guisreis I have watched so many nice movies from Argentina, Mexico and Peru that I could never expect a so terrible film like this, particularly as the plot could have been worked as an exciting production. With an absolutely ridiculous screenplay, full of awful dialogs, "La mujer de mi hermano" is a harsh failure, quite disappointing. Even though actors are not bad, their performance is not good enough to reverse the disaster caused by a bad story. As the film advances, one becomes more and more irritated by the so obvious events presented in a boring chain of clichés and unacceptably absurd situations. When the dramatic changes happen in the second third part of the movie, it is far from enough to make it a good film. Bárbara Mori is a beautiful actress; that does not make Zoe a good character.

gradyharp LA MUJER DE MI HERMANO seems to have polarized viewers between those who classify it as a television novela and those who see it as a stylish Latin American drama. Written by Peruvian author Jaime Bayly, adapted by María Eugenia Argomedo, and directed by Peruvian director Ricardo de Montreuil, the cast boasts actors from Peru (Christian Meier), Colombia (Manolo Cardona), Uruguay (Bárbara Mori), Venezuela (Gaby Espino), Chile (Beto Cuevas), and Mexico (Angélica Aragón, Bruno Bichir). It is a fine showcase for some of the fine talent from Latin America that is gaining a strong influence on theatrical films released in the USA. It offers a story embracing many current dilemmas in society (relationship to church, infidelity, illegitimate pregnancy, homosexuality, childhood sexual abuse) and blends them into a film acted by a fine cast of beautiful and talented actors and artists behind the camera, and the result is a luminous piece of cinema that deserves a second look.Ignacio (Meier) is a handsome, wealthy, emotionally cool man who is married to a sensuous, beautiful, sexually frustrated Zoe (Mori), The couple may appear to have it all - splendid house, wealth, expensive tastes - but they have been unable to have children in their ten year marriage. The disparity between their sexual needs results in Zoe finding solace in the arms of Ignacio's bohemian artist brother Gonzalo and they begin an affair that results in a surprise pregnancy. This crisis unveils the truth about the characters: Gonzalo, still reeling from the childhood sexual abuse by his older brother Ignacio, doesn't want fatherhood and marriage, and in the peak of the tremor the pregnancy creates Gonzalo shares Ignacio's homosexuality with Zoe. How the three confront their needs and fears pulls the story to a close, an ending that addresses fully the characteristic traits that have shaped the lives of the three.In addition to the trio of stars there are excellent cameos by Bruno Bichir as Zoe's gay confidant, Angélica Aragón as the mother of the men whose greatest need is for grandchildren, Gaby Espino as the housekeeper Laura, and Beto Cuevas as the priest who is not only a friend of the family but hears the secrets of each in the confessional. The cinematography is lush and evocative in the competent hands of Andrés Sánchez and the tension of the story is well underscored by the music of Angelo Milli. For this viewer LA MUJER DE MI HERMANO is a classy film that brings attention to the many fine new works coming from Latin American cinema. It is well worth revisiting. Grady Harp

groggo A LOT OF SPOILERS HERE, SO BEWARE There has been considerable fuss over this movie, and I'm not sure why. Rather than being 'shocking,' as some have called it, I found it pretty predictable, primarily because the characters are clichés that have been familiar figures in movies over the past 10 or 15 years.'Mujer, etc.' is a Peruvian film that is really a stylish soap opera. We have the conflicted husband Ignacio (Christiane Meier) who can't conceive; the unhappy, confused and childless wife Zoe (Barbara Mori); and the husband's brother, a scruffy, ever-cool, always foul-mouthed Gonzalo (Manolo Cardona), who also just happens to be a talented artist (why are these people never accountants or claims adjusters?). Gonzalo wants to sexually possess the wife rather than love her, more out of revenge and hatred for his brother.And then, to round up the usual clichéd suspects, we have the nonthreatening, flaming gay guy Boris (Bruno Bichir) who offers secret, breathless advice to Zoe while confessing, around deeply effeminate giggles, that he finds her husband 'very hot'. Zoe, for reasons that escape me, regularly and inexplicably seeks his counsel. This is some counsel: Boris says Zoe's husband must be gay because if he wasn't he would want to have sex with her every day (this is after 10 years of marriage). With advice like that I'd be looking for another nonthreatening, flaming gay guy.It could be my imagination, but contemporary movies are littered with situations like this: the 'third-party' omniscient gay man who is sought out for advice by confused heterosexual women or men.Director Ricardo de Montreuil tries to explain everything toward the end, and it becomes a pretty awkward 'wrapping up' ceremony. The husband confesses he 'likes men' (i.e. he's always been gay). The wife, who has slept with this guy for 10 whole years, appears to be shocked by his confession. Credibility anyone? The nonthreatening gay guy offers to adopt the wife's baby as his own (and how many times have we seen this scenario?). The wife is content with a child donated by sperm from the rotten brother, who has exacted his revenge on his brother and wants nothing more to do with the wife. The husband carries on, living a gay lifestyle while he continues to live, and sleep, with his wife in an agreement that includes a 'fully loving' relationship. Egads. As if.This director wants us to suspend a whole lot of disbelief in this film, and it just doesn't work, at least for me.

andrabem This film is a production that employed actors from various Latin-American countries in order to attract viewers in all Latin America. It's something that should be tried more often. We should organize distribution & production companies in Latin-America to integrate the whole region and give us more opportunities to see Latin American films, because there's such an overload of American films that we in Brazil know much more about Hollywood stars than about our Latin-American neighbours. This said, let's go to the film.The film is about a triangle love story but it is in some ways unusual -there's no moral preaching and no conventional happy ending. The characters belong to the privileged class and live in a conservative background where the Catholic Church is still a power to reckon with, but the modern world is their real world. They may sometimes go to mass and confession but when conflicts between the two worlds arise their own wishes prevail, in spite of conservative dogmas, and the Church and their icons go to the background.There was a reviewer that said that the sex scenes were a fill-up and were not necessary at all. I disagree with him. Sex is essential to show the reason why Zoe (gorgeous Barbara Mori) in spite of her conservative upbringing, engages in an affair with her brother-in-law. And the sex scenes are really sensual, showing a woman discovering herself through sexual pleasure. Can someone tell me of any American actress able to do the same in such a sensual way? The acting of the whole cast is excellent, the film has such a good story that manages to keep our interest till the end. I'm not telling you that "La Mujer de mi Hermano" is a masterpiece but certainly it's a very good film.Other Latin American films I recommend are: "Pantaleon Y las Visitadoras", "Maria Full of Grace", "Nina Santa", "El mismo amor, La misma lluvia", "Y Tu Mama Tambien", "Machuca" and so many others!