mohommed_r I saw this movie and it seems completely absurd. Some concept taken from Hollywood movie exorcist, while main concept being a girl is under spell of black magic. And finally at the end of movie, Indian black magic women becomes some mutant from Hollywood movie X-men, throwing peoples in air by powers of her hand. This whole concept appears to be ridiculously crazy. To any horror movie fans, an advice, just completely avoid this movie.Even in this modern age, renowned directors like this one makes movies that what we all consider superstitious and that only old and illiterate peoples in India believe. To make it worse, this movie gives justification in stupid way as to why we should believe in "Kaala Jadu" Black Magic. Although, I believe Black magic in scientific way, but this doesn't means all the rubbish beliefs among illiterates have some basis. In one shot the main actor is talking to a guy who cures peoples suffering from possession, He tell him "I don't believe in God" to which that guy gives a weird explanation as to why we should believe in black magic. He starts by telling him if he takes some medicine for headache,why does he believe in that headache pill.For this question our main actor has no answer. I was in complete disbelief while watching this as to how low this movie can go down further.

arnabmk After seeing the trailers, I was expecting much more than what I actually saw. The story line was pretty predictable and that is something you would never expect from a decent horror movie. The actors were good considering most of them were newcomers, but they would have done better with a good story line. Overall an average movie. I would rate Darna Mana Hai and Bhoot higher than Phoonk. It's sad to see that we don't see any decent horror movies in Bollywood and they tend to mess up the ones which they try to remake from a decent Hollywood movie. Though horror movies do appeal to Indian audiences, I feel they get disappointed every time they watch a Bollywood horror movie

sundeepmukherjee2000 The movie is reasonably good in Indian standards, with a few of blushes, which Shri RGV, as he is known and portrayed, was expected to be eradicated.For an atheist hero, not to believe in supernatural forces even when his daughter defied gravity is beyond pardon, a blush on sensibility.The fate of the ghost buster Zakir Hussain at the end of the movie is equally left unanswered and thus obnoxious.The central characters blended well with the movie but the maid was expected to react better and so was the driver who was famous before as young Amitabh Bachchan, the Indian icon, in Agnipath shouting "maine jaala diya" (i burned it all), as did Seema Biswas in RGV's Bhooth. The Witch and the Witchdoctor were the best of the lot and they played the role of their lifetime. The spookiness was mostly in aggravated background score, which hummed more than it really scared.Considering its a RGV production, I rated it 6, as he was expected to fare better.I went for a Sarkar and came back with something in between Aag and Darna Maana Hai.Sorry RGV, you ought to be more careful next time in hiring right people for editing notes, before heading for it.

ankur mehra The great debate between science and superstition continues, but RGV's new film PHOONK tilts in favour of superstition. Surprising, isn't it? The makers of the film had organized a contest. You'd be given a handsome reward if you've the courage to watch PHOONK all alone in a theatre, we're told. Honestly speaking, PHOONK isn't scary by any standards, but as a subject, it works big time because somewhere deep within us, we've heard of the power of the unknown.Whether you're superstitious or not, you may've heard tales/experiences concerning jaadu tona. And you're all eyes and ears the moment someone comes up with an alibi.Write your own movie review of Phoonk PHOONK is easily amongst RGV's finest works (although BHOOTH was scarier) and it holds your attention all through. As a viewer, you're keen to know how RGV would culminate this story. The culmination, of course, would meet with extreme reactions. Some would rubbish it, but the believers might endorse the finale. In my individualistic opinion, it's outstanding! All said, PHOONK is a fantastic experience. The subject -- black magic -- is its biggest star and that alone would ensure House Full boards outside plexes/cinemas.Rajeev (Sudeep), a successful construction engineer, with a loving wife and two children, is an atheist to the core. He scowls at people who believe in the dark forces, till one day when an evil is let loose in his happy home, which threatens to destroy his family and shake up the very foundations of his convictions and beliefs.Thanks to the hype and curiosity generated around the movie, you expect to be scared from Scene 1 itself. And RGV emphasises on lighting and artefacts, besides an eccentric woman (Ashwini Kalsekar), to create the right atmosphere.Of course, you do get the jhatkas in a scene or two, but you don't clasp your hands tightly even once, nor does your heart goes dhak-dhak at a lightening speed. Gradually, RGV plays with the camera (excellent camera-work by Savita Singh) and sound (Kunal Mehta, Parikshit Lalwani) to heighten the impact. Like all RGV films, the camera angles bear the unmistakable RGV stamp, while the background score (Bapi-Tutul) takes an ordinary scene to the next level.RGV is back with a bang. There's a certain consistency from start to end and this time, he gets the right subject to prove his detractors wrong. Every sequence bears the stamp of a genius that RGV is, hits and flops notwithstanding.The performances are uniformly good. Sudeep impresses you with an excellent performance. Amruta Khanvilkar is efficient. Baby Ahsaas Channa makes a strong impression. Ashwini Kalsekar is top notch. Zakir Hussain's tantric act is superb. Ganesh Yadav lends good support. K.K. Raina and Lilette Dubey, both doctors, are competent. Kenny Desai, Anu Ansari and the actress enacting the role of Sudeep's mother are perfect.On the whole, PHOONK is a fascinating cinematic experience on a subject that's rarely tackled by the dream merchants in Bollywood: Black magic. The subject itself is the biggest star of the film, which would ensure a flying start at the box-office and in turn, prove a jackpot for its producers who've distributed the film themselves.(review written by taran adarsh)