Paul Mrocek At last I've been able to see this concert, which I've had on vinyl since I was young!!!! hahahaha. One of my favourite live rock albums ever, and on video its really exciting. Neil Young, some 30 years later, is still one of the best performers on stage. In fact, last year (2008) he played in Rock In Rio in Madrid and I saw the concert on TV: it was simply mind-blowing!!!! In this video, though, something has got on my nerves: the monks with torch lights plundering around the stage, and making so much noise as they go on changing the stage!!!! Was that meant to be like that??? Its really annoying. As it is the Stage announcements after My My Hey Hey (Out of the blue). The highlight, for me, is Like a Hurricane: rock'n'roll will never die indeed!!!

pwoods1 I saw this concert film when it was first released in Australia and still have respect for the fact that it wasn't edited to present Neil as a 'star': like a lot of his albums, it's a "warts-and-all" presentation.Another commentator bemoaned the fact that "Tonight's The Night" wasn't included in the footage. I dunno. Perhaps it was, even as late as then, a too-sensitive subject for Neil and The Horse to explore on stage. Then again, there had to be differences between "Rust Never Sleeps" and "Live Rust"."Rust" as a 'show' was a concept: a piece of theatre that sometimes didn't work and at other times captured the sheer vitality and looseness which has been a trademark of Neil Young and Crazy Horse.The 'road-eyes', apart from being an atrocious pun (both linguistically and visually) can be seen as a comment, by Young, about the almost non-presence of roadies in the audiences' perceptions. The visual reversal of size: roadies small/equipment big is, as another pointed-out, an almost surreal juxtaposition. Acoustic Neil, crawling out of his sleeping bag, and later indicating that when he gets big he wants a real guitar, is his trademark self-deprecating humour.I have only one main criticism about "Rust Never Sleeps" - and that is purely that the cinematic/reproduction quality of the video was so abominably terrible. Still, that's production values for you. I'd probably have "bitched about" technicalities to do with a performance of a Shakespearean play, had I been there in Elizabethan times. Huh, yeah. I'd have been outside, sweeping-up horse-droppings to resell for fuel.

antonis moustakas (stargazer_adonis) This movie captures the electrifying spirit of Neil Young & Crazy Horse in the best era of their carer! Direction is great and the performances of all the songs are mind blowing! Cortez The Killer, Hey Hey - My My & Powderfinger are played in a way that the only thing you can do is wish you have been in Cow Palace too in 1978! The stage set-up is excellent and Neil wants to show with the gigantic speakers and mikes that the music is the star here and not the musicians! A must see for all rock fans and the DVD edition is a great chance to once again yell: Rock N' Roll will never die! If you like rock music we will love this, one of the greatest rock music movies ever put on screen

roosterkooster I have been a Neil Young "fan" since 1970. That is probably the first time I heard his music or at least associated his music with him. I was living in the city (SF) with about 12 other folks way up off California St. It was a nice victorian on Lake St. The album (yep - 12" plastic) was Everybody Knows This is Nowhere. I was immediately drawn to the countryish twang of some of the songs (TLE, ENTIK, R&R,RD); I was mesmerized by Down by the River and Cowgirl in the Sand.I first played the RNS movie while in Japan in 1982. I was on the vinyl CED format. I bought it at a record store above the Yokohama train station. I was awed by the quality and choice of material. Neil must have tapered his interaction with audiences during the mid-late 70's. Early on he was such a blabber mouth - not a bad thing - but on RNS he was "courteous" but focuses on the presentation. Almost all the songs were superbly executed. This contains is my favourite Powderfinger arrangement. The screw-up on Thrasher demonstrates a professional just slyly grinning it off and rewinding a tad to recover nicely without skipping any of the lyrics. I have always wondered how he screwed that part up? "they were...rock formations" - he forgot "lost in". I only wish he had put this version of thrasher on the "live rust" lp/cd.The roadeyes and woodstock bits were a drag but on the cd version can be effortlessly, immediately bypassed. I am 54 years on and I have a lot of concerts under my belt and many Firday or Saturday nights were at Winterland and the Fillmore West seeing the greats of the day. imagine Led Zeppelin at the Fillmore; bumping into Janis at the Fillmore; There was no sense of star ego then. It was a different thing. Carlos Santana talking to myself and others on the street after a concert. he was walking alone. Those days are gone forever. What the heck happened?Rust Never Sleeps is superb. The music isn't flawlessly performed but it is real and really, really good. Perhaps some do not know that many Neil Young recordings are essentially live takes - not a bunch of crappy track takes and overdubs to create the sound some record exec wants to sell to an unsuspecting public.The simplicity of many of the RNS songs are their beauty in disguise. From the gentle acousticals to some of the blistering industrial tunes (Sedan Delivery, Powderfinger, ...) its unlike any video/movie/musical I have ever seen/heard. Neil was at his best. The horse was up for the task. This is a must-see for anyone who thinks live music sucks!