bkoganbing As one of the previous reviewers confessed this film had all the earmarks of a tax write-off which it was for producer and star Ralph Meeker. Meeker got old Hollywood names Ida Lupino, Lloyd Nolan and Bosley from Charlie's Angels David Doyle to join him in this project.Meeker is an armored car guard and he has a son Sean Roche in a reform school. Roche and his buddies from a reform school execute a well thought out plan along with Roche's sister Kerry Lynn to rob Meeker's armored car on its rounds collecting coins. Unlike bills completely untraceable, that part was well thought out. So was the actual robbery. But the idea is to do it and get back before this juvenile penal institution does its head count as these places are wont to do.Lloyd Nolan as the security investigator for the armored car company is the only one who doesn't just go through the motions. The rest act like they are waiting for paychecks to clear from Ralph Meeker. The rest of the cast it's like we're seeing an amateur theater group.This was Ida Lupino's farewell acting job. Too bad she couldn't go out on something better.

catherine yronwode I would have rated this film with 1 star, but it got an additional 1 for Lloyd Nolan's brave performance as a security officer and an extra 1/2 for Ida Lupino as a shrewish wife, and an extra 1/2 for Ralph Meeker's role as a truculent drunk bad dad.But the MUSIC! Oh my God. The music. The horrible synthesizer music bubbling away like little rodential heartbeats as we are supposed to feel fear, tension, drama, interest, or some other emotion which we cannot feel because the music is popping like popcorn farts! Oh, Lord have mercy. If you are the kind of person who can't take bad music, please, be cautious -- the sound track may damage your internal organs.Also this film is a wasteland of bad late 1970s architecture, as it was filmed right before Post-Modern architecture saved us all from architectural cultural suicide. Just keep reciting your mantra, "Later on there would be good architecture. This was not the end of the world." Oh, and there's this insane fainting-gas stuff. The teens buy it at the local convenience store, no doubt. Another reviewer suggested the idea came from "Batman." I concur.And i will offer a sparkly reward to anyone who can tell me the name of the book that Ida Lupino is reading on her bed when Ralph Meeker comes home after a long day in the armoured car industry. My TV was too small to zero in on it, but i have the feeling that if i could have read that title, i would have been rewarded by some sort of fabulous in-joke. Or maybe not.Lloyd Nolan is okay. Ida Lupino is okay. Ralph Meeker is okay. The rest of this movie is insanely useless except to people who want to watch cars crash into one another over and over and over and over again.

kidboots It was interesting to read the above reviews. gbuttkus' insights into the production gave the film a new interest to me.When I first saw it - I was surprised that Ralph Meeker was in it - I could remember him from "Paths of Glory" and "Kiss Me Deadly", I thought he was such an underrated actor. The next shock was Ida Lupino (one of my favourite actresses) and then Lloyd Nolan. What were they thinking!!! Perhaps they were doing it as a favour to Meeker.Ralph Meeker was executive producer so it was obviously a subject he felt strongly about.Tommy is ticked off with his dad for failing to bail him out of a detention centre (as Dad says "I've bailed you out 5 times already"). Things aren't much better at home - Mom (Ida Lupino) treats Dad like dirt. She also has no time for their son, Tommy, but treats her pupil Priscilla, like a princess. (Priscilla, is the brains behind the weekend armoured car robbery).Tommy and some of his detention centre mates have decided to rob an armoured van on the weekend. One of the kids, Chunky, looks as though he would be more at home on a "Happy Days" set. The detention centre is peopled with happy, laid back guards that think their "boys are good boys". They are pushovers for any kid out of kindergarten."Chunky" pretends to faint because of lack of food and the guards not only believe him they run around looking for chocolate bars. That gives the boys ample time to steal the guards keys, tie them up and escape.There are a few crazy car chases .Ralph looks permanently hung over - what with the lines he has to speak and putting up with Ida's tirades, who can blame him!!!! David Doyle's speech about why "my boys are good boys" showed why he shouldn't be working in a tough detention centre.You will never guess the ending - but maybe you will!!!!

BillyJoe-8 When you think of movie versions of armored car robberies, you might envision this: Tough, ski-masked ex-cons packing automatic weapons, car chases, shootouts, helicopters, the mastermind. My Boys Are Good Boys has elements of this Hollywood stereotype--but it mostly deviates from it. (Don't look for blown-up buildings or police shootouts.) The film casts well-known actors Meeker and Lupino as parents of two of the teens who rob the car. All of the teen bandits in this movie are unknowns, but their acting is adequate. The teens plan the robbery from inside an LA County boys reformatory, with the outside assistance of a female teen, Priscilla, played by Kerry Lynne. Apparently Priscilla has a "bio" mom but lives with her divorced dad (Meeker) and his step wife (Lupino). This is important but I don't want to give away the ending.The writers have taken-up an unlikely idea: "Hey, let's have TEENS rob an armored car instead of grungy ex-cons! It hasn't been done before!" The writer's next hurdle was how to get a teen gang to do it. So they wrote the plot to include a group of incarcerated reformatory boys to pull the heist. Predictably, the group has some trouble trying to break-out of their complex, but once out are picked up by the stepsister of one of the boys (Priscilla) in an SUV. (This is at a time when they still called SUV's "cars.") A baffling attempted assault happens against Priscilla by a "Plain Clothes" or "Off-Duty" (?) cop just before the gang starts its run--this is resolved at the end of the movie. Sort-of. The "cop" seems to be in the movie because the producer said, "Hey, we gotta add more violence and tension to this movie to change the rating or make it hip!" The Criminal Mastermind (there is more than one mastermind) is Priscilla's stepbrother, Tommy. Tommy and his bandits and his stepsister commandeer the specially-targeted armored car, and eventually achieve their goal of a big heist. After some trouble, the boys break back into the reformatory to pretend they had never left.The adults in this movie play various parts such as investigators, parents, clerks, guards, cops. I feel that veteran actor Lloyd Nolan plays some of the best scenes in this movie. Especially good is his grilling of the gang at the reformatory--well-written and directed.I had remembered actor Nolan from various works but I did not know who the actors Lupino or Meeker were until after I viewed this movie. If you are under thirty you may not know anyone in this film.The movie includes the use of some implausible "Batman-like" fainting gas as a goofy device, but you just sort of ignore that because...you saw it on Batman! Also, the movie is too short. Fifteen or twenty-minutes more could have fleshed out the characters and plot and made the movie more enjoyable. Some of the music is effective for setting mood. The title song, MY BOYS ARE GOOD BOYS--is not that great, considering it is a theme. I think that I could have written a better one! Most of the musical score is sort of a electronic synthesizer/country music type. Cheap, no doubt--and it didn't age well. (It is a little better than the funk or disco seen in other 1970's movies, though. I rarely buy DVD's but I bought this movie with 49-other DVD's in a bargain set. I feel that there are only 5 or 7 good movies out of the set, this is one of them. But that's not saying much. Still, because I'm as much of a historian as a movie lover, I will watch the movie again. The work is good for a hoot when you want to relax with something short and familiar, and see what the suburban Los Angeles area was like in 1976 or 1977. (I think it was shot then but released later, not sure.) It is surprising to see what appears timeless after more than 25-years. And what in our culture has disappeared.