dancolbourne I thought the previous reviewer was harsh - yes, you don't expect the twist at he end (a sad one to be fair!) but I thought there was plenty of tension created who didn't feel desperate for Louise as she was stalked around that dark school?? Louise (Sophia Myles) was excellent - having not seen her before I'll join the chorus of praise and predictions that she'll go all the way to the top - this was a convincing performance, full of intelligence.thought the soundtrack worked pretty well and the empty private school in the middle of nowhere was the perfect set up for a 'shining' type descent into hell for Louise

Oct In the 1970s this modest entry would have been a 60-minute TV episode from an anthology such as Brian Clemens's "Thriller" or "Hammer House of Mystery and Suspense". To make it feature-length, too many false endings have been tacked on; but the substance is just about intriguing enough to keep a late-night television viewer (if not, apparently, a British distributor) watching to the positively final climax.A girls' boarding school at half term affords plenty of shots of the heroine, Sophia Myles, creeping along deserted corridors and entering empty rooms, or being walked in on by a trio of sinister older women. Miss Myles, very much in the buxom English rose mould of Kate Winslet, acquits herself competently without lurching into the irritating extremes of scream queen on the one hand or dopey wide-eyed dupe on the other: she projects intelligence as well as courage. Sophie Ward as her steely headmistress and Celia Imrie-- in a role as an art-dealing doctor which is outside her normal persona as a glamorous but trustworthy Scotch matron-- keep audiences guessing about their motives. The men are not as satisfactory. Sophia's object of adulterous affection, an American art teacher married to Ms Ward, is less a character than a McGuffin. Michael Elphick, sadly bloated in his last big-screen appearance, has little to do. The soundtrack is too replete with creepy music: the natural sounds of a big old building in the depths of the English countryside could have been used more. There are a few wince-making genre clichés, such as Sophia flinching when a sheet is pulled back and she has to ID a disfigured corpse. But this is a British suspenser which keeps its language clean, aims above the gut and avoids mid-Atlanticism. It deserved better than a late-night BBC1 premiere without even a write-up in the 'Radio Times'; if the BBC had produced it as a TV movie, they would have talked it up.

webmaster-715 I'm actually no big fan of so-called thrillers. But out of different reasons I occasionally watch one. Since I admire Sophia Myles' acting I decided to order Out of Bounds but didn't really know what to expect. But I was positively surprised. There are only a few characters in the story but every one is being developed well. Thus the characters are believable, which gives a film MANY plus points. The ability of the director to tell the story without ever failing to rise the tension and suspection is awesome. While the story's unfolding we never know what we're supposed to believe - we are allowed to make up our own minds. When the next twist comes we'll probably change our opinion again ... and again and all the while we enjoy great entertainment. The high amount of tension etc doesn't leave the film sparse of humour. And even though many will agree that it is not an every day story (we don't all go to boarding schools where we have an affair with the married teacher, who later disappears, and are then hunted by nightmares) we totally forget this because everything (the characters, the script and the acting) is very much drawn from real life. All of this makes it a rare film that makes you wonder why it so far hasn't got more recognition!! It is certainly a shame! After watching the film I had my head full of thoughts and was for a long time not able to decide what it was that made the film so appealing to me. I have come to think that it's the perfect combination of everything in the film. And for me what is really standing out are the totally natural actors/actresses and that once in a while I'm again thinking about the film. Well, I will certainly not regret the day I ordered the film.

n-com How rare to find a film that depends less on special effects and "in-your-face" horror, and leans more towards suspense and implied danger. Just as a good paperback thriller makes one want to turn the page, watching this, one wants to leap off the sofa to protect the young protagonists! The lack of exotic locations suggests a rather tight budget, but the story is none the worse for it. After all, an old motel, a shower curtain and a bit of up-lighting served Alfred Hitchcock rather well! Good performances from experienced stage performers and newcomers. This is the sort of piece the UK national broadcaster should be commissioning, not the kitchen-sink dramas that plague UK TV screens. The director should be applauded for taking that old staple, the murder mystery, and giving it an entertaining and contemporary twist.