writers_reign If imitation really IS the sincerest form of flattery then Noel Coward is wallowing in it wherever he may be. Having pioneered the idea of telling a story of real people seen against the backdrop of changing times between the Boer War and 1930 in Cavalcade he refined it to tell the story of the Gibbons family of Clapham 'between' the wars'. taking in the Wembley Exhibition of 1924, the General Strike of 1926, the Abdication in 1936, Chamberlain's Peace In Our Time and the outbreak of World War Two. Against this backdrop the Gibbons', mother, father, their three children, Reg, Vi and Queenie, lived and loved, married, died, ran away from home, returned, all depicted by a master craftsman. Now Raymond Briggs 'borrows' the formula and employs it to tell the simple, yet tremendously affecting story of his own parents, from their meeting, courting, marriage, his own birth, evacuation, return, time in college, marriage and death of his parents. There will, of course, be those with no knowledge of Cavalcade or This Happy Breed who may credit Briggs with inventing this method of storytelling. No matter, Coward would probably not begrudge him his moment in the sun and it is a film choc full of both charm and sentiment, one that can stand multiple viewings.

Leofwine_draca ETHEL & ERNEST is the latest screen adaptation of a Raymond Briggs graphic novel, following on from the age-old classics like THE SNOWMAN and FATHER Christmas. While this outing can't hold a candle to the best of the Briggs productions, it's well worth a look for fans of the author. The interesting thing about ETHEL & ERNEST is that it's a true story, an autobiographical account of the lives of Briggs's parents in the middle part of the 20th century.The story is kept deliberately small scale and charts everyday life in a realistic way. I liked the way that it's deliberately set in a single house for the most part, but in this house we witness the great events of the 20th century play out, mostly thanks to the newspapers and wireless. The characters of the married couple are kept very realistic and down to earth, and I suppose that's what counts. I didn't care for the casting of Broadbent or Blethyn in the roles: these are two overexposed actors whose voices are so recognisable that they spoil the effect; unknown voice actors would have been much better. The animation of the characters is also very modern, although the backgrounds are excellently detailed.

michael-1151 The notion of 'ordinary people' is perverse, like fingerprints, everyone is different, living in a celebrity culture where appearing on a television reality show can somehow make you special, someone to keep up with or be interested by, it was timely to receive this Christmas antidote to superficial stardom. Raymond Briggs' endearing depiction of his parents through a tumultuous half of the 20th century was also an excellent history lesson, showing how major, earth-shattering events influenced supposedly ordinary people. Most of all, it showed how class, status, social mobility and home ownership influenced British social history. There are sadly few milkman around now, if there were, neither they nor contemporary equivalents, would be able to afford the spacious terrace house in Wimbledon!Just as in Robert Tressell's landmark work 'The Ragged Trousered Philanthropists' Edwardian decorators did not think privilege was 'for the likes of us', former ladies maid Ethel, supported the status quo, voted Conservative, did not envisage storming the barricades anytime soon, whilst Ernest aspired to Labour's inspirational message after the travails of Workd War 2 and was an intrinsic part of the ideological spirit that brought the NHS, welfare state and a less class-ridden society.Raymond is shown eschewing office work, despite having worked as a draughtsman during national service, for the seemingly risky and unstable world of art. How right he was, as we saw, to follow his talent and become one of the world's greatest illustrators. Although his parents were not famous, they showed the extraordinary stoicism that brought this country through. Sadly extreme voices, alienation and dissimilitude have turned true British grit, tolerance and decency upside down with the appalling, self-defeating referendum and disgraceful betrayal of 'Brexit means Brexit'. Whether part of a family (as here), community (partying on VE Day) or country (Ernest reading the paper daily and keeping up with news on the radio), we are part of one Europe and one world; fragmenting it will lead back to Morrison Shelters in the lounge - or worse. The innate decency of Briggs and his parents, their acceptance of only being able to have one (super) child, Raymond's wife being schizophrenic and unable to have children, was a marker of this warm, life-affirming film which not only brought tears to our eyes, but should lead us to be better people and show a more caring attitude. We may not all be illustrators or artists, but we can all draw our conclusions....

Kramer06 Having watched all Raymond Briggs films i was very surprised to find that another one was made and luckily i just managed to watch it as i did not know it was being aired within the Christmas period 2016.I have enjoyed Snowman, The Father Christmas, When the Wind blows and more and watched when i was a child.I now watch these same films with my children. If you have watched the films before this then you know it'll be an excellent film. This film like the others offers humour,great characters and just overall great enjoyment.I might have to say that this film is now my overall favourite out of the Briggs films. It has humour,cosy English culture but also a sad realism.Based in the era of my grand parents it was nice to see how they were back then living a similar life.As based on true events it was a sad film but very interesting as it was factual.Overall i loved it,my partner and kids loved it.Its a great film for all ages and new and old fans of Raymond Briggs.Ill definitely be getting this on Blu ray.