dracher Mr Beresford has taken what I consider to be his usual film making approach to this poorly adapted screenplay from an excellent and workable novel. Mr Johnson is NOT a comedy, neither does it rely upon comedic aspects in its story line. Mr Johnson is a drama, sadly robbed of its drivers.The great problem with this film is the miscasting of two leading men, and the inability of the director to accurately shape the story, and to direct the individual performances. the character of Mr Johnson, is lacking in complexity and dimension, and Mr Brosnan's work is rather like a mimicry of every British colonial character ever sent up by any music hall comic or TV sketch comedy ever produced.The basic story is heartrendingly powerful, and the false world of Mr Johnson, fueled by his childlike desire to fulfill its requirements, should be the powerhouse of the whole undercurrent of the madhouse of British Imperialism, and the blind faith of those who attempted to live up to the impossible standards of its, so called, civilization.The novel hits the gong, but this screenplay, the miscasting, the absence of storytelling and of basic theatrical direction, robs Mr Johnson of its magic.

GUENOT PHILIPPE When I bought this item, I really was not aware of what I was dealing with...Except it was a Bruce Beresford film, and also it took place somewhere in Africa, in the beginning of the twentieth century, and starring Pierce Brosnan.During the first half hour, I wondered what the screenplay drove at? I felt some boredom, but fortunately I found the real quality of this vivid story. I won't tell it again, the other comments were fine about it. It's worth watching. The only point I'd like to say it's that the character of Mister Johnson reminds me somewhere TOM HORN's one, starring Steve mac Queen, a man torn between two entities - MacQueen, the landowners who hired him to get rid of the settlers at all costs and the law; and Mister Johnson's actor who hesitates between his own people and the British "masters" he admired so much, these people he wanted so much to be like them, so much he felt himself British inside of him. Two characters who finish crushed at the end, and nearly in the same way. Just because of their convictions and engagement.I don't regret to have watched this film. No folks.

Steve Skafte "Mister Johnson" is, first and foremost, a comedy. I must say this, because it's far too light-headed to be a serious dramatic film. Although, whatever the case, I can't say it's the most compelling story. The title character (played by Maynard Eziashi) isn't as sympathetic as the script might intend him to be. He steals, he cheats, he tries his best to be an Englishman, all to much self-detriment.From a artistic standpoint, as well, this is not an especially engaging tale. Bruce Beresford has displayed a lot of subtlety in other films, but there's something about "Mister Johnson" that falls quite flat for me. I wanted to like it, because I nearly always enjoy Beresford's films. In the end, it's the performances by Eziashi and Brosnan that make this worth watching. They create characters you can get into, even though lacking a script that deserves it.

clotblaster Poignant exploration and depiction of a person with dreams and aspirations. Not your typical film. Based on novel by Joyce Cary (very good novel) and pretty much sticking to the book's plot etc., this story should touch your feelings fairly deeply and perhaps make you think about the illusions (delusions) and impossibilities that drench many people's lives. Beresford (Driving Miss daisy, Breaker Morant) directs tautly and beautifully. Watching this film should make you a wiser, deeper person--don't miss it. (will probably have to buy copy from Amazon or ebay or perhaps from netflix.) Set in Africa, colonial theme is important. Moreover, racial dimension (protagonist is black) makes the story edge towards the politically incorrect. The hero's skin color is significant, but he is not a victim of racism--at least not in liberal's knee-jerk way.