Leofwine_draca NOTHING BUT THE BEST is an acerbic black comedy about a scoundrel's attempts to rise to the top and make a name for himself, at the expense of all those around him. Alan Bates takes the lead of the amoral protagonist, a character who takes ruthlessness to the next level, and he's here surrounded by a strong supporting cast that includes Denholm Elliott at his most sympathetically decadent and James Villiers at his oiliest. The humour is quite subtle here and the film does take a murderous angle around the middle section, which makes for an unnerving, challenging viewing at times.

john_cberry I cannot recall having even heard of this movie until I saw it advertised in the TV listings as part of a series of British movies otherwise unrelated to each other in any way. The cast is wonderful particularly Denholm Elliot. Alan Bates gives the part the bland vacancy it requires. The song that opens the movie was of its time and was so bad I almost stopped watching. And the rest of the movie is never quite right. The movie tries to tell the story that Lindsay Anderson told so well in O Lucky Man, and falls far short...but most movies fall short of O Lucky Man. It's worth seeing for another reason: it illustrates very well the mentality that led to Margaret Thatcher.

david pearce What a superb film in my opinion difficult to beat. The British system slyly used to the main characters advantage . Alan Bates and Denholm Elliot excel in this classy tongue in cheek rendition of how to succeed. A film worthy of release particularly since the demise of both main stars.

zinkster Although this film appears on TV only rarely, I remember almost everything about it from my most recent of several viewings 10 years ago. A young Alan Bates plays an ambitious but lower middle-class clerk in a posh and stuffy London commercial real estate firm. Doomed to menial work by his low class, Bates encounters a poor and alcoholic -- but decidedly upper class -- Denholm Elliot, and makes him a proposition: free room and board and booze money in exchange for lessons on how to dress, talk and act like a proper "Public School" upper-class chap able to socialize with the ruling classes and thus climb the ladder of success. As his lessons progress, apt pupil Bates becomes more and more involved in the lifestyle of his betters, and romantically involved with a beautiful blonde to the manor born. When Denholm Elliot decides to move on with his life and take back his Saville Row suit, gold half-hunter watch and other accoutrements lent to Bates, there's only one thing for Bates to do: murder poor Denholm (and then roger their suspicious but lustful landlady to buy her silence). Things get REALLY fun from here on in, and the question is, will Alan Bates will get caught, or will he get the girl, the partnership position, the Rolls Royce and the country manor? Witty, well-acted, fast-paced, one of the best, most sparkling British comedies of the 60s, and well worth lobbying for to be released on video or DVD!