Leofwine_draca ON THE JOB is a dark, dingy, and rather sweaty Filipino thriller that has some stylistic similarities to the far superior METRO MANILA. Unfortunately this is ultimately a much lesser work in which promise at the outset soon devolves thank to some rather pedestrian writing. ON THE JOB is too long, too slow, and marred by unsympathetic characters who you don't give two hoots about despite their various problems.The story involves a real-life scandal around career criminals being given day release from prison to go around working as political assassins. It sounds great, but after the umpteenth long-winded scene of characters arguing and discussing their plight, it becomes merely average rather than profound. It doesn't help that the only truly likable character is the young crusading cop whose character is let down by possibly the most unsatisfying climax in a film ever.Director Erik Matti performs an able job behind the camera, creating a gritty and realistic look that brings out the poverty and grime of the surroundings. Individual scenes are powerful, and there are one or two good action moments, but the choreography is sometimes sloppy and the tedium occasionally overwhelming. These factors conspire to make ON THE JOB a distinctly average movie when it should by all rights be a good one.

kosmasp I actually wanted to watch "Foxcatcher", but the screening was sold out, so I decided I'd go and watch this instead. And why not? Had no idea what to expect and was mostly entertained by it. The story this is based on, something that seems to have happened is completely crazy. As they say: You could not make this stuff up (well maybe some of it, but the core is true).The acting might not be always up to the challenge, but the violence and the "reality" of it, will hold your attention to it and will grip you from start to finish (if you don't mind reading subtitles that is like I don't). While it's straightforward, there are a few surprise twists here and there awaiting you. More than a decent thriller then

Sirfaro11 On The Job is exciting not only because of its story that tackled the gun-for-hire business, something that maybe unique in the Philippines, because of its rampant killings; it is also exciting because the birth of new Philippine cinema is now palpable. The past years have seen new writers and directors handle different urban poor stories, this one not only gives us a glimpse on the machinery of the killing business and how it affects the lives of the poor, but also let us see the powerful rich (the military) that runs the country. Every actor did a good job, although I feel Angel Aquino looks a little too glamorous for her role. The script was believable, the pacing was fast, the characters were given enough time to develop (except maybe Marquez's son's story that did not develop further) and most of all, I love the realistic ending. I also like that the movie left a glimmer of hope when the police partner recovered the phone. With all the horrors happening in the society, there is still hope. I think this is one of the year's best, I am happy that people went to see this movie and I hope other worthy films will get wider audience next time.

3xHCCH Mario (Joel Torre)and Daniel (Gerald Anderson) are convicts who are being sneaked out of prison and hired as hit men by a powerfully-connected syndicate. Mario is set for retiring since he is to be released from prison already, while Daniel is his apprentice and heir-apparent.After they bungle a job to execute a policeman, the secure web of protection around them begin to unravel as an idealistic NBI lawyer Francis Coronel Jr. (Piolo Pascual) and a maverick but honest policeman PO1 Joaquin Acosta (Joey Marquez) threaten to throw this assassination ring wide open to its highest levels."On the Job" is a gritty, honest, no-holds-barred Filipino film. The script by Michiko Yamamoto and Erik Matti fearlessly trace the operations of this gun-for-hire business from the lowly trainees to the gunmen to the middlemen (Vivian Velez) to the connections inside the prison (William Martinez) to the police protectors (Lito Pimentel) to the higher echelons of the military. We also get to peek into the family lives of these men. Mario has a wife (Angel Aquino) who is cuckolding him and a daughter (Empress Schuck) in law school. Francis is married to the daughter (Shaina Magdayao) of a lawmaker (Michael de Mesa) who is the pawn of a corrupt general (Leo Martinez). Joaquin has been at odds with his boss, stuck at being PO1 even after 30 years of service, with a harried wife (Rosanna Roces) and a drug pusher as a son (JM de Guzman).The theme and the style is indie but the stars are big names. It may be considered distracting for indie purists, but this stunt casting of actors against type was actually part of the charm of this film. I have to admit though that the most difficult casting decision to accept was Gerald Anderson, not only because of his attractive mestizo looks (hitmen should not be too conspicuous, should they?), but because he had to act side by side with the flawless Joel Torre. Torre was a man possessed in this role, he was never out of character up to the very end, always very believable and realistic. Piolo Pascual postured a lot in the start, which made his characterization unconvincing at first. However when he got into the groove of his character, especially in the second half, he will get us over on his side.Joey Marquez was a puzzling choice of an actor for a character in this film. At first, during the teasers, I thought he was badly miscast in this role as a cop. But as I was watching the film, I realized the wisdom of his casting. He was key in providing the moments which served to lighten the intense mood this film creates.The technical aspects of the film are very good, particularly the cinematography and the film editing. The atmosphere created was very tense and exciting. The suspense was unbearable as the pacing is frenetic and you would not know what will happen with succeeding scenes. This film is NOT predictable.Despite being an excellent film, there are some cons, but relatively minor issues only. I have already mentioned how the casting of Anderson stretched believability. Also, the addition of what seemed to be unnecessary sex scenes for both Anderson and Pascual sort of derailed from the story a bit.