Nigel P In Stockholm, Henrik (Jonas Malmsjö) is a popular priest whose good relationship with his congregation sadly doesn't stretch into his home life, which is awkward to say the least. On hearing of his father's death, he drives through the night – against the wishes of his girlfriend – to his father's hometown. On the way, he knocks down a woman whose body then disappears.He takes lodgings with a very strange family and sees a little girl in the barn outside. The girl transforms into a CGI demon and vanishes. Then he meets other people who transform into CGI demons, including a teenage girl who appears to seduce him in the barn before assuming the appearance of his mother (I think) before transforming into another CGI demon.This continues for the film's running time and it soon becomes an impenetrable tangle of intensely acted, beautifully directed set-pieces and flashbacks, most of which appear to be designed to force Henrik into believing in the existence in Hell – something he has always previously denied.The repetition and occasional absurdity of the effects cease to have any real effect after a while, especially as such moments are never really explained. It actually becomes an annoyance that such talent is wasted here – why take the time to perfect these shots and effects if they are just lost in a story that continually makes no sense? The ending sees Henrik conducting a sermon to a full congregation (including his son, with whom it seems relations have at last improved) denouncing religion and his faith as an elitist fiction. The implication is that he has lost his mind, and his faith in religion, but gained the acceptance of his wayward family. Very odd.

SpannersGerm669 Judging by the low score and less than impressive discussions on IMDb, i went into Psalm 21 expecting a disaster, but in the end what i got was the complete opposite! Comparing this to the Scandinavian standard, this Swedish horror film doesn't really keep it company, but on its own ,its a generic horror film idea, mixed in with a soul searching look into the destruction that religion can bring. Brilliant cinematography, along with solid performances in the acting department, make Psalm 21 appear to be a well executed movie. Unfortunately, my biggest problem with the movie was the repetitive horror set pieces, which allows the audience time to desensitize themselves to what is happening, due to the frequency of scares. Having said that, thankfully Psalm 21 saves itself by the thought provoking material, underneath the generic surface!

heartstream Why does this movie have such low rating? It's definitely worth a lot more. First this is a horror movie. If you expect Oscar winning dialog, well you are watching the wrong type of movie. If you expect every little detail to be correct or that they don't speak the correct dialect for that part of Sweden, don't watch it. All movies have mistakes let's not forget that. Now let's look at what we have here. It's quite a basic set up for a horror movie, no real surprises there. The acting is over all good to very good. The main actor is on the verge of overacting from time to time especially in the beginning but he pulls it together. The storyline isn't hard to follow, but you have to pay attention though. For a horror movie it's actually quite good. Compared to a lot of "horror" movies out there this is actually one of the better ones in the last few years. If you like the American style "everything is explained to you so a 5 year old can understand" this might be to tough for you. If you like the Asian style "the movie is over and nothing is explained and you have to guess and try to puzzle it together for hours", this might be to easy for you. This mixes both of those and finds a nice middelground of storytelling. There's so many really awful horror movies that has gotten way better rating so I'm surprised that this doesn't have at least 6/10. Intentionally I haven't summed up the plot or written any "spoilers". Others have already done that and I really want you to give this movie a fair chance without giving anything away.

Kane610 Saw this one yesterday at a filmfestival in Lund.The script itself wasn't anything out of the ordinary (I won't spoil it, but you know the drill), you follow a person going to the middle of nowhere because something happened to someone close to him and during the story remembers frightening stuff. The acting was the good part of the film, especially Jonas Malmsjö who was close to being over the top but never reached it, it was a good balance he held almost all the way through. The supporting actors where mostly good, though they didn't all the time have the best material to work with, but during the better parts they shined. Especially well did Per Ragnar (Låt den rätte komma in) who even though only had a minor roll got good material and also made the best out of it.I need to see this movie a second time to reflect on my first thoughts but I think I will stand by my review without any alterations after a second viewing.