Leftbanker OK, almost right out of the starting gate we see Luis Guzmán so you know you are going to like this film. I've never once not liked him in a movie. Never. Is that too many negatives or do they even themselves out to make a positive because Luis Guzmán is always a positive for me. His bit was totally sit-com type stuff but he still came through with flying colors.This film gives us a little peek at Puerto Rico in the three main stories told. The bit about the guy high-jacking the bus to marry the driver was kooky but believable while the love triangle between the old folks was my favorite. All of the many romances in the film boil down to one thing: love is a big pain but it's all we have up until the day we die.

bmxceze111 To go and say that this movie was a love story is being ethereal to the most delicate degree. This movie was many things as it unfolds with a rich sense of captivity. Taking the viewer on a ride that only a Puerto Rican can plot out (The cast is enriched with Puerto Ricans). It took a few deep breaths to fully digest the amount of dissonant dialogue, by all means it was bearable but at times it was shocking. No one can write this type of storytelling. Obviously Carlito Ruiz Ruiz got it right with precision. The film explores love on it's most obverse levels, by exploring love throughout age, rage, immense tragedy, psychosis, and of course humor. These different palettes create an exuberant amount of depth, body, and twisted sense of the word. It is definitely a family oriented film with so many references to Puerto Rican culture that you just want to throw some 'chanclas' on and hit the 'playa'. The themes of ancestry are doused with gasoline and set ablaze with trepidation. You feel what it's like to a part of the inner circle. The problematic circle is not that love is reciprocal but that the action exists and we cannot coexist if that understanding is discernible. A true gem amongst Latin gems. I hold this film in high accord with Innaritu's masterpieces.

Seamus2829 What we have here is a revelation. A dark little comedy from the island nation of Puerto Rico. 'Maldeamores' (or Lovesickness,as it's being called in the U.S.). Maldeamores is a smart little comedy with a dark centre to it. The film is directed by Carlitos Ruiz,and has Benicio Del Toro as it's executive producer (a good sign),and has a cast of familiars from the island (some of which are veterans). It concerns love, and it's effect on those who fall under it's spell. It reminded me a lot of the earthy comedy's from Italy (especially the ones from Lina Wertmuller). A bit of a search may be in order to see this film, as it's being distributed by a rather small U.S. distributor.

marzo-1 This film is a good example of how through media manipulation you can sell a film that is no more than a very unfunny TV sitcom. In Puerto Rico the daily newspaper with the widest circulation has continuously written about the marvels of this film, almost silencing all others. Coincidentally the newspaper with the second largest circulation belongs to the same owners. The weekly CLARIDAD is the only newspaper on the island that has analyzed the film's form and content, and pointed out all its flaws, clichés, and bad writing.Just because a film makes a portion of the audience laugh with easy and obvious jokes, and because one can recognize actors and scenery, does not make it an acceptable film.