taggerez Yeah, the story is a mess and some of the performances are wacked-out but it has its moments. Has anybody mentioned that Ursula Andress looks grrrrrrrrreeeeat in a wet, white blouse? Derek's films, though lacking coherence, could be visually impressive and this one was ahead of its time with some psychedelic shots that would eventually become tiresome by about 1969. Ron Ely (from Amarillo, Texas) gives a pretty good performance and the U.S. Cavalry uniforms are well done But, Andress is such a dolt that you pray she'll meet a slow and agonizing death. After a low flying Zero strafes a polo match, leaving Filipino corpses strewn about, Miss Andress pouts and whines about needing to take her puppy with her on the long trek to Manila. Pretty boy singer Rod Lauren does his best James Dean and scores with Ursula while the rest of the gang takes out a Japanese tank. Talk about dereliction of duty! Ursula's charms then make him impervious to enemy bullets. As for Richard Jaeckel, I will just have to believe that he was a psycho from the word go."Once Before I Die," you won't understand it but you may love it!

Crap_Connoisseur Once Before I Die is far more entertaining than most recent WW2 films such as Steven Spielberg's anaemic "Saving Private Ryan". This film may be the cinematic equivalent of a car crash but I would prefer to see Ursula Andress strolling through battle fields with perfect hair and make-up than watch Matt Damon pollute the screen as a lost soldier. This may also be the first and last war film to contain a "Porkies" style subplot about a soldier trying to lose his virginity.John Derek is a hugely misunderstood director. Admittedly, he has made some of the most inept films in cinema history but at least he had the decency to fill his movies with large doses of gratuitous nudity and unintentionally hilarious scenarios. His films may be crap but they are rarely boring. Once Before I Die provides John with an opportunity to direct his lovely wife, Ursula Andress. The plot that John chose for his then wife is startling to say the least.Ursula plays Alex, a Swiss "refugee" stuck in the Philippines during WW2. When the Japanese attack, Alex's soldier boyfriend, Bailey (played by John himself), invites Alex to tag along with his battalion on their way to Manila. Unfortunately, Bailey accidentally drops a grenade while trying to steal Alex a teddy bear and leaves Alex to make a general nuisance of herself during enemy attacks. A major exception to this occurs when Alex makes herself uncharacteristically useful by deflowering a soldier while the rest of the battalion attack a Japanese tank with tree stumps.The film's storyline is undeniably ridiculous but it does compensate the viewer with surprisingly violent content for a movie made in 1965 and amusing visuals of Ursula prancing through the jungle like a slightly disheveled Bond girl. The combat scenes are reasonably well done but would have been more convincing if John Derek didn't superimpose faded images of Ursula over the action. The most bizarre example of this is the image of Ursula holding a glowing orb, which is superimposed over the opening air attack. The film also offers some beautiful photography and a visually impressive, if utterly confusing finale. The acting is hit and miss, with significantly more misses than hits, but Ursula is rather wonderful as Alex. It takes a special kind of genius to walk through a war zone in riding pants and high heeled boots without coming across as completely demented. Richard Jaeckel also scores points for his fantastically over the top portrayal of Custer, a deluded soldier.Once Before I Die is a treat for John Derek aficionados and fans of crappy film oddities. You definitely wont see another war movie like this ever again.

frankfob John Derek has never made a good movie in his life. He's been IN some good ones, but he's never MADE a good one, and there's no better example of his almost complete lack of talent as a filmmaker than this. He takes a potentially interesting story--the guerrilla war waged against the Japanese after their takeover of the Philippines in World War II--and for some reason turns it into a game of who's going to nail Ursula Andress before the Japanese kill everybody. Derek apparently thought that the sight of Andress, his wife (or girlfriend, or whatever she was) at that time, in various stages of undress was enough to draw people into the theaters (it wasn't). Because of that, he obviously paid no attention whatsoever to minor things like having a coherent script, directing the other actors, maintaining a semblance of continuity--trivial matters like that. The only saving grace (professionally, that is) is Richard Jaeckel's performance as a soldier eventually driven insane by the fighting. Jaeckel was always one of the most watchable actors around; he had that cockiness and explosive quality that Cagney had, and no matter how lousy the movie was (like this one), he always pulled it up a couple of notches. Unfortunately, he wouldn't have been able to pull this thing up with a crane. Its infuriating pretentiousness is its main undoing. The dialogue is so Ed Woods-ian in its rambling, nonsensical "what-the-HELL-are-they-talking-about?" absurdity that you finally find yourself wishing that the Japanese would come in, whack everybody and put the cast--and the audience--out of their misery. An absolutely painful experience that makes you wonder, "How in God's name did he get anyone to put up the money to make this thing?" Skip it.

Lee-65 This film, in spite of a few capable performers, like Ron Ely and Richard Jaeckel, for example, deserved to be left in the jungles of the Philippines from whence it came. Ursula Andress (once dubbed by the press as "Ursula Undress") is nice to look at, but in this film she hasn't much to do except show off her well-nourished superstructure through anachronistic wet clothing - The screenplay certainly doesn't show off her acting ability. John Derek treats her contributions to this picture like one of those front-page, soft-focus pictorials in "Playboy" that Andress (and, subsequent subject Linda Evans) did so often throughout the 1960s and 70s. For better material featuring Ursula Andress, see "Dr. No" (1962) and "Casino Royale" (1967). What a waste of time for anyone looking for serious drama about the post-Pearl Harbor Philippine invasion of 1941-42.