Never Say Die

1939 "Did Your Wife Bring Her Boy Friend On Your Honeymoon? Martha Did! ...Can You Guess Which One He Is?"
6.8| 1h22m| NR| en| More Info
Released: 14 April 1939 Released
Producted By: Paramount
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Budget: 0
Revenue: 0
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Synopsis

Bob Hope is being stalked by a predatory widow who is a widow of wealthy husbands many times over. Martha Raye is a Texan heiress who wants to marry her boyfriend Andy Devine, but her father is determined that she marry into royalty. To solve both their problems, Martha Raye and Bob Hope decide to marry, but will they ever find love together?

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tavm Just watched this early Bob Hope picture made before his established movie personality of a cowardly hero was ingrained in the minds of the public. Here, he's a rich man who believes he's dying due to...well, just watch the picture. Anyway, Martha Raye is also in this. Both of them are engaged to a someone neither wants to marry so they decide to wed each other. Oh, and Andy Devine is also here as someone who really likes Ms. Raye. Let me just stop here and just say that I found the whole thing quite funny and the fact Preston Sturges was one of the writers may have had to do something with it. There's also a game supporting cast involved. So on that note, I highly recommend Never Say Die.
csteidler Wealthy hypochondriac Bob Hope is visiting a European spa called Bad Gaswasser, taking the waters and hiding out from gold digging widow Gale Sondergaard. Meanwhile, Martha Raye has been dragged to the same locale by her nouveau riche Texan dad, who wants her to marry prince Alan Mowbray, who is broke and seeks a large dowry. Martha, however, has her heart set on hometown pal Andy Devine, who also shows up….The script and the cast are very funny in this fast-paced comedy that barely slows down for a couple of really sweet moments between Hope and Raye (who are both excellent). Among the best moments are an opening sequence showing a scientist in a water processing lab mixing and testing the "natural hot mineral springs" water that Bad Gaswasser promotes; poor Sig Ruman as the hotel manager who can't quite figure out what's going on with guests Hope, Raye and Devine; and Raye, blindfolded, mistaking a friendly bear for Andy Devine ("Why, Henry, how dare you take your shirt off!"). Monty Woolley is hilarious in a bit as a doctor who mistakenly receives a dog's test results instead of Hope's and thinks he's discovered a rare case that will make him famous: "With your acidity," he exclaims, "you can digest bones!" Sondergaard is also wildly funny as the former Olympic sharpshooting champion whose husbands tend to die suddenly. In fact, with this cast of crazies, it's fair (if odd) to say that Hope and Raye essentially play the straight roles in the picture—although both, of course, get in their share of funny moments, too. It's extremely light and it goes by very fast. Good fun.
MartinHafer NEVER SAY DIE—8 One of Hope's Best. The plot of this Bob Hope comedy is very familiar, but I cannot hold this against the film. In the 1950s and 60s, many TV shows ripped off the plot—including "The Honeymooners" and "The Flintstones"! So, while it might seemed clichéd, I think it's one of the first films to use this plot, so its familiarity cannot be held against it.The film begins with a very cute scene involving a health spa in Switzerland and their water with magical properties. You just have to see it to appreciate it. As for Hope, he plays a millionaire hypochondriac who insists he's ill when he's actually in fine condition. However, though a silly mistake, doctors now assume he's going to soon die.In the meantime, Hope is pursued by a rather scary woman with a history of husbands who die under mysterious circumstances. She insists they marry and Hope is too cowardly to say no. But, on the day of their wedding he meets another woman (Martha Raye) who is also being forced into a marriage she doesn't want and Hope proposes that they marry each other. After all, it will save both of them and he's expected to be dead within a month—so it's a no-lose proposition. Shortly after their wedding, Raye's true love (Andy Devine) arrives to wait for Hope's demise. Soon, the black widow and Raye's fiancé arrive as well and so the countdown begins.What sets this apart from most Hope films is the writing—it's just better than usual and the film abounds with laughs. Plus, surprisingly, the chemistry between Raye and Hope was nice—and a bit romantic. It's a swell film that you can't help but enjoy.
classicsoncall Bob Hope and Martha Raye continually keep the viewer off balance with regard to their romantic intentions in "Never Say Die", even though they start out by getting married and then go about falling in something like love by the movie's finale. In between, the story ping pongs back and forth between scenes of frustrated would be spouses who don't get their way. Andy Devine takes a wrong turn off the last stagecoach and winds up here as Raye's good old boy from back home who try as he might, never quite seems to get things right between himself and his fiancée. Someone should have thought of slipping him a Mickey.I had to rewind and listen closely a couple of times for a line Hope slid past the censors. When gold digger Juno Marko (Gale Sondergaard) tries to trap John Kidley (Hope) with her matrimonial snare, she alludes to what might have been an indiscreet night of passion. Hope's response - "..., well that was the elevator you see, I just went and I got off, it'll happen." I probably got a kick the most from Kidley's butler Jeepers, played in great understated comic fashion by Ernest Cossart. His deadpan delivery was reminiscent of E.E. Clive's portrayal of Tenny in the Bulldog Drummond franchise.If all the hijinks wasn't enough, the story takes place at a health spa in the Swiss Alps named Bad Gaswasser. You just knew that Hope would get some mileage out of that. Martha Raye's at her frenetic best trying to say good by to her beau Henry Munch (Devine) as she scrambles to catch the honeymoon rendezvous with Kidley. If you pay close enough attention, you might even be able to keep it all straight without benefit of a cross on a muzzle.