sergelamarche Day to day life of a historical figure in Japan. The family was creating great paintings so the animators took special care to create scenes of rare beauty. Not much adventures but lots of thoughts and details make the film very alive. The film leaves our subjects a bit early and the epilogue is brushed over quickly it seems. But we witnessed a passage of time.

shoffmann-02166 For a movie that plays in the 18. century the chosen rock music is the worst and absolutely destroying the complete mood of the whole movie right from the start.I couldn't find any ups in the whole story, only one down after another, nothing cheerful in an harsh world that wasn't shown like one.I can't recommend to watch this one, because you will search for an happy end that never comes up.

subxerogravity I have to admit this is not my favorite style of anime.I am the type that grew up on Dragonball Z and Akira, but at the same time, I can appreciate things like The Wind Rises and From Up on Poppy Hill.I wish I felt the same about Miss Hokusai, but I don't. It's one of those stories that does not need animation to be told. Not much of it did anything to exploit the use of this technique. it was very standard.On top of that, I thought the story was dull. based on the credits it's a loosely true story but most likely this woman's actual story would have been more interesting.Good for a few amusing laughs but not my cup of tea

otaking241 While lacking in plot and character development--generally what most people look for in a film--Miss Hokusai is a lovely and wistful look into life in Edo, which was Tokyo before the Meiji Restoration of 1867. The film centers on the painter Hokusai, whose Great Wave off Kanagawa is probably the most well-known Japanese artwork, and his real-life daughter O-Ei, of whom little factual data remains. They live together in a squalid flat and are completely devoted to producing art, while Hokusai's wife and blind younger daughter live elsewhere. The film unfolds as a series of vignettes featuring well-known works by the artist, some of which the film posits may have been painted by his daughter. There is a visit to a brothel in Yoshiwara to see a geisha who has out-of-body experiences at night, dealing with a haunting caused by one of O-Ei's paintings, a ride on a boat where the great wave is reenacted, and various other scenes. Two subplots round out the film, one involving O-Ei's unrequited love for her father's disciple, and the other the younger daughter's worsening health and eventual death. The short film is capped with O-Ei telling how her life played out after the events and a text crawl at the end relating her own death. With the exception of the younger daughter's death no single plot line in the film is fully played out, which leaves something of a sour taste in the mouth. But the film is nonetheless enjoyable for its visual beauty and the window it grants into life in Edo. The scene where O-Ei follows the alarm to a fire was especially fascinating, the firefighting companies holding their standards, getting doused with water and tearing down the surrounding structure to prevent the fire from spreading. The character designs are somewhat simplistic, maybe even a bit crude, but they're deftly animated and with the exquisite backgrounds the team at Production I.G. have created another masterpiece visually. Worth watching, and if you're intrigued plan a visit to the Edo Tokyo museum in Tokyo for a more in-depth look at life in this fascinating time.