Penny Anne Just tried to watch it on video and gave up at the 25 minute mark. Why? Couldn't hear the dialog - even though there's not much, I cannot stand a movie in which I can't hear the dialog. You keep turning up the volume to try and catch what the characters are saying in their thick accents, and then suddenly, you're blasted with the background music. Why no subtitles on the DVD??? It really needs them. Maybe the dialog is supposed to be of no importance and the story is only supposed to be told visually. Don't care! If it's not a silent movie, I need to hear the dialog and you can't. If it isn't too low volume, then it's being drowned out by car engines or feet scuffling on pavement or some other background noise. I don't know how all the other reviewers found themselves so moved by this movie. The execrable sound recording job done on it totally ruined it for me and made the movie an unconditionally frustrating experience that I ultimately just gave up on.

jm-stanley Parked is a small, independent Irish film with a big heart and unexpected emotional punch. The film is a study of humanity, of keeping that humanity, and ultimately, how we need and depend on each other for any life that's worth living.Colm Meaney gives a stand-out, restrained performance as Fred Daly, a man reduced to living in his car when he can find no work and no public aid. He parks his 'abode' in a public beach front parking lot, and he is obviously hanging on by a thread, using the comfort of routine to get him through day after dreary day. Until he finds himself with a neighbor, a young drug addict named Cathal who parks his 'home' in the same lot, and shows Fred how to snatch humor, and even joy, out of a seemingly hopeless existence.What elevates this movie is the direction, the beautiful cinematography, a haunting musical score, but most especially the acting. As I said, Colm Meaney, who couldn't give a bad performance if he tried, is poignantly stolid as a man abandoned and alone, clinging to what little civilization he has left.The real surprise is Colin Morgan, who plays drug addict Cathal. His performance is a wonder. He has taken a mostly unsympathetic character and imbued him with pathos and humanity. His performance shows, by turns, a jittery, sad, friendly, hopeful and ultimately, powerless and heartbreaking youth abandoned by all those who should care.The story of Fred and Cathal and their unlikely friendship is the crux of the movie and told in an organic, decidedly non-Hollywood and non-contrived fashion. It grows naturally and is nurtured with care by the director who lets the story tell itself.A beautiful film, poignant yet hopeful and well worth seeking out.

sangitau2007 It's not just a movie.It's a sad beautiful poem. I still can't get the characters (specially Colin's) out of my mind. The music is excellent ! I still have tears in my eyes whenever I remember Cathal's last moments :( . The only thing that I felt missing in this movie is a bit of details about both the character's past life. This is one of those movies which creates an ever lasting impression in a person's mind.It's heart warming and heart breaking. And one thing is sure Colm Meaney and Colin Morgan has made Fred and Cathal immortal with their strong performances. Hats off to them and also to all those who made this beautiful movie.

City-by-the-sea A very moving film - a credit to the producers Ripple World and to a very talented cast. The story follows Fred Daly (Colm Meaney), an introverted and marginalized middle-aged man who returns to Ireland and ends up living in his car. He befriends a young homeless junkie, Cathal (Colin Morgan) and the two find comfort and a glimmer of hope in their low-key friendship.Meaney gives a superb performance, walking the tightrope between sentimentality and cheap laughs without ever falling into either trap. He plays a man clinging to the last vestiges of normality, whether it be watering a plant or brushing his teeth, - a drowning man by the sea, clinging to the smallest pieces of debris to stay afloat. Morgan, best known as Merlin in the TV series of the same name, shows huge promise as a big screen actor.Well written by Ciaran Creagh whose theatre background has given him a good ear for dialogue. Directed with elegant understatement by Darragh Byrne and with some beautiful photography from John Conroy including cinematic landscapes that lifted it away from potential TV-style relentless grimness.If there is a single word for the movie, it is uncompromising. It takes a hard, unblinking look at lives on the margins but manages to retain its characters' humanity. I watched it at the LA Irish Film Festival 2011 and there were more than a few tears shed in the audience, which again is a credit to the film-makers in a world where shiny things and explosions usually dominate. For sure it is a slow burn, but all the more elegant for that. Full of sadness and pathos, but leaving the door open for a final sliver of hope to shine through. Bravo.