sampson-8 I knew, when I saw the awful credits roll, that this was going to be a really bad movie. The titles were drawn on parchment shaped to look like ship's sails and even shook (or vibrated) to imply wind. I barely knew it was filmed in color until a faded red peeked out from the blurry background. The special effects of the ship-wreck reminded me of a child batting about his bathtub toys. The next scene had the beautiful Amanda Blake laying castaway on the beach, her gorgeous red hair freshly coiffed and blow-dried. Her clothes, perfectly intact remained so during the chase scene up the cliff upon which she wrestled with and threw off her twice-as-strong attacker, who, having just recovered from a half-drowned state felt that sex was more important than self-preservation. This was one of those dreadful films that common sense says to turn it off, yet some morbid instinct keeps the viewer riveted to the screen to see how much worse it can get. It does not disappoint. From Ms. Blake's terrible English accent, 'repeating' flintlock muskets, cheesecake females prancing around in Cypress Gardens, a male lead with what looks like glued-on chest hair to a complete departure from reality. At the end, however, I was glad I saw it, and will see it again, not as some cinematic flagellation, but an exercise of satisfaction, having seen the worst movie ever made. I recommend this to anyone who thinks they have seen the worst movie ever. This starts badly and just gets worse. One redeeming feature-Elmer Bernstein's lively music score.

ZoZo13 Just before Amanda Blake was to become famous in her long-running role as Miss Kitty in "Gunsmoke", she starred in this poor take on Robinson Crusoe.Miss Crusoe (Blake) hates men. So it's fortunate that she ends up on an island with only a female Friday as company. Both women look great with makeup and sexy outfits of course.After they survive a Hurricane, they find two men on the beach. The older, heavier man is dead. But the gorgeous man with the great build (Nader) survives. There are silly events like Friday doing a type of voodoo fire dance to force the two white folks into a love scene. There's a scene where Friday goes to a sleeping Robin, touches her skin and hair, then the scene abruptly cuts off leaving us to question whether this was a love scene or just comparison of the two women.I couldn't help but notice how Nader's pants practically disintegrate and what's left is quite revealing (especially when he runs!).When the movie ended I was left wondering what happened to Friday.This was a very low-budget movie with stock footage and few extras. They even used some of the same brown material to clothe the two women and some of the natives.

sdiner82 For the past year or so, Turner Classic Movies has been digging up several forgotten obscurities that probably haven't seen the light of day since their original release dates. Such an oddity is MISS ROBIN CRUSOE, a 1954 Fox pickup shown in a pristine, beautifully Pathecolored print this morning at 6 AM. The two other reviews have gleefully pointed out this unpretentious programmer's shortcomings. In defense, I'd like to list its merits. For one, while one critic griped that the movie was obviously shot on a studio soundstage, this is untrue. Several scenes were filmed on location with the stars cavorting in front of spectacular Pacific Ocean vistas(no process shots here!). Then-newcomers Amanda Blake and George Nader could easily have sleepwalked thru the proceedings but act with such sincerity and conviction that it's no wonder both of them quickly went on to stardom: Ms. Blake on TV's legendary 20-year series "Gunsmoke", while Nader was quickly signed to a Universal-International contract (and starred in such 'A' features as "Unguarded Moment", "Away All Boats", "Four Girls in Town", "The Second Greatest Sex" and the unjustly overlooked superior second-feature "Man Afraid"--I've always been grateful to this gentleman for responding to my fan letter, at the age of 8, with a personally autographed 5x7 photo and a hand-written letter of appreciation!). Feminists could write a fascinating thesis on this gender-reversed take on Dafoe's classic novel. (The censors must have been comatose when, towards the conclusion, Ms. Blake and Nader engage in an oceanside coupling that, for pure eroticism, outdoes the similar-but-much-celebrated clinch in "From Here to Eternity" and did I detect a sapphic undertone in the scene where the female Friday gazes at and touches the sleeping Ms. Blake's body?) All of this packed into an action-packed 73-minute running time, scored by the then-unknown Elmer Bernstein. I'm by no means recommending that you go out of your way to track down "Miss Robin Crusoe" but the next time (if ever) it turns up on TCM, you might give it a try. It's certainly far more fun than the Peter O'Toole/Richard Roundtree "revisionist" version of Dafoe's tale, the godawful "Man Friday"!

frankfob Amanda Blake (Miss Kitty from "Gunsmoke") plays "Miss Robin Crusoe" in this low-budget, rather crudely made female version of the Daniel Defoe classic. Blake--who bears a striking resemblance here to British beauty Hazel Court--is the survivor of a shipwreck whose lifeboat beaches on a deserted island. She tries her best, but the script is weak and contrived, and the fact that most of it is filmed on a sound stage by director Eugene Frenke--a longtime European producer who was married to Anna Sten, here credited as "technical adviser"--in a routine, by-the-numbers fashion doesn't help, either. Blake saves native girl Friday (Rosalind Hayes) from being sacrificed by her tribe, and not long afterward hunky George Nader washes up ashore, the survivor of a shipwreck. There's somewhat of a twist in the proceedings when Nader attempts to take charge of things and plans to take the lifeboat out to search for passing ships, but is firmly told by Blake that SHE is in charge on the island and SHE decides what actions are to be taken.Unfortunately, though, the film soon degenerates into a sappy love triangle when Friday--who Blake basically treats like a slave and at one point actually refers to her as "a savage"--in a fit of jealousy lets Nader eat some poison fruit that almost kills him, and Blake starts to fall for him.About the best that can be said for it is that it's well photographed, but since most of it is, as noted, shot on a sound stage, that doesn't matter much. Frenke was a better producer than he is a director; Nader is, as usual, bland and colorless; relative unknown Hayes doesn't make much of an impression as Friday; and Blake, while looking fetching in a skimpy outfit similar to that worn by Jane in the "Tarzan" movies, tries but can't overcome a poor script and slovenly direction.Worth watching once for the novelty of seeing a female version of the classic novel, but no more than that.