Coventry Leave it to the Italians to come up with one of the most engrossing, cheesiest and outrageously entertaining splatter flicks of the 80s! Umberto Lenzi, here under his favorite pseudonym Harry Kirkpatrick, wrote the fantastically bonkers script but offered the director's chair to his lesser known buddy Vittorio Rambaldi. "Primal Rage" is as eighties as it gets: the über-cheesy and misfit pop song "Say the Word" doesn't just feature once or twice but three times integrally, there are loads of beautiful girls with humongous hairdos and sexy aerobic outfits and even the obsessive evil scientist sports a ridiculous little mullet-ponytail! There were quite many horror movies with monkeys during the late 80s, but unlike you'd suspect from Lenzi, "Primal Rage" isn't a clone of "Monkey Shines", "Link" or "Shadow of Kilimanjaro". Dr. Ethridge is working at a Florida University campus and uses a baboon as guinea pig for his research involving brain diseases, but he accidentally saddled the poor animal up with a virus that invokes rage and rabies. When the rebellious campus reporter Frank Duffy breaks into Ethridge's laboratory, he releases the baboon but gets bitten and thus contaminated with the virus. Duffy passes forward the virus to a cute girl he met during a blind date and she, at her turn, contaminates a trio of vicious rapists. Each virus carrier goes on his/her own killing spree during the night of the annual campus Halloween party. "Primal Rage" is clichéd, derivative and predictable, but oh-so-entertaining! The film is fast-paced and features terrific make-up art as well as countless of gory highlights, including beheadings and impalements. Hunky 80s kid Patrick Lowe is rather annoying, but the rest of the cast is decent, with young and yummy actresses Cheryl Arutt, Sarah Buxton and Jennifer Hingel. Naturally, of course, it's Bo Svenson who steals the show as the fanatic scientist (with ponytail). Special kudos for the creative minds who thought up and designed all the dozens of great costumes that people are wearing during the Halloween party! I honestly never saw any cooler or creepier horror costumes in my life.

d_m_s The low number of ratings and reviews for this film is evidence that it is a little-seen flick and after having just watched it I am surprised that it is so well hidden and also that I have never come across it before (I am always on the lookout for 80's hidden gems).OK, this isn't quite a hidden gem but it's a lot better than I expected, a lot better than its rating suggests and also a lot better than more famous yet higher rated horror films.What stops this being a gem is the mid-point lull, some poor acting from the supporting cast and some daft bits in the storyline.It's a bit frustrating because with some tweaking this could have been one of the great 80's horror films along with the likes of The Lost Boys and American Werewolf in London. There is a great soundtrack by Goblin's Claudio Simonetti, a fun pop-rock song in the intro, excellent special effects, some great death scenes, a highly enjoyable Halloween party sequence near the end and a decent storyline (that had huge potential to be a lot more fun and engaging had it perhaps been re-written a few more times before filming).In a way I'm glad there a still some decent old horror films out there that are worth discovering but it's just a shame that this one could have been so much better. Still, it was a decent watch and would have been more enjoyable watch with some mates and a few beers.

lost-in-limbo Virtually a little unknown b-grade campus-based oddball shocker that's efficiently catered for, but doesn't break any ground with its unspectacular story structure (written by Umberto Lenzi) and systematic thrills, despite its unsparingly nasty tone (which goes overboard in the film's last 30 minutes at a Halloween party) and suitably icky if makeshift make-up FX and special effects (done by Carlo Rambaldi who did such films like; 'Planet of the Vampires (1965)', 'A Bay of Blood (1971)', 'King Kong (1976)', 'Possession (1981)' and 'E.T (1982)'). While two different films, the way the story flowed kind of had me thinking of the 1989 sequel 'Gnaw: Food of the Gods II', but this one wasn't that shonky and campy. Again there's a focus on a cringe-worthy 80s tune, which oddly makes it way in the opening credits (which will have you thinking what am I getting myself into?) and then during the Halloween costume party as the band is performing live. Oh good.The story sees two college students Sam Nash and Frank Duffy working as journalists for the campus paper, where they suspect a professor there is doing inhumane animal experiments in the quest to restore dead brain cells. So Frank sneaks into the laboratory one night to take pictures, where he encounters a very aggressive baboon that in the process of breaking out bites him. Slowly he begins to feel the effects, he starts forming ugly looking sores and then uncontrollable bursts of raging violence takes over. Soon the virus begins to spread leaving a bloody trail and Sam along with his girlfriend try to put a stop to it.After quite a slow-going set-up, it goes on to build up a head of steam with some grisly strokes with chaos erupting and a few moments of kinkiness from a couple of ridiculously twisted beef heads. Vittorio Rambaldi direction is efficiently surefooted for its minor budget, but the half-baked execution just lacks that punch where atmosphere isn't projected and the suspense doesn't eventuate too much than just unpleasantly rowdy jolts. Then at the end you get sudden jump scene that comes from nowhere, as like a second thought because they forgot about a character. Claudio Simonetti's wonky score is just like a ragingly spreading virus with primal instincts and Antonio Climati lenses with a professional curtness. The performances are modest with Patrick Lowe and Cheryl Arutt making likable heroines. Sarah Buxton also shines in her part. Bo Svenson presenting a fashionable ponytail makes light work as the devious professor.Also there's a connection there with some of the cast and crew which saw them do the Italian cash-in of an American influenced slasher 'Nightmare Beach' in the same year.Passably average, but it does have some twisted novelty moments within.

william turner At first, I thought this was going to be another killer ape picture, instead it was an very cool knock-off of David Cronenberg's "Rabid", with awesome effects by Carlo Rambaldi. I thoroughly enjoyed watching these characters go berzerk to the music of Claudio Simonetti. The gore was plentiful and the ruckus at the Halloween dance was very exciting. It was also fun to watch one of Rob Lowe's brothers in yet another B horror picture. My only problem was the dated pop tunes that plagued the movie's soundtrack.