ma-cortes Outrage deals with a journalist from El País newspaper who is assigned to carry out engaging reports . As Mario Vellez's (Antonio Banderas) last asignment results to be a traveling circus . Bored and tired with the usual acts , he is intrigued by the beautiful Sharp-shooter called Anna (Francesca Neri , Rosalba Neri's daughter) and asks her for an interview , which leads to passion . She is an equestrian sharpshooter from a circus called Wonderland , he is a stubborn journalist and both of whom fall in love . But she finds that primitive savagery exists beneath the most peaceful surface and then occurs a an unhappy happening and things go awry . This is an interesting story about a traveling circus , a grisly event and subseguent vendetta . A frightening and violent film reaction to the violence of the 1980s and 1990s ; this is a tale about rape and revenge in Straw Dogs style . Based on a story : "Spara che ti passa" by expert Giorgio Scerbanenco and screenplay by Carlos Saura himself . The plot is plain and simple , a circus artist falls in love for a reporter and while he's in Barcelona to cover a concert, three young men assault her , being attacked and raped in her tráiler , then , rather than calling the police Anna decides to take his own retribution , as she seeks a merciless vengeance . It is paced from point of view Francesca Neri and Antonio Banderas . Although it relies heavily on the loving relationship between the reporter and the circus artist . Gorgeous Rosalba Neri gives an enjoyable acting ,she speaks Spanish language blending Italian/Spaniard words . Banderas is acceptable but he delivers an inferior performance than Neri . They are well accompanied by a fine support cast , such as : Eulàlia Ramon as Lali Ramón, Carlos Saura's wife , Walter Vidarte ,Coque Malla , Chema Mazo and Achero Mañas . The movie displays an atmospheric cinematography by prestigious Javier Aguirresarobe , though a perfect remastering being really necessary . And a sad and atonal musical score by the Oscar Winner and magnificent composer Alberto Iglesias . Along with adequate production design by the notorious Rafael Palmero . The motion picture was well directed by Carlos Saura , being the first genre movie from this magnificent filmmaker . He is a good Spanish movies director. He began working in cinema in 1959 when he filmed ¨Los Golfos ¨(1962) dealing with juvenile delinquency ,it won Golden Bear in Berlin Festival . Saura is a well recognized filmmaker both nationally and internationally, and in proof of it he won many prizes among which there are the following ones: Silver Bear in the Berlin Festival for ¨ La Caza or The Chase¨ (1966) his most successful film , and for Peppermint Frappé (1967), in 1967. Special Jury Awards in Cannes for La Prima Angélica (1974), in 1973, and for Cría Cuervos (1976), in 1975. Also, the film Mamá Cumple Cien Años (1979) got an Oscar nomination in 1979 as the best foreign film, and it also won the Special Jury Award at the San Sebastian Festival. In 1990, he won two Goya , The Spanish Oscar , as best adapted screenplay writer and best director. Saura made some biographic movies as ¨Llanto para un bandido¨, ¨Goya in Burdeos or Bordeaux ¨, ¨Buñuel and la mesa del Rey Salomon¨ , ¨El Dorado¨, and ¨Antonieta¨. Saura became an expert on Iberian musical adaptations as ¨Carmen , Amor Brujo , Bodas De Sangre or Blood wedding , Sevillanas ,Iberia , Salome, Fado, Flamenco , Tango ¨ and even recently Opera as ¨Io , Don Giovanni

Molly Celaschi (carlykristen) The story follows Ana (played wonderfully by the beautiful Francesca Neri) as a sharp shooter performing in the circus. She falls in love with a journalist named Marcos (Antonio Banderas). After a brutal rape and several murders later, she finds herself on the run with Marcos chasing after her.The DVD story would have you believe that this is a typical Rape/ Revenge flick where the rape occurs early on and the rest of the film is the woman seeking vengeance. But the rape doesn't occur until 40 minutes in giving the viewers plenty of time to get to know Ana and like her character. She looks like Rachel Weisz and is quite impulsive and quirky. Her character is very likable and you will find her emotionally honest even when she is lying. This will make watching her downfall a little difficult to bear.You watch Ana fall in love with Marcos, make love with him, and then you see the excitement in her eyes when she runs to her door one fateful night expecting Marcos on the other side. The gang rape is brutal, but most of the violence (outside of the rape) is implied. The revenge part takes place very soon after. The rest of the film is Ana and Marcos trying to reach each other one last time, making several mistakes along the way, and a very climactic reunion at the end.Where the story veers into stupidity, is when Marcos sees the news story of the rapists murders, assumes Ana is the killer without even speaking to her, and then proceeds to rat on her instantly. That amore'. Soon after, Ana visits a doctor for her excessive bleeding (ahem, vaginal, due to the "bottle assault"), the doctor immediately calls the police on her the moment Ana leaves the room. Rape Advocacy, yeah! And get this…the doctor then goes on the radio giving the victims name and detailing her vaginal wounds! Ethics? We don't need no stinking Ethics!Ultimately, this film is incredibly depressing and bleak. The ending will not make you feel any better about what transpired before hand. The victim gets no justice and she is punished for being victimized. A cop even refers to her as "the bitch."Favorite Quote: "I said I'd follow you to Hell, well, here I am," spoken by Marcos to Ana after he finally catches up to her at the end.DVD Extras: Scene Selection and brief Film Facts. There is an Italian and English dubbed version. The dubbed version is terrible and takes away from the atmosphere. Plus, I know what Antonio Banderas sounds like and I can assure you that was not it.Bottom Line: Very dreary film with not much to recommend here except Francesca Neri's great performance.Rating: 6/10Molly Celaschi www.HorrorYearbook.com MySpace.com/HorrorYearbook1980

jotix100 Marcos, a young reporter, goes to the circus to write about that world in his paper's Sunday supplement. He is not interested in anything, but as he is leaving, the next act is about to start. It involves a woman riding a horse and performing tricks; the presentation ends in shooting balloons from the horse while it is moving. Marcos feels attracted to the beautiful woman. Marcos is intrigued by the circus performer and returns to interview her, but she begins playing with him, inventing stories. As he is about to leave, Ana, comes to him and tells her who she really is. An affair between them ensues.Fate intervenes when three young mechanics come to repair circus equipment and the owner gives them complimentary tickets for the show. The trio make a racket as they watch Ana perform. After the show, these three force themselves upon Ana. She is badly hurt and decides to take matters into her own hands. Since she is a skilled shooter, these young punks don't have a chance when she comes for them. Ana, who is bleeding badly ends up in a country home where a couple and two small children live. Marcos is responsible for breaking the impasse between Ana and the police, but he arrived too late to help her.Carlos Saura, a noted director, made some valid contributions to the Spanish cinema. His earlier pictures had a political and satirical context that he abandoned later on after Franco's death in favor of films that emphasized the dance. This film will not add anything to his career, or that of Antonio Banderas, who as Marcos, gives a tepid performance. On the other hand, Francesca Neri, a gifted Italian actress is the best thing in the film. Her Ana has equal parts of mystery, charm, love and hate, as her determined character decides to deal with her tormentors.The film is titled "Outrage" in English.

NewEnglandPat This film is a fine drama about a woman who gets raped by three men then hunts then down one by one with a cold determination of a professional assassin. After years of being an equestrian circus performer, Francesca Neri meets Antonio Banderas, a journalist, and romance seems to be in the offing but fate is unkind to them and sets in motion the tragic events of the story. The pursuit and revenge plot is straightforward with no surprises but the drama really builds when Neri herself becomes the hunted when an all-points alert is issued by Spanish police. Neri's role of a woman who takes the law into her own hands is one-dimensional but she sells her character well and manages to generate sympathy because of what happened to her. Neri and Banderas do have a certain chemistry between them and they make the premise work in spite of the unpleasant subject matter.