connorbbalboa When people usually think about the filmmakers of New Hollywood, the first name that comes to mind certainly isn't John Milius. The most commonly remembered names of that period are "The Big Four:" Spielberg, Lucas, Coppola, and Scorsese. Even Brian De Palma may come to mind. But almost nobody thinks of Milius. Which is a shame, because he seems to be one helluva talent.This documentary covers most aspects of John Milius's life from his childhood to his stroke and continuing recovery (at that time). His whole career from his writing efforts to his few directorial projects have quite a bit of focus as well. He is probably best known as one of the screenwriters for Apocalypse Now, for which he got an Oscar nomination. Some may not even realize that he helped come up with dialogue like Dirty Harry's "'Do I feel lucky'" speech, or the Indianapolis monologue in Jaws. To know that he did both is bound to increase one's respect for his talent. What makes this documentary even more fun is that it feels like quite the party with all sorts of directors who knew him and were inspired by him participating, as well as many famous actors. I mean, you have guys like Spielberg, Lucas, Scorsese, Clint Eastwood, Arnie, Stallone, and Harrison Ford all giving their thoughts on the man. And I'm just getting warmed up. You hardly ever see this much major talent participating in a documentary like this. It makes you feel like you're a new friend to all these guys and by the end, you really feel like their buddy.Prior to this documentary, I've only seen one Milius film: Conan the Barbarian (1982), and it's a film I've loved more over time. Now that I've seen this documentary, I want to seek out more of his work, since he has specialized in big budget epics and one of the most common things that the interviewees in this documentary have cited him for is the way he writes dialogue. Knowing now about his efforts on Dirty Harry and Jaws, as well as Apocalypse Now, I believe it. Milius may not have a personality that is comfortable with everyone: George Lucas remembers a story of how Milius punched his film professor, he's been accused of being right-wing in a system that veers more towards the left, he's pro-war, and he seemed to love pushing people's buttons, but the more you understand Milius, the more you respect him. I may not agree with everything he believes in, but I won't deny what he's contributed to the film industry.Before Milius suffered his stroke, he was working on a movie based on the life of Genghis Khan. However, it's been a while and the project doesn't seem to be reaching the daylight. Given how much work he put into Conan, a similar film, I hope that he can still make the film, given how much he seems to believe in it. You can do it, John. I know you can.

gavin6942 A look at the life of filmmaker John Milius, the greatest filmmaker nobody knows.In this documentary, Milius is played up as the best writer of dialogue, someone who recognized how people actually talk. Again and again he is mentioned as the dialogue guy, and Sean Connery thought he was the only one who could write good speeches.It is certainly interesting to see how close he was with George Lucas at USC, making "Marcello I'm Bored" (1967) together, and more or less being good friends since then. Not knowing much about Lucas, it seemed an odd match.Milius came up through American International Pictures (though apparently not under Roger Corman) and went on to make "Apocalypse Now", "Jaws", "Dirty Harry" and more... Charlie Sheen loves him, which means something. The UFC is mentioned as connected, with Milius having helped create interest in the sport on the part of investors and television outlets, and John Goodman in "Big Lebowski" may have been influenced by him.

Michael_Elliott Milius (2013)**** (out of 4)Wonderful, all-star tribute to writer-director John Milius who is best remembered for the screenplay to countless classics including DIRTY HARRY, JEREMIAH JOHNSON, THE WIND AND THE LION, APOCALYPSE NOW, CONAN THE BARBARIAN and RED DAWN. This documentary traces his early days at USC and how he started working at AIP before moving onto some of the biggest pictures of the 70s and 80s. This documentary covers the wild stories behind the man and how eventually all of his politics became too much and he was pretty much thrown out of Hollywood. Directors Joey Figueroa and Zak Knutson do a marvelous job at telling this story and much like the subject, they don't shy away from telling the truth about Milius. They don't shy away from some of his outrageous antics and they also aren't afraid to ask a pretty basic question about why such a talent just isn't being used as much. The film contains a terrific line up of people being interviewed including the likes of Scorsese, Spielberg, Coppola, Schrader, Stone, Lucas, Dreyfuss, Sam Elliott, Eastwood, Harrison Ford, Ed O'Neil, Stallone, Schwarzenegger and countless others. It's obvious that all of these people hold the subject in high esteem and after watching this documentary I'm sure you will do. The documentary tells a great story and the way it's constructed is another major plus. The interviews are all terrific but we also get plenty of wonderful clips from the movies themselves. There's no doubt that after watching this thing you're going to want to go out and see the movies.

Mr-Fusion Aside from "Dirty Harry", John Milius has never been my cup of tea. That, and "Used Cars". I've just never gravitated towards his stuff. But here comes "Milius", a documentary that, just in its first three minutes paints a enthralling picture of the larger-than-life man's man storyteller that makes for great subject matter. This movie had me glued to the screen, wanting to know more about the guy whose passion governed his movie-making; who brings a gun into a story meeting; the inspiration for Walter Sobchack, one of my favorite movie characters; the rebel filmmaker, always going the other way. And "Milius" is a terrific movie, chock-full of entertaining stories and no shortage of commentary from industry pros. It's a movie that absolutely needed to be made, and I'm wholeheartedly glad I got to see it. 8/10