Horst in Translation ([email protected]) When people talk about "Vertigo" today, many consider it a contender for Hitchcock's best film, so it is still very present in the media and spotlight in general. And of course it is also still present when it comes to film about film, a genre itself and here we have a half-hour documentary about the movie I just mentioned. I have seen other documentaries about Hitchcock's films and there were some that I did not end up enjoying at all, but this one here was pretty decent. I found it informative and sometimes even intriguing. We get interview footage with some of the actors or other people who worked on the film and we also find out about casting struggles when it came to Hitch's health and the female lead role. This is how documentaries about really old films should be like. And I wish many others were like this too. Harrison Engle and all the other people working on this one did a fine job. I also think it is good that it was that short as it may have dragged a bit if the action had become less interesting and spot-on. But this way, we have great focus, great scenes and recordings. I give it a thumbs-up. Go see it. A must-see for bigger Hitchcock fans for myself almost.

Hot 888 Mama . . . is not quite perfect, but neither is the James Stewart vehicle itself. Hitchcock clapboard sniffers, some of whom number among the talking heads here on OBSESSED WITH VERTIGO, apparently feel no qualms about going "Tee-hee-hee, wasn't 'ol' Hitch a bad boy for using such a lame dummy to represent the REAL Madeleine being tossed from the bell tower," or "Ha ha ha, ain't that Hitch something for putting Kim Novak in a gray suit which she knew clashed with her blonde hair?", which I suppose could be taken as a refreshing change from my literature prof who claimed THE GREAT GATSBY was the world's PERFECT book, and "not one word could be changed with causing the Great Pyramids to collapse." The fact is, it would make more sense to tell us what's GOOD about a flick than to try to justify the quirky use of stage conventions from the 1800s in movies made a century later as being strokes of genius somehow. Most of us were not born yesterday.

TBJCSKCNRRQTreviews This is the only featurette on the DVD of Vertigo. It consists of interviews with the duo who were in charge of the restoration(and footage of them working on it, as well as storyboards, posters and shots of the dubbing notes and such), Scorsese(whose fascination with the director is readily apparent in his own movies, and he has important things to say about this picture) and the surviving crew and cast, some of whom also contributed to the great commentary track. Everyone has something to share, if, as others have noted, the 2 who gave us an opportunity to watch this in its proper form again are dreadfully boring. This is very informative, as they go into sets, costumes, the pre-production process and how personal it was for Alfred, and how he went about it. It is a love-fest for both him and the film, however, which gets a little annoying(at points in this, every other word is "revolutionary" or "amazing"... I just think it's more interesting to hear *why* they deem it so, anyone can drop loaded adjectives), and they ignore the elephant in the room(the considerable age difference between the two leads, Stewart not particularly portraying a similar role elsewhere), instead of addressing them(middle-aged men are attracted to young women and sometimes the opposite is true too, and James is convincing and takes us by surprise by playing against type, are my arguments, respectively). In any event, this is good. I recommend it to any fan(note that this documentary contains spoilers) of the masterpiece or the man behind it. 7/10

magnetic84 This documentary is incredibly informative, both about the movie Vertigo and the restoration in 1996. Two small complaints: - The restorers are some of the most unitnteresting people on the face of the earth. - The use of the spiral effect in the opening sequence of the documentary is just way too cheap of a rip-off of the original movie. It was not necessary at all. All those small things a side, this is required viewing for any Hitchcock buff or any lover of movies.