moonspinner55 Dick Van Dyke acquits himself nicely in colorful role as card-carrying member of the Screen Actors Guild who is mistaken for a gangster and is roped into an art-heist led by a famous mobster. Comedy from the Disney Studios, adapted from a book by John Godey, has some clever, witty writing in the earliest scenes; however, as with most of Disney's live-action output from this era, the narrative relies far too much on slapstick action to amuse the audience. Edward G. Robinson prods his own movie past with tongue-in-cheek portrayal of Joe Smooth, gangland boss and art lover; Dorothy Provine is perky as an art teacher who believes Van Dyke's outlandish story; and Joanna Moore is very funny as Robinson's show-biz crazy spouse, a former skater once featured in a production of "Scandals On Ice"! The second-half of the picture is comprised mainly of sight-gags and mugging and running around, while Robert Brunner's cartoony score is nearly identical to his music from 1965's "That Darn Cat!" Still, the set-up here is amusing, director Jerry Paris sets a fast pace and the production is good despite over-lit interiors. ** from ****

MartinHafer The only reason I saw this film is because Edward G. Robinson was in it. However, had I known that it was actually a dopey Disney film, I probably would have skipped it. While the studio today is well-respected, in the late 60s and 70s their output was, to put it charitably, crap.The film begins with Dick Van Dyke playing a character actor who has played, among other things, a lot of gangster roles in movies and TV. However, he's not a particularly famous actor, so when he's mistaken as a REAL gangster he's stuck. They expect him to kill security guards and help them in an art heist--and he just wants to run away and save himself. Can he somehow get out of this alive? While the premise is pretty cute, the execution of the film was pretty bad. Too many broadly acted scenes (like Van Dyke's VERY exaggerated drunk act) really brought the film to a grinding halt--as did the terribly slapsticky and ridiculous ending. Even the kids must have groaned at this one! A total waste of talent and a film I had a hard time finishing.

seekhimfrst This movie, starring the gifted actor, Dick Van Dyke, is an unsullied comedy full of humor and plot. Creative scenes flow in this film with a unique twist on classic situations. Though it is an older film, it surpasses most films hitting theaters today in acting and storyline. Jack displays courage and wit without losing the "just the average guy" way about him. Sincere facial expressions by Dick Van Dyke, and strong comedic timing sell this story from beginning to end. You will finish this movie feeling like you have stepped into "Jack's" shoes and gone on this escapade with him. With a touch of action, romance, suspense, and a delightful twist, this comedy is well worth your time.

bkoganbing Never A Dull Moment provided Hollywood icon Edward G. Robinson with the opportunity to do things. Add a Walt Disney movie to his list of screen credits and allow him to do a film about his passionate avocation, that of art collector.Robinson combines it with the last of gangster roles, that of Leo Joseph Smooth, both gangster and art collector. Robinson is pretty much retired from the day to day business of running a criminal enterprise, kind of like Vito Corleone only he's pulling himself back in for one last go.He has it mind to own a large mural that is being shipped to the United States for exhibit so he's going to steal it. With that in mind he hires a whole lot of his old gang back plus a couple of extra hands.Which is where Dick Van Dyke comes in. For reasons I cannot fathom, Tony Bill mistakes actor Dick Van Dyke with hoodlum Jack Elam. To save his life Van Dyke goes along with the mistake for almost the entire run of the film as he's taken to Robinson's well guarded home. Van Dyke calls on all his acting skills to convince Robinson and his whole gang he's really a hoodlum.Fortunately for him he meets up with Dorothy Provine who's an art teacher that Robinson hired to improve him culturally. The two of them have a whale of a time trying to get out before the caper comes off.Never A Dull Moment has a few good laughs and also in Disney studio's tradition at that time, employs a nice range of film character actors who were finding less and less work as the studios were putting out less and less product for the big screen.It does rest however on the weak premise that Dick Van Dyke could possibly be mistaken for Jack Elam. In that it's weak indeed.