john_vance-20806 I saw this as a kid and was thoroughly entertained. On re-viewing it 40+ years later I liked it even better.John Wayne plays his usual rollicking tough-guy-with-a-heart-of-gold role. The man may have not had much acting depth, but within his element he could project an image and deliver a line as well as anyone in the business. I'm sure purists roll their eyes at his lasting fame, but if you want movies that entertain adults as well as the kids you rarely find a dud in the John Wayne collection.One might presume that Stewart Granger was perhaps too good an actor for this film but he fits right in. He certainly played the part well as would be expected but he seemed to have a great time.Cappucine. Well, what can you say but hubba hubba. Well, you can also say the woman had some solid chops. She had legitimate comedic skills and though her roles were limited she made the best out of them. Her death by suicide, evidently related to some kind of depressive or bipolar disorder, was simply sad. One has to wonder if with the tools of today it might have been avoidable.Fabian? Wow, that guy could really grow hair. But in all fairness he wasn't bad at all. He knew his limits and kept well within them. As a result he could contribute meaningfully to a film and not just as eye candy for the teenyboppers.The film is dated of course. Comedy of this style hasn't sold well since the Newman-Redford productions of the 70s. But for those of us old enough to remember the era this is a worthwhile sit-down.

Leofwine_draca NORTH TO ALASKA is another comic western for star John Wayne and director Henry Hathaway, this time made with an even lighter touch than usual. An ageing Wayne is backed up by the double-whammy of Stewart Granger and pop singer Fabian, and the story is about gold claims in Alaska which makes this a 'northern' rather than the usual westerns the star was known for. The film peaks early on with a hilarious bar-room brawl which has some great sight gags and stunts and if there isn't much in the way of action after this point, the comedy makes it work. Wayne is the usual two-fisted hero and gently ribs himself while the supporting acts work hard to make their characters work. In the end, Hathaway comes out triumphant by delivering another light and breezy, seemingly effortless, piece of direction.

SanteeFats This is an excellent movie!! It is funny and series at the same time. John Wayne as Sam McCord is a miner who goes to Seattle to get his partners fiancée. The fiancée turns out to be married so he ends up at a bordello (?) where he gets Capucine to come with him to Alaska as a substitute. Fabian plays the younger brother of George Pratt (played well by Stewart Granger) and boy is he a horny teen when Capucine shows up. They have to defend their claim from claim jumpers and other nearby claims of friends. Ernie Kovacs is in the movie but I don't particularly see his role as a funny guy. He is just a sub plot to the movie and could have been left out. Capucine does a really nice job in the movie and ends up with, surprise, John Wayne at the end of the movie.

Dave from Ottawa ...but still fun. Ernie Kovacs puts the plot, such as there is, into motion with a successful scam - first in a long line of unsuccessful ones - and The Duke has to fight to defend his gold claim, his brother and his best pal, all the while carrying on rather unintended romance with beautiful French prostitute Capucine. It's all pretty silly and obvious, but the principals throw a lot of charm and manic energy into the action and comedy both and the result is surprisingly entertaining in a sledge hammer sort of fashion. The scenery looks gorgeous and the action moves along crisply, plus outdoor movie veterans Stewart Granger and The Duke look perfectly at home on the Edge of Nowhere. The real revelation here, though, is Capucine who shows a rare talent for playing it straight while setting up everyone else. (It was an old Vaudeville axiom that comedians were a dime a dozen, but a good straight man was hard to find.) Capucine proves here, just as she did in The Pink Panther two years later that she can keep her dignity while all about her are losing theirs, thanks to an arch and knowing awareness in the midst of any amount of tomfoolery. There are big fight scenes, big barbecues, bit trees, big landscapes; everything is suitably big, just as you would want in a John Wayne movie. Nothing really special or unexpected happens over the film's considerable length, but as a character comedy set against a big backdrop of big ambition, big greed, big stakes, just plain old big everything, it's a pretty fine way for any Wayne fan to spend two hours on a lazy afternoon.And, since Capucine's supposed occupation is handled in a suitably G- rated fashion (for the early 1960s) the movie is very kid friendly, too. Enjoy.