Theo Robertson Along with Alan Clark and Ken Loach Mike Leigh was at the forefront of British social realist . Of these three directors I always found Clarke the most incisive of the trio and SCUM is still well regarded even by people who were born after the release of the cinema version in 1979 . Loach however became a parody of a professional socialist shouting on a soap box and his films became increasingly polemical masturbation fantasy involving the oppressed proles . Leigh is somewhat different from his two peers . While he doesn't stuff politics down the audiences throat he hasn't really made a film with the same impact as SCUM . That said I do remember seeing MEANTIME on Channel 4 in the 1980s , liking it and discussing with my peers . Over 30 years later it has an amazing cast of British actors before they well known Leigh has always had a reputation of spotting potential raw talent and of the cast Phil Daniels was by the far best known cast member of this production . Roth , Oldman , Molina and even Pam Ferris would have to be slightly patient before becoming well known thespians . Watching the talent here is no surprise that Oldman and Roth moved in to international stardom . Roth plays a retarded social outcast trying to find his way in life while Oldman plays a fascist National Front skinhead The downside is that MEANTIME is a very mundane , low concept film where very little happens . In fact the only incident of note is Oldman's fascist sharing a lift with a big black guy . That said it is a window on the world of Thatcher's Britain where a haircut might cost as much as £1.20 and the hourly rate of pay in a dead end job was £1.70 . Most nostalgic of all was the drug of choice being Carlsberg Special Brew . Apart from that MEANTIME isn't nearly as good as I remembered it as

groggo I'm a big fan of Mike Leigh's gritty films, and 'Meantime' fits well into his admirable canon. He examines the lives of 'ordinary people' unlike any other filmmaker I know. Here, his microscope (forget the lens) is on a NON-working class (perhaps proletarian without the peasant's earth) family in 'estate' housing in the wretched suburbs of London. Once again, as in all his films, Leigh, using his well-known improvisational rehearsal-and-execution technique, receives razor-sharp performances from his cast. At the centre of this work are two simply superb performances: Phil Daniels as Mark and Tim Roth as his mentally 'slow' younger brother Colin. Anyone who has had a sibling will recognize the evolution of the relationship between these two. It's universal in its reach.Splendid acting abounds and carries 'Meantime'. As the parents, Jeff Robert and Pam Ferris are all-but-tactile with their sizzling frustration and rage. Gary Oldman as a deeply disaffected youngster is wonderful. A very brief scene where he rolls in a barrel, mindlessly banging it with both hands, is both riveting and disturbing.The quibbles I have with this film are perhaps minor to some, but of concern to me. One is Andrew Dickson's music. Is that a zither playing in an Egyptian carnival dance band? It is initially just jarring, but then it becomes downright annoying and intrusive.I quite frankly could have used subtitles in 'Meantime'. Whole sentences just went past me. It's necessary for the stark social realism of Leigh's settings, but for non-Londoners, this can, at times, be rough going. I listened to fragments of this dialogue and it became an exercise in linguistic irony: these characters live in the country where the English language was BORN.Doesn't matter; it's still a great and very moving film.

daspacemonkey Anyone who grew up in the early eighties in the suburbs listening to The Specials can relate to this. Leigh, as he has done with every decade provides an accurate social comment of the time, the sheer boredom of a disaffected youth, the pointlessness of life without a job and the struggle to fill the days, with something to do. Personally I think it ranks up there with Leigh finest work, helped by an outstanding performance by Tim Roth and wonderful cameos by Gary Oldman, Phil Daniels and Marion Bailey. If you're English born in the seventies and like Mike Leigh it's a must, if your not there still plenty to marvel at. Enjoy.

simonrosenbaum Having watched this now after his latest film "All or nothing", I'm struck on how similar they are to each other. You could say "Meantime" was a early version "All or Nothing". There's far less light and shade, the drama and dialogue are quite relentless in "Meantime", which makes watching far harder. Notable for debut performances by Tim Roth and Gary Oldman, they along with the rest of the cast portray their characters with amazing believability. This is a minor work compared to some of his early works and all of his later ones, but it's still a major accomplishment and deserves to be seen by those who appreciate challenging drama. (6/10)