures
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

In the early part of this century, Maddelena a teenage Italian girl, is attacked whilst walking in the woods. The attack leaves her mentally scarred and our story flashes forward to the 1940s where Maddelena is still troubled. She disappears one day and her daughter vows to find her.

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BrentCarleton This is arguably one of Gainsborough's best films ever, and as important in its own way, as "Brief Encounter." Gainsborough is sometimes criticized as a purveyor of "high toned" tosh for shop girls, yet no one did what they excelled in as well.And "Madonna of the Seven Moons" excels in all departments. If some of its scenes and dialogue seem to beg a Carol Burnett parody, the film nonetheless grabs you from the first moment and doesn't let go till "The End." Just try looking away! The story: A convent bred schoolgirl is molested by a peasant, leading to dramatic repercussions in her later married life that impact both her husband and daughter.And what a slick, juicy cinematic feast it is--with all the trimmings: psychiatry, nervous breakdowns, rebellious teen-age daughters, rhumba bands, dens of iniquity, fashion shows, Stewart Granger in gypsy pancake, male suiters and gigolos seemingly recruited from a "Brideshead Revisited" casting call, and all set against lavish settings from England to Italy (the art direction is A-1). With such breadth of scope, mood, and tone, one would not be remotely surprised to see both Todd Slaughter and Olivier show up in the same scene, even though they don't.The religious beginning and closing, with a genuinely touching depiction of Extreme Unction are deeply affecting. It's also nice to see British stage great Reginald Tate in a rare screen performance.Sin, redeem and save never had it so good! Highly recommended.
owenrussell POSSIBLE SPOILERS!!!!!!I was taken to see this film by my parents (in the first week of April 1945) and so had no option but to sit through it. The scenes involving the change of mood in Maddalena when her split personality came into play, accompanied by matching music, I found absolutely and completely terrifying, so much so that I hardly dared look at the screen for fear of what would happen next. Sinister, mysterious, shadowy, menacing - these were my impressions of the film. To see it on video many years later was to be reminded vividly of these childhood reactions. An absolutely unique film! I have no doubt that it can be criticised on many technical grounds, but that meant nothing to a boy of 9. The whole thing was quite simply an extraordinary experience.
calvertfan This has got to be one of the most amazing movies I have ever seen. Not a dull moment to be had, and while it's not a thriller, it will certainly keep you on the edge of your seat. And boy are the love scenes steamy or what?? The only possible gripe is that it's extremely hard to believe that Miss Calvert could possibly have a daughter Miss Roc's age, and the casting is made even funnier when one knows the actual age difference between them (about 4 months), and has seen them act together in other movies where they play same-age friends, rather than inventing some non-existent 18 year age gap. Thus said, there truly would be no two women better suited to the roles, and they play their parts splendidly, with Phyllis Calvert expressing the mental anguish of her character's with such calibre that it certainly rivals Vivien Leigh's Blanche du Bois.
manager-5 I enjoyed this movies more than some of the stuff turning up on our screens today. While some of the acting wasn't brilliant the story line was excellent and the characters were interesting, if not over the top sometimes.Phyllis Calvert played the the lead very well. Extremely well spoken, something you don't find in movies of late.Worth a look...