Mary Shelley's Frankenstein

1994 "Be warned."
6.3| 2h3m| R| en| More Info
Released: 04 November 1994 Released
Producted By: American Zoetrope
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Based on Mary Shelley's novel, "Frankenstein" tells the story of Victor Frankenstein, a promising young doctor who, devastated by the death of his mother during childbirth, becomes obsessed with bringing the dead back to life. His experiments lead to the creation of a monster, which Frankenstein has put together with the remains of corpses. It's not long before Frankenstein regrets his actions.

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dnjsthd Evaluation that it made too much contemporaryly is a little bad but I do not think this is a bit ... Anyway, this movie is a rare outstanding work making use of circular work literature as it is ... Doctor who created a monster will be faithful to its duty.De Niro who came out on the monster showed really nice performance. Feeling I threw myself Monster begins very miserable revenge, the process was entirely somututo. But in the end they all leave everything and then leave somewhere and appear again... The scene I will not forget is the scene that my father, he did not give me a name ... suddenly become very sad. But, in the end, Frankenstein is feeling that the world without his father feels that hecan not exist and disappears again. ..The scene where I feel that there is no meaning in the world without my father who created myself as just one human, not the last multiple destroyers, was really good. It is a highly recommended work ...
elicopperman Mary Wollstonecraft Shelley's 1818 novel, Frankenstein, is to this day considered to be one of the greatest horror novels of all time due to it's clever dialogue, dark tone, elements of the macabre, and the moral of how science should never take away the dignity of anyone. Even though there have been so many film adaptations, none of them were ever really faithful to the book and were more well known in pop culture. But then in 1994, director/writer/actor Kenneth Branagh came out with his own dramatic horror film adaptation of the novel and was ambitious to make it as faithful to the source material as possible. Unfortunately, just because you're ambitious with something doesn't mean everything will go the way you plan, and that's where the movie sinks under.The formula is all there, Victor Frankenstein wants to learn the ways of bringing the dead back to life after a tragic death in his family, but the process he uses ends up being both amazing and horrifying and leads him further into madness. Sadly, the movie feels too convoluted with a straight-forward plot getting twisted with constant plot points, unnecessary and forced attempts at being depressing and scary, and too much time spent on the titular character to give any other characters a chance to shine. It seems to be so overambitious with capturing what made the book work that it feels less subtle about it, and ends up feeling more artsy and operatic which doesn't fit well. But the worst and most ridiculous part of it all would be the altered ending, which nearly ruined the whole movie. Without giving away too much, let's just say that Victor Frankenstein was more crazy about his fiancée than you think.Admittedly, the film does stay faithful to the book sometimes without really spitting in it's face, like Victor's reasoning of performing galvanism, the monster learning that people fear him the hard way, and how Victor gets to meet Robert Walton. However, several other times it makes it's own little alterations that can range from weird to flat out dumb, like how Victor and Henry met and the death of Victor's mother. It doesn't help that the changes they made really affected the characters, both mentally and physically. Victor is still the insane and desperate yet tragic inventor from the book, but Clerval is not well acknowledged, Elizabeth is dull and uninteresting, the monster is still the same but feels less gruesome and more amateurish, and the film will often show a character more (like Justine's mom) than the novel did. It just goes to show that sometimes, things can go in a manner more unintentional than you planned out.As for the aspects of filmmaking, while it does go style over substance some of the time, the sets, backgrounds, and effects still look pretty impressive and quite artsy. This is one of the film's ambitious efforts that actually payed off, even the soundtrack gives the film some suspense and feel of drama. The acting is another story; where some like director Kenneth Branagh, Robert DeNiro, Tom Hulce and Richard Briers do give off pretty believable and charismatic performances, others like Helena Bonham Carter, Aidan Quinn, Trevyn McDowell and John Cleese range from decent, to boring, to less serious and more awkward and goofy, which does not fit the tone of the movie this should be. Also, since the pace can get a little dull, even some of the gorgeous sites start to look the same after a while. When the film gets bloody and graphic, it also works well, but even some of the blood looks pretty fake and sleazy.At the end of the day, it feels like Kenneth Branagh was so ambitious to make his adaptation as faithful as possible to Shelley's novel that he intentionally got some right and unintentionally failed ridiculously at other points. The film has it's similarities that do treat the novel with respect, along with some gorgeous sets, a nice music score, and some depth and drama here and there, yet the differences (some not having much of a point btw) overshadow the similarities complete with hit or miss acting, forced attempts at sad moments(with one exception), and one of the dumbest endings ever seen on film. In a sense, the movie is like focusing more on design than writing: Sure it looks like you really put some sweet time and effort in accomplishing the former, but the ladder really needs some improvement. Now I'm starting to see why the 1930s Frankenstein movies are seen as the superior films, even though they're not faithful adaptations, they work as subtly emotional and powerful movies on their own without going overboard in their style.
clem-cost I saw this movie recently and as I've also read the book I'm rather clueless about all the changes they've lade with the original story... But it's an adaptation, changes have to be made, I just don't get the point of THOSE changes... Overall I enjoyed it, I had some good laugh (either the scene was genuinely funny or too ridiculous to handle). My main problem is I find the casting well chosen but they all overact so much ! And for Henry, I'm not an English speaker but I thought his accent was switching from English to American throughout the whole movie and apparently, reading some reviews, I was right (I'm proud of myself on that point ^^). De Niro's creature was nice though, I like how the design is much more realistic and his performance was nice.
Hitchcoc While there are differences from Mary Shelley's earth-shattering novel, this version is quite true to the author's original. Not only that, the portrayal of the "monster" as a sophisticated man is much more true to the creature portrayed in the book. This personage, portrayed by Robert DeNiro, is fully aware of who he is and that he has been betrayed by Victor Frankenstein (Kenneth Branagh) who throws him out like yesterday's garbage. The monster begins to resent the lives that others have and vows revenge on his creator. There are terrifying scenes of murder and mayhem. But the issue that is so poignant is whether such a creature has a soul; whether something composed of the parts of other humans can see eternity. This is one of the most philosophical portrayals of 19th century ethics I have seen. Excellent sets and mood inducing music.