One Good Turn

1931
One Good Turn
7.1| 0h20m| NR| en| More Info
Released: 31 October 1931 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Down and out Stan and Ollie beg for food from a friendly old lady who provides them with sandwiches. While eating, they overhear the lady's landlord tell her he's going to throw her out because she can't pay her mortgage. They don't realize that the old lady is really rehearsing for a play. Stan and Ollie decide to help the old lady by selling their car. During the auction a drunk puts a wallet in Stan's pocket. Ollie accuses Stan of robbing the old lady, but when the truth is revealed Stan takes revenge on Ollie.

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Jackson Booth-Millard Stan Laurel and Oliver Hardy are the most famous comedy duo in history, and deservedly so, so I am happy to see any of their films. Basicaly Stan and Ollie are living rough, with only some clothes and their car, and after managing to burn down their tent they see no choice but to go begging for food somewhere. They find the house of Old Lady (Mary Carr), and she agrees to make some sandwiches and coffee for them, while they do a little wood chopping, which of course doesn't last long. While tucking into their food, they overhear the Old Woman begging "villainous landlord" (James Finlayson) not to evict her when she can't pay him the $100 she owes. Stan and Ollie decide to try and sell their car and give the Old Woman the money to pay the villain off, and a paying drunk man accidentally puts his wallet in Stan's pocket, spurring Ollie to think he stole it from the Old Woman. So he forces Stan to go back (their car by the way collapses) to prove his guilt, but they both didn't realise she was rehearsing with the Community Player for a play, so Stan is very mad, and the film ends with a last squabble. Filled with good slapstick and all classic comedy you want from a black and white film, it is an enjoyable film. Stan Laurel and Oliver Hardy were number 7 on The Comedians' Comedian. Worth watching!
Brenda Stiller Welcome to Hooverville, Laurel & Hardy style!!! (A chicken in every pot? Well then I hope the soup that was ruined wasn't chicken soup.) I feel that this is the most sentimental of all the L&H films I've seen...as much as it is funny. It even concerns a theme that certainly holds up today: unemployment and homelessness. Difference between '31 and '05? Then they were just generally 'victims' and even willing to work for their food, as Hardy had suggested; today they're probably on heroin or crack and will probably mug you for a fix, not food.Of course, then there's the victims of President Bush...And the ending? OK, I know that it was more than likely personal, but being a lady who turned 50 a month ago and has seen more than her share of what life has to offer, I could never conceive of ANYone not getting 'fighting mad' after being wrongfully accused of stealing. In fact, today - rightly or wrongly accused - someone would more than likely take out a gun and shoot you point blank, not merely try to break open your head with firewood logs.How times have changed from the '30s. Maybe THAT'S where the 'sentimental' part comes in?
bob the moo Laurel and Hardy are destitute – living by the river in a tent and their car. When Laurel manages to destroy most of their few remaining possessions they are forced to beg door to door for food. A misunderstanding with a kindly old lady leads the duo into a kind act that ultimately leads to a division between them.This film has no one major strong scene that stuck in my mind, but it does have a consistently funny tale that made me laugh the whole way through. The plot starts with the usual `down on their luck' set up that works very well – Laurel playing with fire is well done. The actual plot device used to create the main story is a little contrived but it is played so well that it doesn't really matter.All though the short there are lots of nice touches.- Hardy's looks are as good as ever. Some fans may feel that this is more low key than they expected due to the lack of a big sequence, but the smaller, consistent jokes work well to produce a short that lacks a major peak, but then manages to have no dips either.The cast are good. The little old lady is a little clichéd and James Finlayson has little of value to do, but Laurel and Hardy are both good. Here Laurel keeps his usual character but he also adds a tougher edge. In other shorts he has tended to be one or the other (often being tougher in later films) but here he gets the mix right (apparently due to Laurel wanting to let his daughter see her dad stand up for himself onscreen). Hardy is as good as always.Overall this lacks peaks but makes up for it by being consistently funny from the opening campfire sequence right through to logs a-flying!
Snow Leopard "One Good Turn" is a Laurel & Hardy short with some good moments. Stan and Ollie are reduced to begging, and arrive at the home of a friendly old woman who offers them a meal. While in her house, the boys misunderstand some events in the woman's life, and their well-meant but misguided attempts to help her out create more problems than they solve. The build-up to the gags in this one takes a bit longer than usual, but there are some good laughs to make up for it. One of the funniest parts is near the beginning when Stanley tries to extinguish an out-of-control campfire.