bkoganbing Pete 'n' Tillie may provide the most unromantic view of marriage ever put on the big screen. Two players best known for comedy roles, Walter Matthau and Carol Burnett play the title roles who are a pair of thirty somethings who kind of just fall into marriage because they don't want to end up alone. They have a son played by Lee Harcourt Montgomery who is taken from them. The question is, can their marriage survive this unspeakable tragedy?Matthau who does have a bit of wit an extension of his real persona in life gets by with it. He's a philanderer by nature, but he always comes home.There is some moment of high drama in Pete 'n' Tillie especially coming from Burnett. When her son dies and her breakdown comes, you really do forget you are watching one of the great comic talents of the female gender ever.Comedy however did get Geraldine Page an Oscar nomination for Best Supporting Actress, a very vain woman who was the original matchmaker for Matthau and Burnett. Burnett and Page square off after Page has a bad moment in a police station, the best female bout since Marlene Dietrich and Una Merkel went at each other in Destry Rides Again. Pete 'n' Tillie also got a nomination for best adapted screenplay.There's also a very nice turn by Rene Auberjonois as a gay friend of Burnett's who offers her a different kind of marital arrangement with two people who do like each other.After over 45 years Pete 'n' Tillie holds up very well. It should because the story is timeless.

jzappa The main accomplishment of Pete 'n' Tillie is the skill put into it for hitting the symmetry amongst the hilarious and the heartbreaking, between moments of earnest gravitas and other moments of priceless high comedy and even slapstick. What happens in the story is supposed to happen. Life's like that. In one go, Pete 'n' Tillie is an entertainment feat, with its high comic panache, its dexterity with bittersweet dramaturgy and its star turns for its two tremendously talented leads. The special thing about this movie is the way it merges those two tonal styles, with even more subtlety and naturalism than the films of later periods.Indeed, this is a sharp, surprisingly heartfelt and charming movie of the early '70s, with a skillfully lasting and subdued tone of melancholy. Writer-producer Julius J. Epstein has seized hold of priceless dialogue and a theme of togetherness. The title characters are two sardonically mileage-developing San Francisco pragmatists who meet at a party and like one another virtually in spite of themselves. Owing to their age, they're seasoned enough to realize that "love without irritation is just lust." They get going, wed, raise a bright son and experience a paralyzing family predicament whose subtle, poignant handling is the most appreciable thing about this offbeat love story beholden to George Stevens' superior Penny Serenade.It's a straightforward comedy that soaks up tragedy without an awkward wrinkle. This owes to the always subtle, sophisticated and refined direction of Martin Ritt, normally helming much less sentimental material, shrewdly of course. Then there is Geraldine Page, as Burnett's well-heeled friend, whose succinct, horrified charade at a police station and the subsequent catfight pack that beautiful release of laughter after a tragic peak. Like most great comics, Burnett, held in rein by a somber, down-to-earth story, is impressive, even in graver moments that feel as if the material was contrived to the point of bathos. Matthau has given more cumbersome performances but none more disarming since The Odd Couple.

ijonesiii Time has not been kind to PETE-N-TILLE,a 1972 film starring Walter Matthau and Carol Burnett. I remember seeing this film in the theaters when it was released and thinking how good it was, but as the years have worn on and I have seen this film several more times, it comes off as a muddled and confusing film that isn't sure if it wants to be a comedy or a drama. Matthau and Burnett play middle-aged singles who court, marry, have a child, and find their marriage tested by tragedy. The movie makes jarring switches from fall-down hilarity to soap opera tragedy in the blink of an eye and it's hard to keep track of what we are supposed to be feeling. Director Martin Ritt has also kept a tight rein on his two stars, making sure they never go over the top; however, I think this is to the film's detriment. There is one hysterically funny scene of a knock down drag out fight between Burnett and her best friend, played by Geraldine Page (who inexplicably received an Oscar nomination for this), but other than that, this is a muddled and confusing film barely watchable because of the natural charisma and legendary reputations of its stars.

mdm-11 Carol Burnett and Walter Matthau are middle aged singles at one of socialite Geraldine Paige's famous "parties". Seemingly inexperienced Burnett is unsure whether the wise-cracking and somewhat "obviously interested" Matthau is the real deal. Eventually they hit it off, get married, and have a son, whom they both adore. Time passes, Burnett learns that Matthau freely shares his sexual talents with other women, which he does not attempt to hide. When their school age son is diagnosed with a terminal illness, Burnett breaks down. The couple separates, all friends and acquaintances suggest Burnett get a divorce.The ending may be somewhat predictable, but it's a much needed "up" from the depressing 20 minutes preceding it. The brief interlude with Burnett and Paige in a "cat fight" is another welcomed distraction from compounding dramatic scenes. Matthau's constant witty remarks become an expected staple, although he does show emotion about the loss of his son.This is definitely an "adult film", although rated PG. Many issues about urban life and society in general are tackled. Pre-teens would certainly be confused and unable to make sense of some of the plot. Fans of the leads will enjoy this film