Cristi_Ciopron A musical comedy with Patricia Ellis (as the rocketing songwriter) and Suzanne Kaaren (as the temperamental singer); Suzanne Kaaren had, a few yrs after this movie, a supporting role (and a distinguished billing) in a crazy science comedy with Lugosi. In this movie, R. Carle does again one of his confident, irascible, and senile showbiz bosses, which is his stock character; W. Hull and R. Paige look somewhat similar …. After almost 80 yrs, these people are still offering their beautiful songs …. It is uplifting to watch people behaving well and with dignity, and this may be at least one of the pleasures given by this genre; in this movie, this ideal world is lively and endearingly conveyed. Here, the storyline is well handled, and occasionally sexy. It's a B movie, but a crafty one: mainly, a good comedy, with cool songs. They knew not to gnash; they were saner.Comedy, songs, cast, direction are well assorted, and I feel glad to recommend an accomplished B movie. We are spared the occasional Condescendence towards women, of the screwballs from that age.The blonde lead, a likable girl, not especially talented, though _conqueringly zany, and who certainly deserved her role, manages to upstage the other players with her beautiful tits.

bkoganbing In Rhythm Of The Clouds I have to say that leading lady Patricia Ellis has the guts of a burglar. She finagles and forges her way into living in composer Robert Paige's apartment and then says she's his new collaborator on his music. That gets her a contract for a new radio show where Zeffie Tilbury is the sponsor. Of course it's Ellis's own music and it's good. But it's Paige's name who puts it across.She even gets lyricist Warren Hull to provide words which he usually does for Paige. Problem is that she has had a fight over the phone with Hull when Hull called to complain about the noise. He doesn't know that's his collaborator to be. I think you can see where this is going.Three years after this film came out, Paramount took some of the same plot premise and fashioned Rhythm On The River for Bing Crosby and Mary Martin. Of course a better score and the production values of Paramount versus Republic a better film was created.Still Rhythm In The Clouds is not a bad Saturday afternoon' viewing.

mark.waltz A struggling songwriter, thrown out "gently" by her landlady (who is kind enough to tell her at 1:00 she doesn't have to rush; the new tenant is moving in at 3:00), manipulates her way into the apartment of an already established composer, pretending to be a relative, and predictable complications happen. The rise to success is spectacularly fast, the "relative" returns, and a fairy godmother (in the guise of a feisty countess) helps her to achieve her dreams. All in the matter of under an hour in this silly but watchable screwball comedy with a few minor songs. Not much to praise here; It's all pretty unbelievable and ordinary, but the game leads (Patricia Ellis and Warren Hull) and some memorable supporting players (particularly the always scene-stealing Zeffie Tilbury as the very American countess and the underrated Esther Howard as the landlady) make this mildly pleasant.

Mart Sander Not a bad way to spend 53 minutes staring at beautiful people, glamorous gowns and well designed sets, accompanied by lilting tunes. The story isn't too bad, even though the dialog tends to rely too heavily on comedy even when nothing is ready at hand. Patricia Ellis is so-so - rather pretty yet not as glamorous as several other leading B-ladies of the thirties, and a bit too temperate for a screwball comedy. As she only joins in shortly for the last song, it's hard to say anything about her voice. Warren Hull is a good-looking and sexy hunk with very good voice, but there appears to be no sparks flying between the two. Nevertheless, the film flies by very quickly (at 53 minutes - as presented in Classic Musicals 50 movie pack - it should) and keeps your attention well in grasp. Quite enjoyable, even though there is very little actual rhythm and almost no clouds to be seen.