Office Romance

1977
Office Romance
8.2| 2h39m| en| More Info
Released: 26 October 1977 Released
Producted By: Mosfilm
Country: Soviet Union
Budget: 0
Revenue: 0
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Synopsis

Anatoly Novoseltsev is a mousy single father and office stumblebum working at a statistics bureau in Moscow. In the hopes of being promoted, he is coaxed into charming his disagreeable and seemingly unfeeling boss, Ludmila Kalugina, or "Meany" as she's otherwise known by her subordinates. Helped by his colleagues Olya and Yura, Anatoly attempts to ease the yoke of Ms. Kalugina, and what follows in the wake of his graceless manoeuvres is completely unforeseen, as he awakens a side to her not yet known, even to herself..

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Lee Eisenberg Eldar Ryazanov's "Sluzhebnyy roman" ("Office Romance" in English) had me properly fooled early on. I assumed that it was going to be a Soviet version of "The Apartment". It turns out that there's a number of surprises on the way, many of them cartoonish. This story of a love affair between maladroit statistician Anatoly Novoseltsev (Andrey Myagkov) and stern boss Lyudmila Kalugina (Alisa Freindlich) hits all the right notes. Overall it comes across as a spoof of day-to-day work in the Soviet Union. It could easily get shown as a double-bill with "The Apartment", "9 to 5", or the opening segment in Monty Python's "Meaning of Life". Really funny.
adriennenoracarter Eldar Ryaznov's Office Romance (1977) tells the story of workers in a statistical bureau in the era of stagnation. Director Liudmilla Prokofievna Kalugina is a strict woman who is seen as the office hag by the rest of the workers. When Yuri Grigoriovich Samokhvalov is named assistant director, he tries to appoint worker and old friend Anatoly Yefremovich Novoseltsev to a higher position in order to help him provide more for his two young sons. However, Liudmilla doesn't approve of this promotion . . . therefore; Yuri suggests that Tolya lightly flirt with Liudmilla in order to win her favor for the promotion. The two, however, soon begin to have actual feelings for each other which begins to lead the story in entirely new directions. The film shows a true view of how many things were in the era of stagnation: for example, transportation. Both Olga Ryzhova and Tolya take public transportation everyday—the tram and the trolleybus. The scenes from the film show how crowded the cars of these forms of transportation become. Not shown in the movie, however, are the usually long lines in order to get onto these cars Another thing that could be noted in this film is the way the office women and eventually even Liudmilla dress. Although it is still the communist Soviet state, in the Brezhnev era there is a sort of frivolity in things such as this. One of the main reasons is because foreign clothing and other foreign goods are increasingly becoming easier and easier to obtain through the Soviet black market. This classic Taming of the Shrew like tale has the perfect blend of humor and truth—it's easy to see why it is still a favorite in many of the former Soviet countries.
dd1-7 The Soviet school of a cinema is unique. Without peripeties both an intricate plot, and any original form of a narration and abrupt special effects to shoot magnificent film. The strong hand of the talented director which could put this masterpiece for all times is felt. Andrey Myagkov's inexpressible game and Alisy Frendlih inhales especial charm in which the pure love, kindness, hope, belief, tears and pleasure is mixed in a film. Certainly, without other actors, it has not turned out so pathetic atmosphere. Especially, without Ahidzhakovoj This film is to be reconsidered on many times and each time again to endure about heroes, to rejoice together with them, to laugh at the phrases learn by heart. This film lives in a shower, it combines magnificent game of actors, amazing music, and certainly love!!!
neulich This is really a very good movie - if you haven't seen it yet, do so! It's a really funny movie... I don't know if you can get this movie in english, if you understand russian, this is a movie you h a v e to see!