JoeB131 But the only line I remembered was the joke about "an E-ticket in Khadafy-land".This could have been an okay movie, if it had people who could act in it. Robert Ginty looks like he wasn't even trying. I don't think Sandahl Bergman could ever act, so I give her a pass.The plot is that a hot female terrorist is rebuilt as a killer cyborg so she can re-infiltrate her terror cell and kill all the terrorists. But instead, he programming snaps and she goes after anyone involved in either capturing her or turning her into a robot.The movie has some interesting scenes, and some dumb ones. I think it could have been an interesting film with better dialog, better actors. It also looks like they ran out of money at the end, with the final scene being shot at a private airport. The scenes in Beruit (or wherever) looked really good. The scene where he's infiltrating an office building, not so much.

geminiredblue Cyborg movies were all the rage in the mid-80s after the release of THE TERMINATOR. That movie worked so well because it depicted a nightmarish vision of the future dominated by rampaging, killer machines. And while it had plenty of nifty sci-fi and cyborg effects, the human story was equally strong. Several years later, this movie came out. The version I saw called it THE RETALIATOR, but it's sometimes referred to as PROGRAMMED TO KILL. Personally, I like the shorter title better. But you can definitely see where the filmmakers wanted to cash in on the Terminator craze. Now then, the story: The movie opens in Crete where a group of terrorists open fire on innocent civilians and kidnap two children. The terrorists flee to Beirut with their hostages. So the CIA contacts a team of mercenaries led by the wooden Robert Ginty (from WARRIOR OF THE LOST WORLD, uh, fame?) to go in, kill the terrorists and rescue the children. In the course of the operation, they manage to rescue the kids and take a female terrorist as a prisoner. The terrorist, played expertly by Sandahl Bergman, is then subjected to a top-secret government project (aren't they all!) whereby they replace parts of her with machines, reprogram and transform her into a killer cyborg. The CIA then sends her back into Beirut to kill a top priority terrorist. As you probably suspect, not even two minutes after she completes her mission, the cyborg goes haywire and starts a rampage against her creators. So Ginty takes it upon himself to stop her. The kills are impressive, my personal favorite is the moment where she kills a guy using a car phone. But Ginty doesn't have much of a screen presence. Granted, he's mildly better in this one than in WOTLW, but that's not saying much. The biggest problem with this film is that it has a cheap feel to it. While it may not be all-that-cheap, afterall it was filmed in several countries, the movie looks and feels cheap. If you're just looking for some mild entertainment, then look no further. But if you want to really see the cyborg movie shine, go out and watch any or all of the following: THE TERMINATOR, TERMINATOR SALVATION, BLADE RUNNER, and ROBOCOP.

gridoon2018 "The Retaliator" / "Programmed To Kill" would probably have been better if it had focused more on Sandahl Bergman's nearly unstoppable robot / killing machine and less on Robert Ginty's CIA agent / mercenary. In the pantheon of 1980's action stars, Ginty ranks pretty low. He just doesn't have much charisma. His family troubles in this movie are dull, and his reckless character is not very likable (at one point, he even blows up a jeep full of American security guards just doing their job - trying to protect the government facility that he had just infiltrated!). Bergman is a good pick for the part of a female killing machine, but the script barely even gives her any speaking lines, and the budget doesn't allow for much in the way of special effects and extra powers. Some fine stunts, but too many of the action scenes are filmed in near-darkness. Pretty forgettable, all in all. *1/2 out of 4.

poustinik Still-timely plot involving a female Middle Eastern terrorist who is caught and re-programmed to go after her former comrades ... all well and good, until the programming goes awry. Straightforward, simple plotting, the action is never allowed to lapse, AND ... this will never happen again ... NO political grandstanding on who is right and wrong in the Middle East situation. Suitably unpretentious production and very workmanlike acting all around, and Sandahl Bergman turns in a rather unnerving performance as Samira, the death machine; the only other actress this good in such a role at the time was Claire Wren in "Steel and Lace," another movie which will appeal to those who like this one. This movie cries out for a remake, maybe with Michelle Rodriguez, though it won't happen; a DVD release of this one would be better.