Horst in Translation ([email protected]) "Popeye the Sailor" is a black-and-white cartoon from over 80 years ago made by the legendary Fleischer brothers. If you know a bit about Popeye, you will find the usual ingredient in here. It runs for roughly 7.5-minutes like most other cartoons from that era, features the title character with his spinach and Olive and Bluto are included already as well. Olive is pretty rough when other sailors try to make a move on her as all she wants is Popeye. Unfortunately, I must say that this little movie did not really impress me. I have seen other Popeye short films that were a lot better, for example the very famous Popeye vs Sindbad cartoon. None of the action in here (nor the inclusion of Betty Boop promoting Popeye), or the animation, felt truly witty or memorable and that is why I will not recommend it.

A_Different_Drummer In his day Dave Fleischer was the best of the best when it came to animation. The Nicola Tesla of cartoons if you like. (No, younger readers, that does not mean he made CARS). Some of the other reviewers nailed it when they pointed out, with props to both men, that, frame by frame Fleischer was better than Disney. (Of course, a century later, more or less, we see that Disney was the better businessman, which is why your kids aren't bugging you for a vacation to FleischerLand). The animation, the cell work, was astonishing. The concepts were astonishing. The blending of music and action were astonishing. Believe it or not, late in his career Fleischer experimented with a strange kind of "3D animation" (intended of course for 2D projection on theatre screens SINCE TV HAD NOT EVEN BEEN INVENTED.) And a decade after this film, he did a Superman cartoon which, as other reviewers on IMDb have acknowledged, was decades ahead of its time, and holds up well even for viewing today. Wow. What an artist.

ccthemovieman-1 Wow, it's interesting to see how different this first Popeye cartoon was from all the others we are used to seeing. Right off the in the introduction, other - not Popeye - is singing a "Strike Up the Band" song. Actually, we find out it's a "Betty Boop" as Betty joins in the singing, with a similar lyric about it "being a cinch that every inch he's a sailor."Popeye came from the comic strips, so the first thing we see when the story begins in a newspaper headline reading, "Popeye A Movie Star," meaning the audience will now see him at the movie theater. (There was no television back then.)Anyway, just watching the first few minutes of this cartoon produced a big smile on my face. It's tough to beat these clever, funny 1930s Popeye cartoons. The combination of sight gags and music - they loved music in cartoons and movies back in the '30s - is guaranteed to make you feel good after watching.Popeye demonstrates his strength, dexterity and resourcefulness in his screen debut and it's quickly established Bluto is the enemy and wants Olive. That storyline went on for decades but was always fun to see as the sailor man bested the bearded bully time after time.Betty only has a small number in here, so even if the cartoon is under name, it's really Popeye's. Betty does a quick Hawaiian dance which she did in several other cartoons before they made her put more clothes on by the end of 1934.The only thing different was Bonnie Poe doing some voice work as Olive. Her voice was a lot lower than Mae Questel's who did Olive for most, if not all, of the other cartoons. Mae also did Betty Boop, and my guess is they didn't want the same voice for both characters in the same cartoon.Also, Popeye's answer to everything was a punch, destroying whatever he hit....even a train! He's always ready to show his stuff, but a little more so than normal in this debut cartoon. This guy was punching everybody and everything, and so was Olive! In later cartoons, Popeye entertained us more with his clever remarks and reinventing of words. However, you can see from this early cartoon that it's no surprise this comic strip character made it big "in the movies."

tedg Spoilers herein.Popeye's first cartoon after he matured on the comics page. I believe the Fleischer cartoons may be the best of the era. Where other pioneers were working with characters abstracted especially for the screen, the Fleischers gave life to `real' characters. Betty Boop until 1934 - when regulatory prudes stripped her of her magic - was an amazing invention: sexy, somewhat dumb. But the important thing was the flapper persona.By 33, the Fleischers bought the rights to Popeye and this is the first appearance on screen. His dumb but endearing masculinity is a perfect match for Betty's similar femininity. She only appears in a cameo here, except the voice of Olive is very similar (and done by the same person). Betty was retired in 39, to be replaced by the unplucky, unsexy Olive.The world of film stereotypes would never be the same. The death of the Clara Bow type begins with this short.Ted's Evaluation -- 3 of 3: Worth watching.