carodiux I am a Colombian who currently resides (legally!) in NYC, and I have actually visited the restaurant (it's in Jackson Heights) featured in the film. I watched the movie in my home country, but i had to watch it again upon moving to NYC. It is a staggering film filled with energy and drama and mystery.What truly makes this film great? It is probably the best film ever made that explores what illegal immigrants go through when they come to this country. Through a series of flashbacks, the main character recalls the journey to get to NYC while trying to track down the girl he came with to the country. The promises made to the Colombians making the trip, what they had to go through, the abuse they took and the number that made it to America alive will leave an emotional mark on the souls of all who watch the film. The best part is that the director is not heavy handed with it. Instead of several overly long tense scenes, he makes the point quickly with several much quicker scenes. It ultimately creates a type of narrative drumbeat, a rhythm if you will, that builds and builds in a subtle and articulate way.Most of the film, however, follows the main character who got separated from his traveling companion and girlfriend, and who is now totally lost and despondent a country where he doesn't even speak the same language. At the risk of sounding political, I would love all the Congressmen and women to watch this film to better understand what people go through and why they often want to leave their home country. That said, the film is not political, but it is profoundly social and cultural, painting a narrative picture that will stay with the viewer for years to go. I highly recommend this movie!!!

tatyshk Paraiso Travel is by far much more than just an illegal immigrant story. I found that the story was well built and narrated with the only exception of the part about lost mother. The characters were very human in all their complexity and what i appreciated the most was that none of them were perfect or "superhero" type. Even Marlon, the main character, is not completely positive. He is weak and lost, doesn't know how to deal with his anger and sexual desires but in the same time he has a good heart and is willing to go through hell to find his lost girlfriend instead of just going back home to Colombia to his fairly well-off family.I don't agree with one of the users saying that the film director probably hated women because of the way he portrayed Reina. She is just one of the numerous female characters there and she definitely belongs to the type of women who discover early how to exploit men with their sexuality and in the end it's the only thing they know do best. She never had feelings for Marlon luring him into following her to New York only to keep her company perhaps. So in the end Marlon realizes that beneath that sultry body and pretty face of Reina, there is no soul or heart or moral values. I didn't even feel bad for her having to live in a trailer with a baby and drunkard mother because in the end she deserved all that.

gradyharp PARAISO TRAVEL is an intense little film that joins the ranks of the other multiple films dealing with immigration, this one as seen from the eyes of those immigrating to the US. It is a hard driving film with many messages about not only immigration but the rarely discussed aspects of the torturous route to get to this country AND the resultant disappointment/disenchantment with the America of the north - the supposed land of dreams. Written by Jorge Franco Ramos and Juan Rendón and directed by Simon Brand, the film was made with a cast of relatively unknown actors (with the notable exception of John Leguizamo) and one wonders had the actors been more experienced would the film have been stronger. The story relates the problems of two young people Reina (Angelica Blandon) and Marlon (Aldemar Correa) who 'escape' from Medillin, Colombia to make their way as immigrants passing through Guatemala, Mexico and Texas on their way to New York in search of the American Dream. The film is shot in flashback fashion: we are lead to believe that the two 'lovers' focus so strongly on their dream that they lose themselves in that pursuit. What this film does in very strong fashion is show the grueling, harsh, despicable events that occur to immigrants in the South American countries on their way 'north' - some of the events are difficult to watch. But even more strange is the response of the immigrants who do succeed in making it into the USA - without knowledge of the English language or the American labor situation and atrocious living conditions imposed on illegal immigrants. Marlon in particular seems to view the plight of the illegals (street workers, flop houses, menial jobs) with disgust, choosing to focus instead on his fruitless plight to regain his lost Reina separated from him after a misunderstanding in New York. To say more would spoil the ending. Suffice it to say that the film show the ugly side of immigration and the consequences that too often replace the dreams of those who make the dangerous trip to this land of possibility. It is another side of the coin we should all know. Grady Harp

princessmarya OK, I saw this movie at the tribeca film festival and came face to face with the director as I tried to get the hell out of there. I wish I could have said this to him now.the guy must have a vendetta against the female race or something because the young (18 years old!!!) female lead Reina seems to be everything he wants you to hate about women. She is a cock tease, she uses her sexuality to get men to do things for her (quel horreur!), she cares about only one thing, coming to America to find her drug addicted mess of a mother and have a better life. Throughout the movies, she is robbed, raped, crosses the rio grande, is stuffed in a hollowed out tree stump and abandoned by her boyfriend in a skanky hostel in brooklyn. She is such a pathetic figure in the end of the movie, how could anyone possibly look this young messed up mother of an infant, prostitute and caretaker of a indigent mother in the eye and tell her to kill herself? well, thats what the director/writer and lead character does. what a mensch.which leads me to the male "hero". although attractive in the face, he has the personality of Nomie Malone from Showgirls, and I have trouble believing all women fall for his charms. He continually gets himself lost by running around like a person who's never lived in a big city, I have a hard time swallowing that a colombian from medellin is that ignorant of neighborhoods and how to retrace their steps, that city has 3 million people in it. I've met colombians, they seem to do just fine with streets and landmarks, they even know how to drive!!!! They are a sophisticated and street savvy people. Even worse, he often stumbles into NYC landscapes that are right out of 80s movies clichés (trash can fire bums, squatters, s&m, payphones - your movie needs to be updated when it looks like a scene from bonfire of the vanities) This is not NYC, this is NYC circa 1988,there's so much "ick" factor in this movie, there's even a sex scene with a sleeping grandma in the room. A SLEEPING GRANDMA PEOPLE!! Thats farrelly brothers gross, and not in a good way.With a plot so similar to Showgirls its spooky, this movie is simply really really really bad.