gridoon2018 A distinguished cast (including a pre-horror stardom Vincent Price as a police inspector!), a clever "voice recognition test" sequence, and some plot surprises make "Moss Rose" worth your while, although it's quite slow-moving and somewhat derivative. The mystery resolution has some daring psychological implications. **1/2 out of 4.

PamelaShort Moss Rose is a good example of sometimes less is best. Without a complicated and tedious storyline, this neatly plotted 1947 mystery thriller moves at a fine pace, holding ones interest until the end. Thanks to Peggy Cummins who excels in her resplendent performance of the Cockney chorus girl who cleverly blackmails her way into an upscale English manor. Victor Mature is suave as the blackmailed , suspected murderer along with the airy Ethel Barrymore playing his doting mother and the grand matriarch of the manor. Vincent Price's role is small but he is quite capable as the polite but persistent Scotland Yard detective who has a predilection for moss roses. This intriguing Twentieth Century Fox drama is set in the Victorian era and the costumes and sets are well done along with the foggy London and English country scenes do well to enhance the atmosphere. I don't want to write a synopsis of this film and give away the surprise ending to the reader, but will say , Moss Rose still holds up well with any thriller film from it's era. If you are a fan of this genre , try to catch a look at this one. You will be pleasantly captivated by the fetching Peggy Cummins.

bkoganbing For his second film following service in the Coast Guard during World War II, Victor Mature takes the male lead role in a Victorian Gothic murder mystery Moss Rose. In this English setting Americans Victor Mature, Vincent Price and Ethel Barrymore are cast. Only Mature fell back on that old standby to make Americans players Canadian to explain the lack of British accent.Mature's part calls on him to be properly menacing and romantic to social climbing Peggy Cummins who suspects he murdered her friend to get out of an embarrassing entanglement as he is set to wed the socially prominent Patricia Medina. But Cummins is also intrigued by his upper class living and she a chorus girl in a music hall show as was her late friend decided to impose herself on Mature and mother Ethel Barrymore on their country estate where the Moss Rose seems to flourish with the tender loving care of Barrymore and the estate gardener. Vincent Price and Rhys Williams are the Scotland Yard detectives on the homicide case and they have another before the film is over and almost a third. Mature was the box office for this film and it was why he was cast in the male lead, but truly Price would have been a lot better in the role. Moss Rose does maintain a nice brooding atmosphere throughout and the best performance in the film is that of Ethel Barrymore. But I can't say more.

bmacv It's that smudge of fog called London under the reign of Victoria. When a music-hall dancer is murdered, a moss rose marks the page of a Bible next to her body. Luckily, another chorus girl (Peggy Cummins) saw a gentleman (Victor Mature) leaving the lodgings. She approaches him directly, saying she'll go to the police if he doesn't meet her demands, but he brushes her off contemptuously. When he learns she's dead serious, he tries to buy her off with a thick wad of pound notes. But it's not money she's after; all she wants is two weeks at his country estate, living the life of a `lady.'And here Moss Rose, which has taken its time working up a head of steam, branches off onto a new siding. The estate contains not only Mature, his fiancée (Patricia Medina) and his formidable old dowager mother (Ethel Barrymore), but also a greenhouse where out-of-season moss roses bloom.Apart from a few Eliza-Doolittle faux pas, the classes do not clash. Barrymore, in fact, extends Cummins a matey welcome; even Medina tries to put aside her understandable jealousy. The only apple of discord falls when Cummins strays innocently into Mature's boyhood rooms, which Barrymore preserves as a secret shrine.Cummins finds the pastoral scene (`You'd expect to see a calendar pasted under it!' she exclaims) lives up to all her expectations. Thrown together, Mature has thawed markedly towards Cummins, and she towards him. But their idyll comes under siege with the arrival from London of bumbling Scotland Yard detective and amateur horticulturist Vincent Price, still investigating that pesky homicide. Soon there's another murder, another Bible, and another moss rose....An old-dark-house costume drama akin to My Name Is Julia Ross or The Spiral Staircase, Moss Rose finds its strength in its actors rather than its direction (by Gregory Ratoff). While Mature stays four-square and Price unctuously fey, Barrymore predictably grande-dames it to the hilt. Cummins is lovely and quite good as a Cockney diamond-in-the-rough, but leaves nothing like the impression she would two years later as Annie Laurie Starr in Gun Crazy. An air of the contrived lingers after Moss Rose, more faded than pungent, but it's cozy and reassuring, too.