Mamba

1988
Mamba
4.9| 1h21m| en| More Info
Released: 01 November 1988 Released
Producted By: Reteitalia
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Budget: 0
Revenue: 0
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Synopsis

When Gene, a maniacally deranged computer-game designer, gets dumped by his beautiful artist wife, he devises a masochistic plan for revenge. Taking his spouse prisoner, Gene locks her in her windowless Los Angeles loft but leaves her with something to keep her company -- a deadly mamba snake. Via electronic sensors and cameras, he watches with glee as his terrorized ex-lover fights for her life.

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sibilance64 one black mamba in a warehouse apartment versus one hot white mama. Trudie styler(aka mrs sting) plays the ultimate game of keep away from one angry venomous reptile placed there by a spurned computer game playing geek.(it's always the quiet ones you know?)most of the plot is incredulous to be generous,but i did think the one scene where she dumps flour on the floor to track the mamba's movements was pretty smart. well if nothing else if you have ever wondered what sting's wife bare bottom looks like, then you will see it in all its pale moon glory! i laughed, i cried,(not really i cheered for the snake!)and for the first time , i honestly believe that i could have mane a better movie than Italian director mario orsini. for one thing there would have been more shots of her fine hiney, and less of the geek in the car watching the game unfold with a voyeur's delight.
slayrrr666 "Fair Game" is a really weak and barely worthwhile horror film.**SPOILERS**Conducting a business deal, Gene Campbell, (Gregg Henry) purchases a deadly mamba snake from Frank, (Bill Moseley) a renown dealer of exotic and deadly snakes. Still upset over his divorce from Eva, (Trudie Styler) he pays her a visit to her apartment and uses it as an excuse to leave the snake behind. Trapping her inside and watching the proceedings from a computer nearby, she becomes aware of the creature's presence but realizes she's still trapped within the house. Forced to defend herself, she tries to stay alive as the snake stalks her within the spacious building.The Good News: There wasn't much of anything to this one. The fact that there's a real snake to this one is a big plus, as those that are used to giant killer snakes will have been used to terrible CGI or barely realistic-looking prosthetics, and one where the creature is actual and real does draw some benefits to it. The house where it takes place is actually really nice, giving off a nice Gothic feel with it's spacious rooms, off-beat designs and intricate furniture all give it a unique look that serves well to make it really enjoyable and the perfect opportunity for something fun and enjoyable. The last big plus is that the final confrontation, which is the focal point of the whole film, deals with the snake stalking her through the house, and these are all full-on, tense and exciting scenes. From the bathroom confrontation to the scenes of the snake attacking in the living room, there's a lot to like about them. The fire scenes are just as good, and lend a little more believability to the film that, along with the real snake, make for a really fun scene. The extended length has it's benefits as well, as there's a lot to pack in while making it enjoyable, which this one does nicely. These here are the film's best points.The Bad News: This one here is really problematic entry. The biggest one here is the fact that nothing of real excitement happens in here. The fact that the whole film comprises the chasing around the house is about it, the rest of the film does nothing of importance. It's not entirely exciting watching her walk around doing yoga or trying wacky means of fitting food into refrigerators, or even stuff like the constant phone calls or flipping around the TV aren't that interesting at all, and the stuff that goes on while the snake's stalking her isn't any better. Granted, it does last a while, but it still doesn't do much of real interest and the film, as a whole, is terribly dull. This is also shown in the film's incredible lack of blood, gore or anything else horror fans are accustomed to. There's three people who have screen-time over ten seconds, and with a snake in the film, the deaths are guaranteed not to be too graphic at all, which is pretty common anyways. These here are the film's weak points.The Final Verdict: With a few good points about it and not a whole lot really wrong with it, this one ends up being incredibly underwhelming. If it must be seen, then go ahead and do so, but there's so much more worthwhile out there that it's hard to see any real point in giving in to this mediocre entry.Rated R: Adult Language, Violence and Brief Nudity
Scarecrow-88 A narcissistic intellectual video game designer doesn't appreciate the fact that his "weakling" ex-girlfriend has moved on with her life, trying to earn a living from her putty sculptures(?!)enjoying the fruits of her labor in a posh vast loft, blessed with limited windows, highly secure. Gene(Gregg Henry)decides to put an end to this by "inheriting" a deadly venomous black mamba, required by a snake handler(Bill Moseley, in one his many grubby roles..the actor has a whole trunk load of these parasites he can pluck for use)he dupes and murders. Gene's plan at eliminating an "ungrateful" inferior girlfriend is to seal Eva's(Trudie Styler, and hour or so of running time spent with her is enough for any wary viewer to endure)home, locking her inside with the Mamba snake, with a special tracking device on both of them, watching their "progress" from his car. Gene injects more hormones in the snake supposedly giving it a limited life expectancy providing the Mamba with "extra motivation" for attacking anyone in it's proximity..Gene even has a timer set on his computer as to when the snake would die if it couldn't release it's venom in time. So the main meat of the film is Eva by herself practicing meditation and yoga, talking and joking to herself, making funny expressions to herself in the mirror, and generally goofing off until she realizes the snake is in there with her..and the fact that her loft is locked tight with no exit it seems. The film often cuts to Gene in his vehicle, "sweating" it out as the counter clicks away and Eva often evades the deadly fangs of the Mamba.I would recommend seeing this film for those interested in Gregg Henry. The DVD release of "Just Before Dawn", and films like "Slither", "Payback" and "Body Double" feature his talents. But, I think his work here is exceptional. I think the point-of-view shots of the snake slithering around in the loft are quite reminiscent to those snake-cameras used by thieves attempting to find passages through difficult security systems in hi-tech actioners. The director often uses this device probably because it's a lot easier, and a bit more realistic. On paper, this film could be a winner. It probably is if you find Trudie Styler interesting or entertaining, because, in just my opinion, the film hangs on her likability..she is in the film the most and it's her plight we must be concerned with. I found her pretty annoying so her plight didn't concern me, to be honest. I was more interested in Henry, because he created this air of pomposity and I've always been a fan of actors who could create a quiet menace, seething underneath this calm exterior. I like how the director often shoots him from below as if he were standing on a pedestal looking down on his prey. I say if you like Styler's performance and character, the film will work..if not, then you'll feel the same way I did. Really, the interesting premise on paper never quite materializes on screen although, as I've mentioned already, Henry's villain is quite memorable. To be honest, in a real movie, a character such as Styler's would've been mincemeat. The funniest scene would have to been when Eva stares down the mamba with a lit cigarette lighter.
Brennan-8 This is a stunningly bad film, certainly the worst and most inept I've ever had the misfortune to sit through. The acting and direction are not even professional and the script makes no sense at all. It's hard to understand how the video was accepted for mass distribution, there really is no artistic merit at all.